REVIEW: SIAN CROSS – ‘CONSCIOUS’ EP – #ThisIsTheLatest

REVIEW: SIAN CROSS – ‘CONSCIOUS’ EP 0 145

Having already shared the stage with Jessie J, Daniel Bedingfield and the icon that is Stevie Wonder, Sian Cross is no stranger to the music industry, and she’s well and truly on the way to leaving her own mark on it.

Her EP Conscious showcases her talents superbly and there’s a passion and honesty to her lyrics that have been missing from a lot of releases in recent years. With a vocal delivery that is so full of emotion it sent shivers up this reviewers’ arms at least once, the 5 track collection serves as a great introduction to those who have yet to discover how good this young woman is.

The EP opens with “Tell Anybody”, an anthem perfect for anyone struggling through life or fighting a battle that seems never-ending. It’s a testament to individuality and a call to all those who listen to it to be themselves, to stand up for what they believe in and to live their life their way.

“Stare At Me” was inspired by a Katie Piper documentary Cross watched shortly after undergoing surgery to remove a teratoma, which left her with several scars. While she recovered and while feeling insecure, the documentary encouraged Cross to reveal her true self to those around her; scars and all, and this song is a reminder to everyone, herself included, about the strength that comes with being yourself and accepting who you are 100%.

In a world where so many people are judged and judge others on their appearance, Cross should be commended for creating a song to inspire, encourage and motivate all those who listen to it to think twice about what they say and do, but more importantly, to remind them that we’re all human and that no-one, even if they believe that they are, is perfect – and that’s something we all have in common.

Next is “The World As I”, a melodic little number that would work well as a future single. It’s slower and softer than the previous two tracks, which some listeners might be put off by, but it’s certainly worthy of several listens.

“On and On” meanwhile is another empowering track, inspired by an encounter with a stripper Cross had one day. Strippers and other individuals often get a bad reputation for what they do, without others taking into consideration a persons’ back-story or reasons for doing the job in question. “On And On” serves as yet another reminder that those who do what they want to and what they believe in are some of the strongest people around, and no-one has the right to judge them for it.

Adding a touch of poignancy to the collection, “Four Weeks” is a sentimental track which pays tribute to Cross’ father who died several years ago. The emotion with which Cross delivers the lyrics is enough to bring those who hear it (certainly myself anyway) to tears as she puts into words and to music how difficult for her the loss was to deal with. She wanted to write and share the song as a way of helping others through similar situations and, as she explains, that’s exactly what the track has done:

“Since releasing the song, I have received a number of messages from people expressing the comfort and strength that Four Weeks had given them. One person even told me that they hadn’t been able to grieve for their mum but this song allowed them to release the pain they had been hiding.”

Very few artists in recent years have addressed such a personal issue so publicly as Cross does on this track, the exception perhaps being “Wake Me Up When September Ends” by Green Day, written about the passing of front-man Billie Joe Armstrong’s father, and I for one want to stand up and applaud her for doing so. As someone who lost a loved one a few years back, this song has given me a new perspective and serves as a musical reminder that I’m not alone in struggling with the loss I’ve endured. Sometimes we all need a little reminder that we’re all living life on this Earth together, and as much as we might feel it sometimes, we’re never truly alone in what we’re feeling.

As of this moment, this collection is easily my EP of the year and it will take something truly, truly special to top it. Conscious is available now on iTunes.

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JANGO FLASH CHATS “PERSEID 45”, SOCIAL MEDIA & ULTIMATE AMBITIONS 0 106

With his “kamikaze pop” sound already having caught the attention of BBC Introducing and BBC 6 Music, Jack Angus Golightly, AKA Jango Flash, is slowly but surely making a name for himself, and his latest single “Perseid 45” is sure to have more music fans and critics alike talking. ThisIsTheLatest caught up with Jango to talk song-writing inspiration and his big plans for the future.

http://kirklandmarineconstruction.com/?tywe=sitios-para-conocer-gente-chile&8f6=e1 TITL: Please introduce yourself if you would.

Jango Flash: Hi my names Jack, AKA “Tasty Daniels”, AKA “Ooo what’s in dem briefs”, AKA “Jango Flash”.

http://caboclonharaue.com/?kreosan=david-gaspar-op%C3%A7%C3%B5es-bin%C3%A1rias-funciona&19b=10 TITL: Where did the name Jango Flash come from?

JF: It was two nicknames which I ended up gluing together. All of my close friends call me “Jango” because it kinda acts as an Abbreviation of (J)ack (An)gus (Go)lightly, and when I worked in a kitchen, I used to get called “Flash” because of how fast I could chop onions. I feel like every artist at some stage has made a list of “cool” sounding words to put together, like I did. But I ended up hating the process of deciding on something that felt concrete, because it was always so over analysed and contrived. I guess that’s why some people have went back to using online generators for sourcing a name without much thought, or just adding 5 more letters in or around a word. If you’re looking for a good name, it’s usually right on your doorstep.

binaire opties uitbetaling TITL: What would you say your artist unique selling point is?

JF: That’s a tricky one, I never really think about USP’s in music but I guess it would have to be my hands, apparently I’ve got lucky thumbs.

source TITL: Which three artists or bands would you say you’ve been and are most influenced/inspired by? What impact do they have on the music you make?

JF: Damn, that’s tough. Subconsciously I guess I’m inspired by early 2000’s music like t.A.T.u. because they came about at a really weird time in my life. I remember seeing the music video for “All The Things She Said” on Kerrang! and just feeling so many different emotions. They have this wonderful ability of being able to take darker, guitar driven music and then re-purpose it in a huge girl band style, it’s bad ass! I think there’s something to be said about their influences and how they decided to express that in their music. Death Grips are another group I love. From the get go, they’ve had an entire fan-base in the palm of their hands because they are masters at toying with peoples expectations. They’ve got a powerful presence on and off stage, and I can admire that they still do everything them selves, they are essentially modern day punks. Them Things is the band I play drums in, and I’m influenced by everything that we do together. Everyone in Them Things is full of fire and we’re all pretty free thinkers. We’ve fought badly with each other in the past and equally seen each other through a lot as friends, so I find it hard to imagine not being with those guys.

http://mustangcipowebaruhaz.hu/?sisd=opzioni-binarie-vere-o-frodi&e16=12 TITL: Is there a story behind your latest single “Perseid 45” and is there an EP or album in the works?

JF: I’ll have a fully illustrated, four track E.P finished by the end of July time. I have a second single ready to release in June called “Deeper Thrill”, and two music videos in the works. The story behind “Perseid 45” came from a time when me and my partner took some duvets and deck chairs out into a field in Edinburgh and watched the Perseid meteor shower. I found it so strange to see that many in one night, it was pure magic. We had gone through a really rough time together when I wrote this song and I guess that was the first thing I thought about. It’s a blown out projection of extra terrestrial pondering, experiences shared and dark feelings of existentialism brought on by losing someone who you may have took for granted.

http://www.cilentoescursioni.it/?kiskwa=iq-option-coordinate-bancarie&665=8b TITL: When it comes to song-writing, where or how would you say you most find your inspiration?

JF: Inspiration usually strikes me at the worst times, it sucks. I’ll be on public transport with a melody rattling around my head and I’ll have to pull out my phone to record it, but somehow play down looking like a fruit loop by casually whistling to myself. Sometimes it’s circumstantial, like I woke up one morning and my partner was humming something, so I was like “what is that” and she went “oh, it’s chamber of reflection by Mac Demarco” and I say “nah it’s not, it sounds nothing like that”. I loved it so much that I ran downstairs to record it and it ended up being the guitar hook in “Perseid 45.” In terms of writing lyrics, I write a hell of a lot… like every day. When my first MacBook broke I lost around 600 notes full of stories, lyrics, poems and ideas. I just keep writing down my thoughts until I’ve struck something that makes me feel good, or accurately conveys a particular emotion. Other times I’ll highlight a phrase that sticks out to me in a sentence. Maybe the person talking is a character I can live through for a while, and they can be the ones writing. I try and pay attention to oddities that throw me off kilter.

http://www.accomacinn.com/?falos=binary-options-with-no-deposit-bonus TITL: Which song, by another band or artist, do you wish you could have written, and why?

I’m sure I thought about this again last month, and it would probably be Carol King ‘s “Too Late.” Every time it comes on I just well up, because in it’s essence it’s so full of warmth and forgiveness, whilst ultimately saying “well I guess this is us then, bye”. It’s totally heart breaking in the best of ways, and it’s got to be one of my favourite songs in the world.

geld verdienen binäre optionen TITL: Are there any tour or performance plans you can tell me about? 

JF: I don’t actually have a band together yet, it’s all just me at the minute. I have a few close friends on standby who are whole-heartedly ready to play with me should I be called for duty. Hopefully this year I can play my first show, but for now I want to create a body of work I can be proud of.

http://fisflug.is/?yrus=piattaforme-demo-per-opzioni-digitali&450=b8 TITL: Which venue in the world would you most like to play and which four bands or artists, living or dead, would you like to share the bill with? 

JF: Jesus. I’m not really au fait with venues, I’ve never been a big dreamer on where it is I’d like to play, I’m always just happy playing live in general. I’ve always been more into dive bars though, they seem to have more character than academies etc which usually feel like glorified sports halls with overpriced drinks. If I were to choose though, it would have been CBGB’s when that was still around. I watched a documentary all about that place, it’s a great shame that somewhere with such colourful history got shut down. As for the acts – The Doors, Trash Talk, Timber Timbre and Babylon Zoo. I’m ready to hire in for parties.

trading opzioni digitali TITL: As someone who’s already caught the attention of BBC Introducing and BBC 6 Music, do you pay much attention to what the media says/writes about you, or are you more concerned with what your fans think? 

JF: I haven’t really had much written press until now with blogs starting to show interest in my work, plus my fans are still very much local at the moment. The thing I care about the most is how all of it is represented, I feel strongly about my work and it’s the only thing I really care about right now besides Them Things, my partner, my friends and my family. If those people are enjoying my music right now, I’m happy.

go site TITL: As a modern day artist in a technology obsessed world, how do you feel about the power the likes of Twitter and other sites can and do have in terms of helping an artist grow their fan-base and keep themselves current? Have you found using social media to be a help or a hindrance when it comes to your career?

JF: I think on the DL I don’t like the fact that artists almost have to use social media if they want to be counted. At the same time though I don’t see it doing any harm because it’s helping people to connect with one another in creative ways. Not to sound all TED X about it, but I think we’re going to see a lot of expansion on the platforms we’re using, and that will bring in new and exciting ways to promote content, so that excites me. As much as I’d sometimes love to scrap social media, I’m still guilty of sitting up and scrolling through spicy ass memes. If you want to make money in today’s world, here’s a tip… create top quality original memes, watermark them and build an empire, THEN become a musician.

TITL: Finally then, what’s your ultimate goal? What would you like people to remember you for in terms of your music and what would you like your legacy to be? 

JF: I have far too many crazy goals, but I’m trying to take this project one step at a time. I’d love to have my own podcast, direct videos, produce music for film and TV and write my own screenplays. Right now though the wheels are in motion, I’m happy making my own music and seeing where it takes me, I just need to keep pushing myself out of my comfort zone.

Check out “Perseid 45” below and for more information on Jango Flash, give his page a like on Facebook or follow him on Twitter. You can also see Jango Flash live on June 8th in Newcastle, as support for Ty Segal & The Freedom Band.

REVIEW: EMILY FAYE – ‘HERE I AM’ EP 0 70

Championed by Rolling Stone last year and named one of their ‘Ten New Country Artists You Need To Know’, Emily Faye’s passion for music stretches far beyond the short time she’s been in the spotlight as a star in her own right. Having gone from writing songs in her bedroom and studying at the British and Irish Modern Music Institute, she’s now released her debut EP called Here I Am.

Opening with “Open Road”, the collection gets off to a great and upbeat start, thanks to Faye’s soft, almost innocent vocal perfectly being perfectly paired with a toe-tapping country rhythm. “Giving In” is much slower, but maintains the EP’s focus on Faye’s vocal talents as she delivers the tracks’ strong, emotive lyrics that hold a a hint of defiance and rebellion in them.

“Game Over” is the kind of track that deserves to be played when listeners are taking a summer’s day drive with their friends. There’s an unmistakable ‘freedom and exploration’ vibe to the song – a perfect accompaniment to the upcoming summer break – that is sure to have the piece put on repeat.

Written about being comfortable with someone; a boyfriend, girlfriend, partner, or friend, who loves you for you, no matter what, there’s a reflective, deeply emotive and connective feel to closing number “Me For Me”, and as someone who has always struggled with self-confidence, the song reminded me that I have people in my life who wouldn’t and don’t want me to change who or how I am.

The EP as a whole has a very almost old-school, traditional feel to it, making it stand out from the many other releases of recent weeks and months that have focused more on the modern music styles which dominate the charts and the industry in general. The collection is a fantastic introduction to one of the hottest names in country music right now and will certainly have fans eager to see where Emily Faye goes and what she creates with her talent next.