‘ROGUE ONE’ & TOM HIDDLESTON AMONG THE BIG WINNERS AT THE 2017 EMPIRE AWARDS 139

The annual Empire Awards were held in London last night and some of the biggest names in TV and film gathered for the event at the Roundhouse.

Felicity Jones won best actress for her role as Gyn Erso in Rogue One: A Star Wars Story, while the movie also picked up the best film and best director (Gareth Edwards) awards.

Jones’ The Theory Of Everything co-star Eddie Redmayne picked up the best actor accolade for his role of Newt Scamander in Fantastic Beasts and Where to Find Them. Fantastic Beasts also walked away with the awards for best costume design and best hair/make-up.

Tom Hiddleston, most recently seen on the big screen as James Conrad in Kong: Skull Island, was named Empire Hero and prior to announcing his name, his The Night Manager co-star Hugh Laurie referred to him as a:

“…ferociously intelligent, brave, kind, good-humoured human being. In short, a hero.”

In his acceptance speech, Hiddleston said:

“They say never meet your heroes. I’m lucky enough that I wouldn’t be standing here if I hadn’t met mine. I’ve been lucky enough to work with them. And if I haven’t worked with them, I’ve attempted an impersonation of them on the Graham Norton show.”

Hiddleston and Laurie later reunited on stage to collect the best TV series award for The Night Manager, with Hiddleston name-checking absent co-star Olivia Colman by saying she’s:

“…never around when she wins awards. Which is very cool.”

Sir Patrick Stewart, praised for his portrayal of an ageing Professor X alongide Hugh Jackman in Logan, collected the Empire Legend accolade while French director Luc Besson was the recipient of the Empire Achievement Award. While collecting it, he joked:

“I’m not used to receiving awards. The last one was in ’72 at the swimming pool. Why did you have to wait until Brexit to honour a Frenchman?”

Anna Taylor-Joy was named best female newcomer and Daniel Johns the best male newcomer. Elsewhere, there were wins for I, Daniel Blake, awarded best British film, A Monster Calls, which picked up the best sci-fi/fantasy gong, Jason Bourne which won best thriller, The Witch, awarded the best horror prize, The Greasy Strangler which picked up best comedy and Supersonic, named best documentary.

 

Previous ArticleNext Article

Leave a Reply

Your email address will not be published. Required fields are marked *

CORRIE TO AIR MALE SUICIDE STORYLINE NEXT WEEK 33

Coronation Street is to highlight the important issue of male suicide when Aidan Connor tragically takes his own life.

In episodes to be screened the week of May 7th viewers will hear that Johnny Connor has discovered his son’s body at his Victoria Street flat, after Aidan failed to turn up for work at the factory.

As the news of what Aidan has done spreads, his devastated family and friends try to come to terms with the shock of their loss and begin to question why they hadn’t spotted any signs that he was struggling to cope with life.

Viewers will last see Aidan on screen on Monday 7th May when he goes to see Eva at the cottage where she is living after giving birth to baby Susie, before returning to a family party at the Rovers. His final scene will see him back at his flat alone. No element of the suicide will be shown on screen.

Johnny makes the devastating discovery at the beginning of an hour long episode on May 9th.

Actor Shayne Ward, the writers and production team, have worked closely with charities Samaritans and CALM to ensure the storyline is handled sensitively and realistically.

Shayne Ward said: “I am honoured to have been trusted with a storyline like this, it shows the confidence that Kate and the team had in me to be able to play it. When you get given a storyline like this it is a decision that is not taken lightly, I have played it with as much honesty and truth as I could. I am very proud of what I have done in my three years on the show and on this storyline in particular.

“Aidan is an ‘everyman’ figure, he is someone men can identify with, which is important in telling this story.”

“Talking could have helped Aidan to turn his life around. It could have brought him relief from what he was going through. This is what his loved ones would have wanted. Suicide is a very permanent response to what are usually temporary problems.

“We all know someone who has maybe felt like Aidan did, someone who found it hard to talk and we have all heard stories like Aidan’s when it was too late, when people looked back and wished they had spotted the signs, but it isn’t always possible. If we can encourage someone who is feeling low, who is having the sort of thoughts Aidan was having, to realise they need to talk, then we have achieved what we set out to with this story.”

Aidan’s devastated family and friends try to come to terms with the shock of their loss.

Coronation Street Producer Kate Oates said: “Suicide is the biggest killer of men under 45 in this country. With 84 men taking their lives each week, we quite simply can’t afford to not talk about it.

“Aidan’s story, bravely and brilliantly tackled by Shayne Ward, is designed to give people who hide their feelings of desperation a chance to start a conversation, letting someone know what they’re going through. Through this story, we want to assure anyone who feels suicidal that there is always someone who wants to listen and support you: whether a friend, family member, or one of the brilliant charities we have been working with throughout this story.”

Ruth Sutherland, CEO of Samaritans, said: “We were pleased that Coronation Street invited us to work with them on Aidan’s storyline. Suicide is clearly a very sensitive topic and one that presents some distinct challenges for producers of soaps. This is why Samaritans publishes media guidance and works with programme makers.

“Soaps can play an incredibly powerful role in increasing people’s awareness and understanding of difficult issues. Viewers will see the devastating impact of suicide and the effect that it has on families – it’s never the case that others would be better off without you.

“By illustrating the dangers of staying silent when it feels like life’s challenges are overwhelming, we hope others who are struggling will be encouraged to reach out for support. And, if viewers are worried about someone else, we hope it will inspire them to be brave and open up a conversation.

“You won’t make things worse, but you could start that person on the road to recovery.”

Simon Gunning, CEO of CALM, said: “Coronation Street is doing vital work in highlighting such an important issue with this storyline. Suicide is the single biggest killer of men under 45 in the UK, where three in every four suicides are male. The reasons for this are many and complex, but at CALM we focus on the cultural and societal aspects, including the pressures men face and how societal expectations can limit help seeking when life gets tough.

“Working with Coronation Street has allowed us to engage a huge audience in the devastating effect of suicide, while providing a platform to highlight the help that is available for those in need of support.”

Aidan’s final episodes will air the week beginning Monday 7th May.

ALL CHANGE BEHIND THE SCENES ON CORRIE & EMMERDALE 38

ITV today confirmed Iain MacLeod had been appointed as the new Producer of Coronation Street, following Kate Oates’ decision to leave the soap and move into drama series production.

Kate is moving to work with ITV Studios owned label Tall Story Pictures, where she will produce the forthcoming second series of Bancroft, starring Sarah Parish.

ITV also announced that former ITV Drama Commissioner Jane Hudson has been appointed Emmerdale’s Executive Producer responsible for the future editorial and creative direction of the award-winning soap. Assistant Producer Kate Brooks becomes Producer alongside current Series Script Producer Laura Shaw who also becomes a Producer. Kate and Laura will produce blocks of episodes on a rotational basis and take responsibility for the day to day running of the programme. The Emmerdale appointments will take effect from the beginning of June, to coincide with Iain taking the helm at Coronation Street.

Kate and Iain leave their respective soaps in strong form, as each is up +5% year-on- year for volume, on both consolidated and overnights ratings. In 2018 to date, Emmerdale has increased its average audience in the consolidated ratings, pulling ahead to become the UK’s second most popular soap.

Coronation Street continues to be the UK’s most popular soap, with Good Friday’s 8:30pm episode scoring the highest rating in this slot in more than 4 years when 9.4m viewers tuned in to see Phelan confess his string of crimes to Eileen at the lighthouse. Across that week, Coronation Street delivered an impressive 40% share among 16-34s, the soap’s highest share for this demographic since just before the tram crash in 2010.

ITV Studios Creative Director for Coronation Street and Emmerdale, John
Whiston, said: “There’s a lot to praise here! Kate Oates has transformed Coronation Street during her tenure. This has been reflected both in the huge critical acclaim the show has been getting and in the ratings. We are now used to opening the overnights and seeing Coronation Street has delivered its highest ratings for many years, a herculean achievement in this box set era.

Kate has done this whilst putting on screen some groundbreaking and socially important stories such as the Bethany grooming story and David’s rape story. It is a testament to her brilliant editorial touch that these stories, though difficult, have been both credible and engaging.

Meanwhile, Kate has unleashed on us one of the finest villains in soap history with Pat Phelan and his dastardly deeds. And the show has continued day in day out to provide the viewer with top notch Corrie humour from Liz to Moira, from Steve to Tracy, from Sally to Tim. Doing all this while taking the show from 5 episodes to 6 episodes a week is a phenomenal achievement by Kate and something of which those who work on the show and those who watch it are hugely appreciative.”

On Iain MacLeod’s time at Emmerdale, John commented: “Meanwhile, over the Pennines, Emmerdale has been going through its own golden period under Iain MacLeod’s aegis. It too has built its audience volume and share. And it has delivered some truly memorable storylines. Ashley’s dementia was notable not just for the strength of the story, but for the way it was told with some soap defining drama, such as the episode all seen through Ashley’s point of view.

Equally hard hitting, though in a different way, was the multi car pile up on Hotten bypass. Emmerdale has a reputation for delivering big stunts and this one wasthe biggest and most spectacular, as well as the most intricately plotted and it came from the perfect soap brain of the supremely talented Iain MacLeod. It is no wonder Emmerdale has won pretty much a clean sweep of the awards in the last year, a run interrupted only by Coronation Street’s RTS Award.”

On Jane Hudson’s appointment John said: “Jane Hudson was the ITV Commissioner for the soaps during their recent renaissance, leaving last summer. She is the ideal person to take on the leadership of Emmerdale as she has soap running through her veins and understands and loves the genre like no other. She is also forthright and humane, both qualities needed to lead a soap these days. She has a brilliant story mind which makes me excited to see where Emmerdale will go next.”

Iain MacLeod moves to Coronation Street following his successful tenureas Producer of Emmerdale which has seen the Yorkshire based soap tackle a range of notable storylines including the recent acid attack inflicted on Ross, the reuniting of Robron following an acrimonious break up after Rebecca gave birth to Robert’s son, Seb, the realisation
that Faith Dingle has suffered a double mastectomy and Emma Barton’s demise following the death of James.

Emmerdale has also received a remarkable string of awards during Iain’s time as Producer including a BAFTA for Best Continuing Drama in 2017, the RTS Award for Continuing Drama in 2016 and 2017 and the National Television Award for Serial Drama for consecutive years in 2017 and 2018.

Prior to Iain taking his position at Emmerdale in 2015 he was Series Producer at Hollyoaks, a role he held since 2013. A former Coronation Street researcher and Story Editor from July 2009 until 2013, Iain left the programme in 2013 to join Hollyoaks and was promoted to Series Producer shortly afterwards.

Iain MacLeod added: “Working on Emmerdale at a time when it’s enjoyed such success hasbeen a total joy and I will miss the people and the place immensely – it’s a special show full of huge talent. Only Corrie could have tempted me away. It gave me my first job in TV asan assistant researcher many years ago and to be returning as producer is the fulfilment of a longstanding dream. It’ll be like a reunion with an old friend and I look forward to continuing the amazing work already being done by everyone connected with the show.”

Jane Hudson began her television career as a storyliner for Coronation Street before progressing to Script Editor. She moved to Casualty where she worked as Series Editor and Producer from 2004-2007. Jane is also a former producer of Law & Order: UK, Hustle, Waterloo Road and Robin Hood. Most recently Jane spent four years as an ITV Drama
Commissioner overseeing Coronation Street and Emmerdale from the network’s perspective. Jane joins Emmerdale from the independent television production company, Eleven, where she has been working as Executive Producer, Drama.

Jane Hudson, on her appointment as Executive Producer of Emmerdale commented: “I’m delighted to be returning to my Yorkshire roots and becoming partof the nation’s much loved soap, Emmerdale. I can’t wait to be back around the story table working with the writers on ideas that will have our audience laughing, crying, suspecting and occasionally hiding behind a cushion. I want to continue to give our loyal audience the drama they love whilst also bringing new viewers to the Dales, because believe me, there really is no better place.”

A former Producer of Radio 4’s The Archers from 2003-2010, Kate Oates has successfully produced Coronation Street since 2015. Prior to taking up the reins at Corrie, Kate produced Emmerdale from 2013-2015. She had previously worked as Coronation Street’s Assistant Producer following a stint as Emmerdale’s Story Editor. Kate leaves Coronation Street in an exceptionally good place after seeing the iconic soap transition from five to six episodes each week in September 2017.

Kate has also recently overseen an array of significantly memorable storylines including Eva and Maria’s infamous catfight following Aidan’s admission on his wedding day that he’d been in love with both women, Bethany’s grooming story, the realisation Zeedan’s wife Rana was in love with Kate, the return of Carla Conner to Coronation Street and Phelan’s reign of terror on the Weatherfield community.

Kate has also been responsible for the powerfully compelling story of David Platt’s rape, which has recently won huge praise for the soap from the audience and critics alike for tackling such difficult subject matter and raising awareness of such a devastating sexual assault. During Kate’s time as Producer Coronation Street also achieved theprestigious BAFTA Best Soap and Continuing Drama Award in 2015 and the RTS Award for Continuing Drama earlier this year.

Speaking today, Kate explained: “Being a part of Coronation Street has quite simply been one of the best experiences of my life. I am proud of the stories we have told and the impact they have had – and I’ve had a ball working with one of the best and most talented teams in television. I’ll be forever grateful for this opportunity and all it has given me; but I’m also excited to try something new. I can’t wait to make a start on Bancroft, working with the brilliant Sarah Parish and Tall Story Pictures – and I’ll continue to love watching both ITV soaps from the comfort of my sofa.

Catherine Oldfield, Creative Director at Tall Story Pictures says: “Kate Brooke and I are delighted that Kate has chosen Bancroft 2 as her first production after her fantastic run at Corrie. Kate has shown how brilliantly she delivers stories that thrill and surprise ITV audiences. We can’t wait to work with her.”

On Kate Brooks and Laura Shaw’s appointments as Emmerdale Producers John Whiston said: “Kate Brooks and Laura Shaw are both exceptional at what they do. Whilst they’ve worked on Emmerdale the show has been its best ever. They are both really good people who foster a supportive working atmosphere in which people who work for them thrive. Their appointments are a tribute to them and to the show for being the sort of place where good people do good and prosper. All in all, a top new team for Britain’s top soaps.”