KEVIN INTERDONATO TALKS ‘BAD FRANK’ AND UPCOMING PROJECTS 152

Perhaps best known for playing Dogsy in The Sopranos, Kevin Interdonato has been winning over fans and critics alike thanks to his latest role in the film Bad Frank. Influenced by the likes of Sylvester Stallone and Daniel Day Lewis, Kevin chatted to ThisIsTheLatest about first auditions, his former career in the military and his thoughts on social media.

source link TITL: As a former soldier, at what point in your life did you start seriously considering as a career path?

Kevin Interdonato: I began studying when I was 20. I bounced around college classes after high school and was a little lost at that time in my life. I joined the Army National Guard when I was a senior in high school, and I enjoyed those years serving. It gave me the freedom to pursue my passion in this business, play with tanks and shoot weapons at the same time. I made many lifelong friends in the military.

http://documentalqueridowatson.es/pizdyhov/8452 TITL: Can you remember your first audition? What advice would you give those about to have theirs?

KI: Yes I actually do. It was for a student film at Montclair University and I think my mom still has that laying around somewhere – I should go blow the dust off it and have a good laugh at myself! My advice is to be yourself, and make the role yours. It’s so intimidating, the audition process – still is. But if you direct 100% of your focus on the reader and audience and NOT worry about yourself, then you’ll always be safe.

http://milehiproperty.com/?ki0oss=Cpa-work-home&b28=af TITL: In terms of influences, which actors do you most look up to?

KI: There are too many to list. I respect an actor’s talent, and I also admire the career of others – the choices and how they handle their business. Mark Wahlberg and Sylvester Stallone are machines. Those guys are always working, creating projects and jobs for people, and it’s inspiring. From Sean Penn, Daniel Day Lewis, John Cazale, to Vera Farmiga, Barry Pepper, Giovanni Ribisi…my list of influences goes on and on.

go to link TITL: How if at all do your National Guard days impact the roles you take on?

KI: Not much really. I know how to handle myself for a military role more than most, but I find myself not sticking to that aspect of my life because it binds me. I’m not free for anything that comes my way if I think of my time as a soldier. It’s robotic, systematic…and those are aspects of my being that I disregard for my work…unless a role calls for it.

rencontre femme europe de l'est TITL: You’re perhaps best known for playing Dogsy in Season 4 of The Sopranos. What impact did having a role on such a hugely popular show have on your career in terms of auditions/work offers?

KI: Believe it or not, not much. I didn’t have an agent at the time, so I wasn’t being handled as maybe I should have been. It was a great thing that happened, and the novelty of it was wonderful. Who didn’t want to get on that show at the time, you know? I really enjoyed it too. But the career thereafter came from hard work and persistence.

dating the same girl twice TITL: Who or what ultimately drew you to Bad Frank and what would you say the films’ unique selling point is?

KI: I was approached by the director and producer early on, before the script was finished. When they were telling me about the character and story which wasn’t fully fleshed out yet, I just had a gut feeling about Frank. Something clicked – I felt like I could tap into him, and I was in.

I think the sell of the film is how the film captured the reality of the man, and the extreme lengths he goes to. People like seeing people ‘snap’. But I tried to play Frank as honestly as possible to justify all his behaviors, and let people believe that this could be a reality.

source TITL: The film has some pretty big names attached to it including Tom Sizemore and Ray Mancini. What was it like working alongside them and what would you say each brought to the film?

KI: Sizemore is a great guy. He was there long days, rolling around in the mud and rain at 2am, and was all about it! It was inspiring for everyone to watch him perform, and come in like a pro.

Boom – Mancini – is a wonderful man; everybody loves him. He played my father in the film with such conviction and sensitivity, plus we look alike. We were really lucky to have him.

http://euromessengers.org/?biodetd=bin%C3%A4re-optionen-kopieren&096=94 TITL: Bad Frank has won several best film and best actor accolades at events and festivals on both sides of the Atlantic. Does praise like that mean much to you or are you more the kind of actor who is more concerned about taking pride in their work and the roles they choose, despite what critics might say about it?

KI: It’s funny. I’ve heard some great theories about Bad Frank from critics, and gotten the same – sometimes better – insight on the film from regular movie-goers. So I take it all in my stride, the good and bad, and leave it at that. Everyone’s got their right to an opinion, and so be it. Fortunately most of the press and reviews for Bad Frank have been pretty damn good so I’m happy that people are responding well to it.

And yeah, you hit it on the head. It’s all about the movie and the role for me, and I tend to stay focused in that world. The accolades are wonderful and humbling, but my focus stays with moving forward and doing the best I can. It’s always about the movie.

http://missionnorman.org/emiios/4299 TITL: Can you recall the nicest and worst things a fan or critic has said about your work?

KI: Not really. I lucked out by not getting my ass handed to me, from the ones I’ve seen anyway. It’s nice to hear that reviewers were receptive to my work. But I am open to all, I always want to improve, and welcome feedback.

see url TITL: The film is one of a growing number of successful indie films in recent years. What do you think it is about independent movies that has suddenly caught everyone’s attention?

KI: Bad Frank blowing up is a combination of a good movie, and smart guerrilla marketing. There was really NO money for either, in comparison to other films. I think those 2 qualities are crucial, if you don’t have the benefit of having stars in your film. People want to see GOOD movies, period, and because of the VOD platforms, little films like Bad Frank can stand up there right next to the big studio films.

http://secfloripa.org.br/esminer/105 TITL: How do you feel about social media, both personally and professionally? Do you think it’s been a positive tool for the industry or have you seen down-sides to it as well?

KI: Well I miss the days of handling boredom by reading a book or throwing on some good tunes. The ability to keep in touch with old friends and family is very important to me, as well as giving fans a direct gateway to say hello – and vice-versa. Keeping up with news, getting good laughs at funny videos – it’s not that big of a deal anymore and I’ve accepted it, but I do find myself weaning off and remembering ‘life’ lately.

For the industry, it’s made its way into entertainment as the tangible source for relativity and popularity per movie or person, and it’s not going anywhere for those reasons alone. I used to view it as a necessary evil… now it’s just necessary.

agencias matrimoniales quito ecuador TITL: What’s next for you? Are there any upcoming projects you can tell me about?

KI: Thanks for asking, yes. Dirty Dead Con Men will be out in this winter. It’s a cool film I also produced and wrote. I think fans are really going to enjoy it. Peter Dobson’s Asbury Park will be filming this October, very lucky to have been cast in this epic alongside Joe Pesci and other greats. This one’s a game-changer for many; I can’t wait for it myself.

TITL: Finally then, what’s your ultimate goal in life, both as an actor and an individual? What would you like to have achieved 5-10 years from now and what would you like your legacy to be?

KI: As an actor; to be the best, and be able to say I always gave my all. To be in movies that stick with people for a long time. Personally…I guess I just want to make my old man proud.

For more information and to keep up-to-date with Kevin Interdonato, follow him on Twitter.

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JANGO FLASH CHATS “PERSEID 45”, SOCIAL MEDIA & ULTIMATE AMBITIONS 79

With his “kamikaze pop” sound already having caught the attention of BBC Introducing and BBC 6 Music, Jack Angus Golightly, AKA Jango Flash, is slowly but surely making a name for himself, and his latest single “Perseid 45” is sure to have more music fans and critics alike talking. ThisIsTheLatest caught up with Jango to talk song-writing inspiration and his big plans for the future.

penegra 100 buy online TITL: Please introduce yourself if you would.

Jango Flash: Hi my names Jack, AKA “Tasty Daniels”, AKA “Ooo what’s in dem briefs”, AKA “Jango Flash”.

luvox e sibutramina online TITL: Where did the name Jango Flash come from?

JF: It was two nicknames which I ended up gluing together. All of my close friends call me “Jango” because it kinda acts as an Abbreviation of (J)ack (An)gus (Go)lightly, and when I worked in a kitchen, I used to get called “Flash” because of how fast I could chop onions. I feel like every artist at some stage has made a list of “cool” sounding words to put together, like I did. But I ended up hating the process of deciding on something that felt concrete, because it was always so over analysed and contrived. I guess that’s why some people have went back to using online generators for sourcing a name without much thought, or just adding 5 more letters in or around a word. If you’re looking for a good name, it’s usually right on your doorstep.

TITL: What would you say your artist unique selling point is?

JF: That’s a tricky one, I never really think about USP’s in music but I guess it would have to be my hands, apparently I’ve got lucky thumbs.

TITL: Which three artists or bands would you say you’ve been and are most influenced/inspired by? What impact do they have on the music you make?

JF: Damn, that’s tough. Subconsciously I guess I’m inspired by early 2000’s music like t.A.T.u. because they came about at a really weird time in my life. I remember seeing the music video for “All The Things She Said” on Kerrang! and just feeling so many different emotions. They have this wonderful ability of being able to take darker, guitar driven music and then re-purpose it in a huge girl band style, it’s bad ass! I think there’s something to be said about their influences and how they decided to express that in their music. Death Grips are another group I love. From the get go, they’ve had an entire fan-base in the palm of their hands because they are masters at toying with peoples expectations. They’ve got a powerful presence on and off stage, and I can admire that they still do everything them selves, they are essentially modern day punks. Them Things is the band I play drums in, and I’m influenced by everything that we do together. Everyone in Them Things is full of fire and we’re all pretty free thinkers. We’ve fought badly with each other in the past and equally seen each other through a lot as friends, so I find it hard to imagine not being with those guys.

TITL: Is there a story behind your latest single “Perseid 45” and is there an EP or album in the works?

JF: I’ll have a fully illustrated, four track E.P finished by the end of July time. I have a second single ready to release in June called “Deeper Thrill”, and two music videos in the works. The story behind “Perseid 45” came from a time when me and my partner took some duvets and deck chairs out into a field in Edinburgh and watched the Perseid meteor shower. I found it so strange to see that many in one night, it was pure magic. We had gone through a really rough time together when I wrote this song and I guess that was the first thing I thought about. It’s a blown out projection of extra terrestrial pondering, experiences shared and dark feelings of existentialism brought on by losing someone who you may have took for granted.

TITL: When it comes to song-writing, where or how would you say you most find your inspiration?

JF: Inspiration usually strikes me at the worst times, it sucks. I’ll be on public transport with a melody rattling around my head and I’ll have to pull out my phone to record it, but somehow play down looking like a fruit loop by casually whistling to myself. Sometimes it’s circumstantial, like I woke up one morning and my partner was humming something, so I was like “what is that” and she went “oh, it’s chamber of reflection by Mac Demarco” and I say “nah it’s not, it sounds nothing like that”. I loved it so much that I ran downstairs to record it and it ended up being the guitar hook in “Perseid 45.” In terms of writing lyrics, I write a hell of a lot… like every day. When my first MacBook broke I lost around 600 notes full of stories, lyrics, poems and ideas. I just keep writing down my thoughts until I’ve struck something that makes me feel good, or accurately conveys a particular emotion. Other times I’ll highlight a phrase that sticks out to me in a sentence. Maybe the person talking is a character I can live through for a while, and they can be the ones writing. I try and pay attention to oddities that throw me off kilter.

TITL: Which song, by another band or artist, do you wish you could have written, and why?

I’m sure I thought about this again last month, and it would probably be Carol King ‘s “Too Late.” Every time it comes on I just well up, because in it’s essence it’s so full of warmth and forgiveness, whilst ultimately saying “well I guess this is us then, bye”. It’s totally heart breaking in the best of ways, and it’s got to be one of my favourite songs in the world.

TITL: Are there any tour or performance plans you can tell me about? 

JF: I don’t actually have a band together yet, it’s all just me at the minute. I have a few close friends on standby who are whole-heartedly ready to play with me should I be called for duty. Hopefully this year I can play my first show, but for now I want to create a body of work I can be proud of.

TITL: Which venue in the world would you most like to play and which four bands or artists, living or dead, would you like to share the bill with? 

JF: Jesus. I’m not really au fait with venues, I’ve never been a big dreamer on where it is I’d like to play, I’m always just happy playing live in general. I’ve always been more into dive bars though, they seem to have more character than academies etc which usually feel like glorified sports halls with overpriced drinks. If I were to choose though, it would have been CBGB’s when that was still around. I watched a documentary all about that place, it’s a great shame that somewhere with such colourful history got shut down. As for the acts – The Doors, Trash Talk, Timber Timbre and Babylon Zoo. I’m ready to hire in for parties.

TITL: As someone who’s already caught the attention of BBC Introducing and BBC 6 Music, do you pay much attention to what the media says/writes about you, or are you more concerned with what your fans think? 

JF: I haven’t really had much written press until now with blogs starting to show interest in my work, plus my fans are still very much local at the moment. The thing I care about the most is how all of it is represented, I feel strongly about my work and it’s the only thing I really care about right now besides Them Things, my partner, my friends and my family. If those people are enjoying my music right now, I’m happy.

TITL: As a modern day artist in a technology obsessed world, how do you feel about the power the likes of Twitter and other sites can and do have in terms of helping an artist grow their fan-base and keep themselves current? Have you found using social media to be a help or a hindrance when it comes to your career?

JF: I think on the DL I don’t like the fact that artists almost have to use social media if they want to be counted. At the same time though I don’t see it doing any harm because it’s helping people to connect with one another in creative ways. Not to sound all TED X about it, but I think we’re going to see a lot of expansion on the platforms we’re using, and that will bring in new and exciting ways to promote content, so that excites me. As much as I’d sometimes love to scrap social media, I’m still guilty of sitting up and scrolling through spicy ass memes. If you want to make money in today’s world, here’s a tip… create top quality original memes, watermark them and build an empire, THEN become a musician.

TITL: Finally then, what’s your ultimate goal? What would you like people to remember you for in terms of your music and what would you like your legacy to be? 

JF: I have far too many crazy goals, but I’m trying to take this project one step at a time. I’d love to have my own podcast, direct videos, produce music for film and TV and write my own screenplays. Right now though the wheels are in motion, I’m happy making my own music and seeing where it takes me, I just need to keep pushing myself out of my comfort zone.

Check out “Perseid 45” below and for more information on Jango Flash, give his page a like on Facebook or follow him on Twitter. You can also see Jango Flash live on June 8th in Newcastle, as support for Ty Segal & The Freedom Band.

CELEBRATE NATIONAL SPACE DAY & NATIONAL ASTRONAUT DAY WITH FANDOR 94

Tomorrow might be best known as ‘Star Wars’ Day – nice play there May 4th – but for those not so invested in the global smash-hit franchise, but still interested in space and the universe, it’s also National Space Day. Not only that, but National Astronaut Day follows on the 5th so it’s a double (okay, triple) whammy! To mark NSD and NAD, Fandor are streaming some of the best space-themed films of recent decades, so why not indulge in your love of the great unknown and watch a few over the coming days? Here are just a few of Fandor’s top picks.

The Titan Find

Directed by William Malone and released in 1985, TTF sees a crew of scientists arrive on a far, cold planet to study some artifacts and find that their rivals, the Germans, are already there. When they seek their help after a failed landing, they only find the Germans’ bodies, obviously slaughtered by one of the archaic creatures, awoken to new life, who is now hunting them.

The Voyagers

In the summer of 1977, NASA sent Voyager 1 and Voyager 2 on an epic journey into interstellar space. Both spacecrafts carry a golden record album, a massive compilation of images and sounds embodying the best of Planet Earth. According to Carl Sagan, who worked on the golden records and met his future wife Annie Druyan while doing so, “The spacecraft will be encountered and the record played only if there are advanced space-faring civilizations in interstellar space. But the launching of this bottle into the cosmic ocean says something very hopeful about life on this planet.” The 2010 film, in the words of director Penny Lane, is “a love letter to my fellow traveller.”

Dark Star

John Carpenter’s 1974 feature tells the story of a futuristic scout ship travelling far in advance of colony ships. Armed with Exponential Thermosteller Bombs, the ship prowls the darkest reaches of space on a mission to seek out and destroy unstable planets ahead of the colonist, but the ship itself is threatened by one of its own thinking and talking bombs which, lodged in the bay, puts the lives of everyone on board in jeopardy.

The Girl From Monday

A being from a distant constellation called Monday, assumes the human form of a beautiful young woman in order to look for her friend who arrived years before and whom she suspects is in trouble. Tragic, beautiful and funny, TGFM, released in 2005 and directed by Hal Hartley, is a fake science-fiction movie about the way we live now.

Painting The Way to the Moon 

This 2014 film, directed by Jacob Akira Okada, brings to the screen the story of how back in the 1980’s, Ed Belbruno, a Princeton mathematician, was determined – obsessed – with figuring out a new way of space travel and how, as a keen painter, it took him five years, and a turn towards his canvas, to make the breakthrough he was looking for.

Mars

A new space race is born between NASA and the ESA when Charlie Brownsville, Hank Morrison and Dr. Casey Cook compete against an artificially intelligence robot to find out what’s up there on the red planet. MARS follows these three astronauts on the first manned mission to our galactic neighbour. On the way they experience life-threatening accidents, self doubts, obnoxious reporters and the boredom of extended space travel. This romantic comedy is told in the playful style of a graphic novel, using a unique animation process that director Geoff Marslett developed specifically for the film.

Looking deep into exploration and as research and development into the potential and plans for people to travel to the red planet continues, the feature, released in 2011 and directed by Geoff Marslett, is a timely, reflective look at some important questions that scientists can and do ask and will likely hope to answer in the coming months and years such as why do we want to know what is out there, and how do and will we react to what we find?

Chariots of the Gods

Nominated for Best Documentary at the 1971 Academy Awards, this film version of Erich Von Daniken’s best-selling book of the same name, directed by Harold Reinl, offers viewers stunning visual proof that some form of life from outer space landed on Earth centuries ago. It took five years for von Daniken to document, on film, the physical evidence of visits by galactic travellers who came to Earth and such evidence allows the viewer to be taken into the far reaches of underground caves and tombs and to the tops of desolate mountains on every major continent. A controversial piece of film-making, Chariots answers some questions but also raises many others.

Nostalgia for the Light

Acclaimed political documentary filmmaker Patricio Guzmán travels ten thousand feet above sea level to the driest place on earth, the Atacama Desert, where atop the mountains astronomers from all over the world gather to observe the stars. Offering stunning views of the skies and stars, the heat of the Atacama also preserves life, in some form, on Earth, and has allowed for human remains, of Pre-Columbian mummies; nineteenth century explorers and miners; and the remains of political prisoners, “disappeared” by the Chilean army after the military coup of September, 1973, to remain intact. The visuals of astronomers being able to so clearly examine the unknown, distant and oldest galaxies contrasted with those of families still hoping to find the remains of their loved ones close by makes NFTL a truly gorgeous, moving and ultimately, immensely personal, piece of work.

Header photo credit: phys.org.