Five years in the making, Thirty Seconds To Mars’ new album ‘America’, which Jared promoted this week by hitch-hiking his way across his home country as part of an event called #MarsAcrossAmerica, is most certainly a considerable shift away from what members of the Echelon have heard from the trio (though current duo) over the years. But is this said shift good or bad?
Beginning with “Walk On Water” which introduced both old and new fans alike to the bands’ new rather electro-edged sound, ‘America’ starts off well, especially given that the rather radio friendly “Dangerous Night” follows on from it.
“Rescue Me” ups the tempo somewhat, and with its toe-tapping, body swaying rhythm, combined with Jared’s rough edged vocal, it’s just over three and a half minutes of enjoyable considerably upbeat rock, and the simplistic chorus in particular will work well when – or if – its performed on their current Monolith tour.
Prior to the release of the album, the band gave a sneak peak of one of the album’s collaborations, with A$AP Rocky. Having watched said sneak peak, this reviewer personally felt his involvement was random and pointless. Fortunately however, and for reasons unknown, he doesn’t feature on my (likely all UK albums) version and with the song performed for the most part in a breathy, almost dream-like manner, it would most likely have been completely ruined with Rocky’s inclusion.
The “Monolith” instrumental, AKA track 5, doesn’t really serve any purpose, however it does lead into the album’s one collaboration that REALLY does work – that of Jared and Halsey on “Love Is Madness” – one of the darker tracks, but not the darkest, on the album. She compliments Jared perfectly, enhancing the song and its sultry mood/feel to the point where it easily stands out as a highlight of the collection.
“Great Wide Open” is an inspiring track, and one that’s perfect to listen to when you’re out discovering yourself or exploring this world we live in, or most likely, doing both at the same time. It’s the type of song you can see playing behind a montage of a person’s life, as their friends and family pay tribute to or celebrate them in some form or another, and with that in mind, it’s one of the album’s strongest, and most emotive, pieces.
Mixing simple electronic hooks, plenty of synth and a chorus which, it could be argued, is rather understated, “Hail To The Victor” almost flashes back to the ‘Love, Lust, Faith and Dreams’ era of the band, perhaps included to draw that chapter to an undeniable close. The darkest, deepest number on the album comes in the form of “Dawn Will Rise.” With lyrics including “Come and hit me, strike me while I’m down” and “Fortunes fade in time, I must change or die.”, it’s certainly not a track to listen to if you are in a good mood, as its sombre, almost depressing tone, matched by Jared’s almost defeated vocal performance, will soon shatter said mood to pieces.
If there’s any real surprise on the album, it’s Shannon’s Leto’s vocal on “Remedy.” It’s raw and stripped back in comparison to any track that has come before and comes after it. There’s an organic feel to the song, and Shannon’s performance, although different, is so in a phenomenally good way, and he’s no doubt going to find himself requested to play it live.
The chorus of “Oh Oh Oh”, on “Live Like A Dream”, in a nice touch from the band, was recorded at one of their Camp Mars events, and serves as an audible reminder for those who were there of the project they were involved in (though it’s unlikely they knew what it was for at the time) and the fun they had, while for other members of the Echelon, it’s a nice throwback to the ‘This Is War’ era when many of them featured on that album, having participated in ‘summits’ around the world.
“Rider” has so far proved to be quite a strong, albeit new, inclusion to the band’s tour setlist, and with its rising crescendo as the piece nears its end, it’s quite stirring and powerful. Meanwhile, on the deluxe edition of the album, the acoustic, choir-inclusive version of “Walk On Water” might lack the energy of the original, but with the electronics removed, it brings Jared’s genuine vocal ability to the forefront again, and such has been considerably lacking up to this point.
With remixes growing in popularity, it’s not that surprising to find the band have included 2, the first being a R3hab remix of “Walk On Water.” For those who like a more dance-like and continued electro-feel to their songs, it’s not a bad version by any means, but it’s not the best remix ever made either, and the Cheat Codes remix of “Dangerous Night” doesn’t fare that much better.
Despite the new sound and styles with which the band have experimented on this collection, ‘America’ is still at its heart, very much a Thirty Seconds To Mars album, and if the social media reaction is anything to go by, it’s proving a hit with their huge following. Yes there are tracks on the album that don’t quite work as well as they should, like the remixes, but for the majority, lyrically and instrumentally, it’s a considerably solid piece of work that fans hopefully won’t have to wait another five years for in order to hear its follow-up.