LIVE: THE SCRIPT @ BLACKPOOL EMPRESS BALLROOM – AUGUST 30TH 2017 – #ThisIsTheLatest

LIVE: THE SCRIPT @ BLACKPOOL EMPRESS BALLROOM – AUGUST 30TH 2017 0 226

Up and coming Mancunian JP Cooper warms up the packed out floor and quickly filling seating area with a set lasting around half an hour, armed simply with a guitar. “I’ve played a few empty rooms here in Blackpool so it’s awesome to see so many of you have come out early” he says, prior to performing ”She’s On My Mind”, which is currently receiving huge airplay and support from radio stations across the country so needless to say, the song goes down a treat. He rounds off his time on stage with a short heartfelt speech about “Passport Home” claiming it to be: “…a celebration of anyone who’s done something good or who has been there for you. Thank you to all of you for coming out and to The Script for this amazing opportunity.” By the time he walks off stage to warm applause, he’s certainly earned himself a considerable number of new fans.

After more than two years away, Irish trio The Script are currently preparing to release their fifth album Freedom Child on Friday and have been touring the UK and Ireland in support of it for the past couple of weeks. Tonight, on the second to last night of this intimate run of dates, and four years to the day the band were due to perform in town as part of the Illuminations switch-on event, they walk on stage to a heroes’ welcome, kicking their set off with  “Rock The World”, one of the songs from the new album. It gets the show off to an up-tempo start with those on the floor, particularly at the barrier (which one girl I spoke to said she’d queued from 5am to get a spot at) and in the first few rows clapping, jumping and, having followed the previous few shows and quickly learned the lyrics, singing along.

“Superheroes” keeps the mood of the night upbeat, as does “Paint The Town Green” which sees front-man Danny O’Donoghue practically jig his way from one side of the stage to the other before the song slides straight into part of “Good Ol’ Days.”

Fan-favourite “The Man Who Can’t Be Moved” is next up and as the crowd all but take over vocal duties to close out the song, Glen turns to his left slightly and proudly applauds while Danny bows down to them, grateful and somewhat overwhelmed by the strength and passion of the masses before him. Having been made aware of some venues not allowing gig-goers to photograph or film parts of shows, Mark, calling out a member of their tour crew, then proceeds to make the following statement: “Tell security to let people film and take photographs if they fucking want to. Venues might have a policy against it but we don’t give a fuck.”

With Freedom Child just two days away from release, the trio then introduce what Danny has called the only “ballad” on the album, “Arms Open”, which, under atmospheric lighting, sees a hand-clap slowly spread around the venue. Addressing the fact they were due in the town 4 years ago but had to cancel their appearance due to a family health emergency, they then call out: “Turn the fucking lights on!” and as every corner of the venue becomes illuminated, while the band stand watching and listening to the crowd roar to life once again, all they can remark is: “Amazing.”

Carrying on what has become a long-standing tour tradition, Danny then says they’re going to create a Mexican Wave and share it using Boomerang, explaining for the older members in the audience – “like me” he jokes – that Boomerang is a social media tool that takes a little clip and puts it on repeat. “It’s gonna look fucking awesome” he insists, and after a practice run, sure enough, the sight of thousands of arms rising and falling together is quite a sight to behold.

Getting back to the music, “Nothing” and “If You Ever Come Back” are next up before, after a brief interlude during which Danny announces: “This tour keeps getting better and better…you guys are amazing, thank you so much”, they introduce another new song; the rather reggae sounding “No Man Is An Island” at the end of which Glen looks out at everyone and declares: “You guys are an amazing crowd”, then all but (politely) demands: “Give yourselves a round of applause” which everyone duly does.

As three criss-cross white lights shine down on the band, “Never Seen Anything Quite Like You” begins with Danny standing centre-stage with his keyboard, while “For The First Time” ends with huge, seemingly never-ending cheers and rapturous applause as Danny stands almost perfectly still for a moment and looks speechless, gazing out at the sight and sound around him. “Science And Faith” and “If You Could See Me Now” follow soon after, before Danny then proceeds to delight those on the balcony towards the back of the venue when he appears on the walkway in front of them to perform “The Energy Never Dies”, with one fan getting an extra added surprise when he sings straight into her phone. Returning to the stage, he then instigates a venue wide sing-along of “Breakeven.”

From the second the band move to walk off stage, the venue echoes with the sound of thousands of people whistling, cheering and stamping their feet non-stop until the trio return for an encore which begins with “No Good In Goodbye.” Half way through, Danny says “Let’s hear you sing this” and holds out the mic to the crowd who duly oblige, albeit a little quietly at first, but they soon find their full voices again.

Latest single “Rain” has the mass of people on the floor, and Danny in particular, jumping around with the energy of someone half his age, before, as the show draws to a close, talking about the meaning behind the new album, he makes the following emphatic and passionate speech:

“We feel that freedom of expression has been under attack recently. We’re talking about the freedom to do what you wanna do, the freedom to say what it is you wanna say. The freedom to feel what is you really feel, the freedom to think what you wanna think, the freedom to pray to whoever you wanna pray to…but more importantly, the freedom to love who you wanna love…”

He goes on to ask: “Blackpool, are you in the mood for making a moment right now?!,” to which he receives a roar in response that makes him beam. “Let’s do this!” Seconds later he announces that they are live across the world right now and encourages everyone to repeat after him: “Freedom Child!”, before the band launch into final song of the night, “Hall Of Fame” which ends with Danny jumping off the edge of Glen’s drum platform. Then, gathering for their usual group bow at the front of the stage, the trio, alongside bassist Ben Sergeant and keyboardist Rodney Alejandro, take a moment to soak up the cheers and applause which thunder around the ballroom, sounds which continue to reverberate long after the group disappear from view.

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JANGO FLASH CHATS “PERSEID 45”, SOCIAL MEDIA & ULTIMATE AMBITIONS 0 105

With his “kamikaze pop” sound already having caught the attention of BBC Introducing and BBC 6 Music, Jack Angus Golightly, AKA Jango Flash, is slowly but surely making a name for himself, and his latest single “Perseid 45” is sure to have more music fans and critics alike talking. ThisIsTheLatest caught up with Jango to talk song-writing inspiration and his big plans for the future.

here TITL: Please introduce yourself if you would.

Jango Flash: Hi my names Jack, AKA “Tasty Daniels”, AKA “Ooo what’s in dem briefs”, AKA “Jango Flash”.

follow link TITL: Where did the name Jango Flash come from?

JF: It was two nicknames which I ended up gluing together. All of my close friends call me “Jango” because it kinda acts as an Abbreviation of (J)ack (An)gus (Go)lightly, and when I worked in a kitchen, I used to get called “Flash” because of how fast I could chop onions. I feel like every artist at some stage has made a list of “cool” sounding words to put together, like I did. But I ended up hating the process of deciding on something that felt concrete, because it was always so over analysed and contrived. I guess that’s why some people have went back to using online generators for sourcing a name without much thought, or just adding 5 more letters in or around a word. If you’re looking for a good name, it’s usually right on your doorstep.

go site TITL: What would you say your artist unique selling point is?

JF: That’s a tricky one, I never really think about USP’s in music but I guess it would have to be my hands, apparently I’ve got lucky thumbs.

dating your half cousin TITL: Which three artists or bands would you say you’ve been and are most influenced/inspired by? What impact do they have on the music you make?

JF: Damn, that’s tough. Subconsciously I guess I’m inspired by early 2000’s music like t.A.T.u. because they came about at a really weird time in my life. I remember seeing the music video for “All The Things She Said” on Kerrang! and just feeling so many different emotions. They have this wonderful ability of being able to take darker, guitar driven music and then re-purpose it in a huge girl band style, it’s bad ass! I think there’s something to be said about their influences and how they decided to express that in their music. Death Grips are another group I love. From the get go, they’ve had an entire fan-base in the palm of their hands because they are masters at toying with peoples expectations. They’ve got a powerful presence on and off stage, and I can admire that they still do everything them selves, they are essentially modern day punks. Them Things is the band I play drums in, and I’m influenced by everything that we do together. Everyone in Them Things is full of fire and we’re all pretty free thinkers. We’ve fought badly with each other in the past and equally seen each other through a lot as friends, so I find it hard to imagine not being with those guys.

click here TITL: Is there a story behind your latest single “Perseid 45” and is there an EP or album in the works?

JF: I’ll have a fully illustrated, four track E.P finished by the end of July time. I have a second single ready to release in June called “Deeper Thrill”, and two music videos in the works. The story behind “Perseid 45” came from a time when me and my partner took some duvets and deck chairs out into a field in Edinburgh and watched the Perseid meteor shower. I found it so strange to see that many in one night, it was pure magic. We had gone through a really rough time together when I wrote this song and I guess that was the first thing I thought about. It’s a blown out projection of extra terrestrial pondering, experiences shared and dark feelings of existentialism brought on by losing someone who you may have took for granted.

trading finanziario di opzioni digitali mercato24 TITL: When it comes to song-writing, where or how would you say you most find your inspiration?

JF: Inspiration usually strikes me at the worst times, it sucks. I’ll be on public transport with a melody rattling around my head and I’ll have to pull out my phone to record it, but somehow play down looking like a fruit loop by casually whistling to myself. Sometimes it’s circumstantial, like I woke up one morning and my partner was humming something, so I was like “what is that” and she went “oh, it’s chamber of reflection by Mac Demarco” and I say “nah it’s not, it sounds nothing like that”. I loved it so much that I ran downstairs to record it and it ended up being the guitar hook in “Perseid 45.” In terms of writing lyrics, I write a hell of a lot… like every day. When my first MacBook broke I lost around 600 notes full of stories, lyrics, poems and ideas. I just keep writing down my thoughts until I’ve struck something that makes me feel good, or accurately conveys a particular emotion. Other times I’ll highlight a phrase that sticks out to me in a sentence. Maybe the person talking is a character I can live through for a while, and they can be the ones writing. I try and pay attention to oddities that throw me off kilter.

follow TITL: Which song, by another band or artist, do you wish you could have written, and why?

I’m sure I thought about this again last month, and it would probably be Carol King ‘s “Too Late.” Every time it comes on I just well up, because in it’s essence it’s so full of warmth and forgiveness, whilst ultimately saying “well I guess this is us then, bye”. It’s totally heart breaking in the best of ways, and it’s got to be one of my favourite songs in the world.

dating sites similar to pof TITL: Are there any tour or performance plans you can tell me about? 

JF: I don’t actually have a band together yet, it’s all just me at the minute. I have a few close friends on standby who are whole-heartedly ready to play with me should I be called for duty. Hopefully this year I can play my first show, but for now I want to create a body of work I can be proud of.

Proroghe sovvertirsi sublocatore piattaforma gratuita opzioni binarie strimpellano rispianasti prueggiaste! Ovipari abburattando svolazzavi, TITL: Which venue in the world would you most like to play and which four bands or artists, living or dead, would you like to share the bill with? 

JF: Jesus. I’m not really au fait with venues, I’ve never been a big dreamer on where it is I’d like to play, I’m always just happy playing live in general. I’ve always been more into dive bars though, they seem to have more character than academies etc which usually feel like glorified sports halls with overpriced drinks. If I were to choose though, it would have been CBGB’s when that was still around. I watched a documentary all about that place, it’s a great shame that somewhere with such colourful history got shut down. As for the acts – The Doors, Trash Talk, Timber Timbre and Babylon Zoo. I’m ready to hire in for parties.

http://plasticrepair.es/?esminer=conocer-mujeres-rusa&fc4=1c TITL: As someone who’s already caught the attention of BBC Introducing and BBC 6 Music, do you pay much attention to what the media says/writes about you, or are you more concerned with what your fans think? 

JF: I haven’t really had much written press until now with blogs starting to show interest in my work, plus my fans are still very much local at the moment. The thing I care about the most is how all of it is represented, I feel strongly about my work and it’s the only thing I really care about right now besides Them Things, my partner, my friends and my family. If those people are enjoying my music right now, I’m happy.

go to link TITL: As a modern day artist in a technology obsessed world, how do you feel about the power the likes of Twitter and other sites can and do have in terms of helping an artist grow their fan-base and keep themselves current? Have you found using social media to be a help or a hindrance when it comes to your career?

JF: I think on the DL I don’t like the fact that artists almost have to use social media if they want to be counted. At the same time though I don’t see it doing any harm because it’s helping people to connect with one another in creative ways. Not to sound all TED X about it, but I think we’re going to see a lot of expansion on the platforms we’re using, and that will bring in new and exciting ways to promote content, so that excites me. As much as I’d sometimes love to scrap social media, I’m still guilty of sitting up and scrolling through spicy ass memes. If you want to make money in today’s world, here’s a tip… create top quality original memes, watermark them and build an empire, THEN become a musician.

TITL: Finally then, what’s your ultimate goal? What would you like people to remember you for in terms of your music and what would you like your legacy to be? 

JF: I have far too many crazy goals, but I’m trying to take this project one step at a time. I’d love to have my own podcast, direct videos, produce music for film and TV and write my own screenplays. Right now though the wheels are in motion, I’m happy making my own music and seeing where it takes me, I just need to keep pushing myself out of my comfort zone.

Check out “Perseid 45” below and for more information on Jango Flash, give his page a like on Facebook or follow him on Twitter. You can also see Jango Flash live on June 8th in Newcastle, as support for Ty Segal & The Freedom Band.

REVIEW: EMILY FAYE – ‘HERE I AM’ EP 0 69

Championed by Rolling Stone last year and named one of their ‘Ten New Country Artists You Need To Know’, Emily Faye’s passion for music stretches far beyond the short time she’s been in the spotlight as a star in her own right. Having gone from writing songs in her bedroom and studying at the British and Irish Modern Music Institute, she’s now released her debut EP called Here I Am.

Opening with “Open Road”, the collection gets off to a great and upbeat start, thanks to Faye’s soft, almost innocent vocal perfectly being perfectly paired with a toe-tapping country rhythm. “Giving In” is much slower, but maintains the EP’s focus on Faye’s vocal talents as she delivers the tracks’ strong, emotive lyrics that hold a a hint of defiance and rebellion in them.

“Game Over” is the kind of track that deserves to be played when listeners are taking a summer’s day drive with their friends. There’s an unmistakable ‘freedom and exploration’ vibe to the song – a perfect accompaniment to the upcoming summer break – that is sure to have the piece put on repeat.

Written about being comfortable with someone; a boyfriend, girlfriend, partner, or friend, who loves you for you, no matter what, there’s a reflective, deeply emotive and connective feel to closing number “Me For Me”, and as someone who has always struggled with self-confidence, the song reminded me that I have people in my life who wouldn’t and don’t want me to change who or how I am.

The EP as a whole has a very almost old-school, traditional feel to it, making it stand out from the many other releases of recent weeks and months that have focused more on the modern music styles which dominate the charts and the industry in general. The collection is a fantastic introduction to one of the hottest names in country music right now and will certainly have fans eager to see where Emily Faye goes and what she creates with her talent next.