KENDRICK LAMAR WINS BIG AT THE MTV VIDEO MUSIC AWARDS 2017 – #ThisIsTheLatest

KENDRICK LAMAR WINS BIG AT THE MTV VIDEO MUSIC AWARDS 2017 0 197

Kendrick Lamar was the king of the 2017 MTV Video Music Awards follow url , winning six awards on a night full of emotional performances, political moments and a new, eye-popping Taylor Swift music video.

The 2017 MTV VMAs at the Forum in Inglewood, California, kicked off with lasers, fire and Kendrick Lamar. Break dancers performed amidst the light beams and fog as the rapper performed “DNA.” The song culminated with a ninja break-dancing while engulfed in flames. Then, the rapper transitioned to Humble” and Lamar’s backup performers, who were wearing martial arts uniforms, clamoured up and down a ladder that was set ablaze.

Ed Sheeran then took the stage to perform “Shape of You” against a prismatic set before Lil Uzi hopped onstage to add a few rap lines and helped Sheeran close out the song before the two launched into “XO TOUR Llif3.

The show cut to a skit featuring host Katy Perry hatching up a scheme to visit space, asking for advice from Buzz Aldrin, Peggy Whitson, Abbi Jacobson, Kathryn Hahn and Kevin Bacon who reminded Perry, “I wasn’t really on Apollo 13.” Perry then detailed her fictional trip to space before she floated down to the stage in her holographic space suit.

When she got to the stage, Perry explained to the audience that she has been missing in action because of her trip to space.

She said: “The world is doing so well right? Everything is fine? Great! Maybe not so much.”

Perry explained she wanted to change clothes. As she started to disrobe, she went through a rack of clothes. At one point, she took a “Handmaid’s Tale” uniform out and asked what it was. She said, “You guys have really been going through it, haven’t you? How the f**k are you coping right now?” before she was handed a fidget spinner as an explanation.

Paris Jackson presented best pop video award, but not before giving an impassioned statement against white supremacists.

“Let’s leave here tonight remembering we must show these Nazi, white supremacist jerks in Charlottesville and all over the country that as a nation with liberty as our slogan, we have zero tolerance for their violence, their hatred and their discrimination,” said Jackson. “We must resist.”

Fifth Harmony won best pop video for “Down and they got teary as they thanked their families and Gucci Mane taurus trading demo , who was on the stage with them.

Hailee Steinfeld announced Julia Michaels’ performance of “Issues.”

The VMAs premiered  Taylor Swift’s video for her new single Look What You Made Me Do” while a new minutes laterYara Shahidi announced Shawn Mendes’ performance of “There’s Nothin’ Holding Me Back.”

Perry returned to the stage with a message for people affected by Hurricane Harvey and said, “We are praying for your safety … because we’re all in this together.”

Alessandra Ambrosio and Jack Antonoff, who sported a prominent Star of David necklace, announced a performance by Lorde.

Lorde opened by turning on a boom box onstage and dancing to her song “Homemade Dynamite.” Later, backup dancers joined her to lift her into the air so she could float over the stage. She ended the performance without singing a single word.

Pete Wentz and Teyana Taylor presented best dance, which went to “Stay” by Alessia Cara and Zedd.

DJ Khaled took the stage with his baby, Asahd Tuck Khaled, who Perry said would obviously win the social media baby contest. He then announced a performance by Fifth Harmony. The girl group started with “Angel” before transitioning into “Down.”

Ludacris and Olivia Munn presented best collaboration, which went to “I Don’t Wanna Live Forever” by Zayn and Taylor Swift. Jack Antonoff and his “favorite new artist” Sam Dew accepted the award on the singers’ behalf.

Jared Leto took the stage to pay tribute to Linkin Park’s Chester Bennington and Soundgarden front-man Chris Cornell.

Leto then urged audience members and viewers at home to stand up for a performance by Linkin Park http://agauchepourdevrai.fr/?fuier=la-rencontre-des-hommes-benigno-caceres&d9d=3b .

A few minutes later, host Perry announced a performance by Miley Cyrus http://mystery-rooms.com/?fiortyid=leeroy-first-single&9d5=47 , who sang “Younger Now” after shouting, “Love you, Katy!”

Cardi B announced a spirited performance of “Sorry Not Sorry” by Demi Lovato http://aquanetta.pl/?kostromesp=opcje-binarne-z-niskim-depozytem&f19=8b .

Later, P!nk appeared onstage in a convertible to sing a medley of her songs, including “Get the Party Started” and “Raise Your Glass” before hopping onto an ATV to sing “So What” as backup singers danced nearly nude with only black bars to cover themselves.

P!nk then sang “Don’t Let Me Get Me” and “Just Give Me A Reason” against a screen playing her old music videos before she performed her newest single “What About Us.”

After Pink’s performance, Ellen DeGeneres took the stage to present the Vanguard Award to P!nk.

Stranger Things actress Millie Bobby Brown took the stage to present artist of the year and quipped, “Just last year, I was stuck in the upside down and now I’m here.” The award went to Brown’s “personal favorite” Ed Sheeran.

Vanessa Hudgens announced a performance by Alessia Cara go .

Kesha announced a performance of “1-800-273-8255” by Alessia Cara and Logic, encouraging people to seek help and advice. The song title is also the phone number for the National Suicide Prevention Lifeline.

Bebe Rexha and The Chainsmokers presented best new artist, which went to Khalid, before Thirty Seconds to Mars sang “Walk on Water” with a performance that saw them appear as a heat map.

Reverend Robert Mead IV took the stage and said:

“I am a descendent of Robert E. Lee, the Civil War general whose statue was at the center of violence. We have made my ancestor an idol of white supremacy. As a pastor, it is my moral duty to speak out against racism, America’s original sin. Today, I call on all of us with privilege and power to answer God’s call to confront racism and white supremacy head-on. We can find inspiration in the Black Lives Matter movement, the women who marched in the Women’s March in January and especially Heather Heyer, who died fighting for her beliefs in Charlottesville.”

Mead then introduced Susan Bro site de rencontre montreal gratuit , Heyer’s mother, who said of her daughter:

“I miss her, but I know she’s here tonight. I have been deeply moved to see people across the world, the whole world, find inspiration in her courage.” She announced the launch of the Heather Heyer Foundation, which will provide scholarships to “help people join Heather’s fight against hatred. I want people to know that Heather never marched alone. She was always joined by people of every race and every background in this country.”

She announced that MTV decided to honor all six nominees for its category, best fight against the system, adding:

“I congratulate all these artists on their VMA tonight and I look forward to the important work that they and all of you will do together to make the world a better, kinder place. Thank you.”

Hailey Baldwin announced the performance of the “Da Ya Think I’m Sexy” reboot by Rod Stewart and DNCE, who put on a colorful and flashy performance from Las Vegas.

Wonder Woman star Gal Gadot presented video of the year, which went to “Humble.” by Kendrick Lamar.

Noah Cyrus announced a performance by host Perry and Nicki Minaj who together closed out the ceremony.

Here’s the full list of winners from the 2017 VMA’s:

http://syaden.net/?giniefr=pub-site-de-rencontre-2017&21a=2c Video of the Year: Kendrick Lamar: “HUMBLE.”
source link Best New Artist: Khalid
dmi opzioni binarie Artist of the Year: Ed Sheeran
here Best Hip Hop Video: Kendrick Lamar: “HUMBLE.”
source Best Collaboration: Zayn and Taylor Swift: “I Don’t Wanna Live Forever (Fifty Shades Darker)”
Best Pop Video: Fifth Harmony: “Down” [ft. Gucci Mane]
Best Dance Video: Zedd and Alessia Cara: “Stay”
Best Rock Video: Twenty One Pilots: “Heavydirtysoul”
Song of the Summer: Lil Uzi Vert: “XO Tour Llif3”
Best Direction: Kendrick Lamar: “HUMBLE.”
Best Cinematography: Kendrick Lamar: “HUMBLE.”
Best Visual Effects: Kendrick Lamar: “HUMBLE.”
Best Choreography: Kanye West: “Fade”
Best Editing: Young Thug: “Wyclef Jean”
Best Fight Against the System (all nominees win):Logic: “Black SpiderMan”; The Hamilton Mixtape: “Immigrants (We Get the Job Done)”; Big Sean: “Light”; Alessia Cara: “Scars to Your Beautiful”; Taboo: “Stand Up / Stand N Rock #NoDAPL” [ft. Shailene Woodley]; John Legend: “Surefire”

Previous ArticleNext Article

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

EMMERDALE ANNOUNCE FIRST TRANSGENDER CHARACTER 0 51

Emmerdale has cast the soap’s first transgender character as Moira Dingle will recognise an intruder at Butler’s Farm as her daughter Hannah Barton – who has since become Matty.

Thinking that the farm has been broken into, Cain punches and knocks out Matty Barton mistaking him for an intruder. However, when Moira arrives she instantly recognises him as her daughter Hannah.

Matty will be played by Ash Palmisciano who has already begun filming with the show. Ash who has previously appeared in ‘Boy Meets Girl’ and ‘Mum’ will appear on screen at the end of the month.

“Matty is a man trying to shake off his past and find acceptance in the present,” says Emmerdale producer Kate Brookes. “His story is full of emotion, humour and ultimately hope as he settles back into rural village life, reconnecting with old friends and forging new relationships along the way.

“The character certainly knows how to make an impact: cheeky, effervescent, quick-witted and headstrong, and it’s not long before he’s charmed his way into the affections of all those who meet him.”

Speaking about his new role, Palmisciano says: “I’m very excited to be joining the very welcoming Emmerdale family. From nervous auditions to now working alongside the team daily has been truly amazing. Matty’s a groundbreaking character to play and I can’t wait to see what’s ahead for him.”

Previously played by Grace Cassidy between 2009 and 2012, Matty left the village for a fresh start in London.

JANGO FLASH CHATS “PERSEID 45”, SOCIAL MEDIA & ULTIMATE AMBITIONS 0 101

With his “kamikaze pop” sound already having caught the attention of BBC Introducing and BBC 6 Music, Jack Angus Golightly, AKA Jango Flash, is slowly but surely making a name for himself, and his latest single “Perseid 45” is sure to have more music fans and critics alike talking. ThisIsTheLatest caught up with Jango to talk song-writing inspiration and his big plans for the future.

TITL: Please introduce yourself if you would.

Jango Flash: Hi my names Jack, AKA “Tasty Daniels”, AKA “Ooo what’s in dem briefs”, AKA “Jango Flash”.

TITL: Where did the name Jango Flash come from?

JF: It was two nicknames which I ended up gluing together. All of my close friends call me “Jango” because it kinda acts as an Abbreviation of (J)ack (An)gus (Go)lightly, and when I worked in a kitchen, I used to get called “Flash” because of how fast I could chop onions. I feel like every artist at some stage has made a list of “cool” sounding words to put together, like I did. But I ended up hating the process of deciding on something that felt concrete, because it was always so over analysed and contrived. I guess that’s why some people have went back to using online generators for sourcing a name without much thought, or just adding 5 more letters in or around a word. If you’re looking for a good name, it’s usually right on your doorstep.

TITL: What would you say your artist unique selling point is?

JF: That’s a tricky one, I never really think about USP’s in music but I guess it would have to be my hands, apparently I’ve got lucky thumbs.

TITL: Which three artists or bands would you say you’ve been and are most influenced/inspired by? What impact do they have on the music you make?

JF: Damn, that’s tough. Subconsciously I guess I’m inspired by early 2000’s music like t.A.T.u. because they came about at a really weird time in my life. I remember seeing the music video for “All The Things She Said” on Kerrang! and just feeling so many different emotions. They have this wonderful ability of being able to take darker, guitar driven music and then re-purpose it in a huge girl band style, it’s bad ass! I think there’s something to be said about their influences and how they decided to express that in their music. Death Grips are another group I love. From the get go, they’ve had an entire fan-base in the palm of their hands because they are masters at toying with peoples expectations. They’ve got a powerful presence on and off stage, and I can admire that they still do everything them selves, they are essentially modern day punks. Them Things is the band I play drums in, and I’m influenced by everything that we do together. Everyone in Them Things is full of fire and we’re all pretty free thinkers. We’ve fought badly with each other in the past and equally seen each other through a lot as friends, so I find it hard to imagine not being with those guys.

TITL: Is there a story behind your latest single “Perseid 45” and is there an EP or album in the works?

JF: I’ll have a fully illustrated, four track E.P finished by the end of July time. I have a second single ready to release in June called “Deeper Thrill”, and two music videos in the works. The story behind “Perseid 45” came from a time when me and my partner took some duvets and deck chairs out into a field in Edinburgh and watched the Perseid meteor shower. I found it so strange to see that many in one night, it was pure magic. We had gone through a really rough time together when I wrote this song and I guess that was the first thing I thought about. It’s a blown out projection of extra terrestrial pondering, experiences shared and dark feelings of existentialism brought on by losing someone who you may have took for granted.

TITL: When it comes to song-writing, where or how would you say you most find your inspiration?

JF: Inspiration usually strikes me at the worst times, it sucks. I’ll be on public transport with a melody rattling around my head and I’ll have to pull out my phone to record it, but somehow play down looking like a fruit loop by casually whistling to myself. Sometimes it’s circumstantial, like I woke up one morning and my partner was humming something, so I was like “what is that” and she went “oh, it’s chamber of reflection by Mac Demarco” and I say “nah it’s not, it sounds nothing like that”. I loved it so much that I ran downstairs to record it and it ended up being the guitar hook in “Perseid 45.” In terms of writing lyrics, I write a hell of a lot… like every day. When my first MacBook broke I lost around 600 notes full of stories, lyrics, poems and ideas. I just keep writing down my thoughts until I’ve struck something that makes me feel good, or accurately conveys a particular emotion. Other times I’ll highlight a phrase that sticks out to me in a sentence. Maybe the person talking is a character I can live through for a while, and they can be the ones writing. I try and pay attention to oddities that throw me off kilter.

TITL: Which song, by another band or artist, do you wish you could have written, and why?

I’m sure I thought about this again last month, and it would probably be Carol King ‘s “Too Late.” Every time it comes on I just well up, because in it’s essence it’s so full of warmth and forgiveness, whilst ultimately saying “well I guess this is us then, bye”. It’s totally heart breaking in the best of ways, and it’s got to be one of my favourite songs in the world.

TITL: Are there any tour or performance plans you can tell me about? 

JF: I don’t actually have a band together yet, it’s all just me at the minute. I have a few close friends on standby who are whole-heartedly ready to play with me should I be called for duty. Hopefully this year I can play my first show, but for now I want to create a body of work I can be proud of.

TITL: Which venue in the world would you most like to play and which four bands or artists, living or dead, would you like to share the bill with? 

JF: Jesus. I’m not really au fait with venues, I’ve never been a big dreamer on where it is I’d like to play, I’m always just happy playing live in general. I’ve always been more into dive bars though, they seem to have more character than academies etc which usually feel like glorified sports halls with overpriced drinks. If I were to choose though, it would have been CBGB’s when that was still around. I watched a documentary all about that place, it’s a great shame that somewhere with such colourful history got shut down. As for the acts – The Doors, Trash Talk, Timber Timbre and Babylon Zoo. I’m ready to hire in for parties.

TITL: As someone who’s already caught the attention of BBC Introducing and BBC 6 Music, do you pay much attention to what the media says/writes about you, or are you more concerned with what your fans think? 

JF: I haven’t really had much written press until now with blogs starting to show interest in my work, plus my fans are still very much local at the moment. The thing I care about the most is how all of it is represented, I feel strongly about my work and it’s the only thing I really care about right now besides Them Things, my partner, my friends and my family. If those people are enjoying my music right now, I’m happy.

TITL: As a modern day artist in a technology obsessed world, how do you feel about the power the likes of Twitter and other sites can and do have in terms of helping an artist grow their fan-base and keep themselves current? Have you found using social media to be a help or a hindrance when it comes to your career?

JF: I think on the DL I don’t like the fact that artists almost have to use social media if they want to be counted. At the same time though I don’t see it doing any harm because it’s helping people to connect with one another in creative ways. Not to sound all TED X about it, but I think we’re going to see a lot of expansion on the platforms we’re using, and that will bring in new and exciting ways to promote content, so that excites me. As much as I’d sometimes love to scrap social media, I’m still guilty of sitting up and scrolling through spicy ass memes. If you want to make money in today’s world, here’s a tip… create top quality original memes, watermark them and build an empire, THEN become a musician.

TITL: Finally then, what’s your ultimate goal? What would you like people to remember you for in terms of your music and what would you like your legacy to be? 

JF: I have far too many crazy goals, but I’m trying to take this project one step at a time. I’d love to have my own podcast, direct videos, produce music for film and TV and write my own screenplays. Right now though the wheels are in motion, I’m happy making my own music and seeing where it takes me, I just need to keep pushing myself out of my comfort zone.

Check out “Perseid 45” below and for more information on Jango Flash, give his page a like on Facebook or follow him on Twitter. You can also see Jango Flash live on June 8th in Newcastle, as support for Ty Segal & The Freedom Band.