WHAT TO EXPECT FROM EASTENDERS’ MOST EXPLOSIVE WEEK EVER 182

The week that EastEnders fans have been waiting for is about to come to fruition – and it’s one that you won’t forget.

Carnage turns life in Walford upside down as Max Branning’s scheming comes to a head, Steven Beale’s despicable lie is exposed, Linda Carter’s secret is revealed and a series of shocking stunts leaves at least one resident dead.

With gas explosions, shootings, crashes and deadly blazes, there is a lot going down on the Square – here are 16 big story strands in a week that changes life forever.

1- The ongoing troubles of Mick and Linda Carter come to a head as Linda makes a big decision. While Whitney assures her that Mick only loves his wife, seeing Mick with Whitney drives Linda to make a bold move. Is she calling time on her marriage?

2- Jane Beale has discovered the truth about Steven’s brain tumour lie and he implores Max Branning to help him deal with it. But Jane has more realisations to come – as she learns how involved Max was with the lie and then discovers the extent of his big revenge plan.


3- Fi Browning is ready to make a speech to the community on behalf of the Vic as Walford in Bloom gets underway but after a few tipples, she gets everyone’s backs up with what she says and is jeered. Her actions leave Max unsettled and he warns her to reign it in.


4- There’s a birthday party for Janet and Ricky but Billy Mitchell is distracted by the tension between Jay and Phil – and sets out to confront Phil over what he has done. But can he get through to him and can Jay and the Mitchells be reunited?

5- Horror unfolds in the midst of Walford in Bloom as a gas main explodes and sends a terrible fireball through the gathered crowd. As Albert Square faces peril, many loved ones are missing and not everyone will survive the week.

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6- Steven comes face to face with Jane in the restaurant and Max has warned him to deal with the issue before she exposes all of their secrets. As a showdown pushes Steven to the edge, he starts a fire and Jane finds herself trapped as events spiral out of control.

7- After the blast, Stacey Fowler’s loved ones are terrified to find that she is missing – as Martin searches for his wife, he fears the worst. Is this the end of Stacey?

8- She isn’t the only one missing either – the Mitchells realise with horror that Phil was close to the blast and launch a desperate search of their own. Will Jay lose Phil before they can make amends and before the full truth can come out?

9- The aftermath of the explosion brings back horrifying memories for Ted Murray and he grabs the gun he brought against all advice from Joyce. As his angst reaches dramatic heights, he opens fire on a neighbour coming to check on them but who has he shot?

10- Linda’s secret is about to be revealed too as she sits down with Jack in the wake of her big decision about Mick and opens up about what she has been hiding. But will the truth reach Mick?

11- Mr Pryce is injured in the blast and, oblivious to Stacey being missing, Bex races to his rescue. Can she become a hero and if so, will her joy turn to horror if there is bad news about Stacey?

12- When Johnny is seriously injured, he is rushed to hospital with Linda by his side but on the way, the ambulance collides with a tanker and overturns, leaving the situation worse than ever. Mick is horrified as a lifeless Johnny is pulled from the wreckage – are the Carters set to be torn apart?

13- The week could also see the much anticipated exit of Steven – after lying about a brain tumour and torching the restaurant with Jane inside, there is no way back. But will he be heading to prison, will he be departing in a coffin or is there another fate in store?

14- The Taylors face a terrible tragedy as Bernadette suffers a miscarriage and mum Karen can cope with no more agony. Shirley reaches out to her and a new bond is made – but can the Taylor family ever get past this?

15- Whatever happens, at least one main EastEnders character will lose their life in the terrible events – with the chance of more than one death a very real one. So which of our much loved favourites won’t be making it?

16- These 16 points highlight much of the dramatic storyline peaks in an unforgettable week but, as ever with EastEnders, there are major twists still to unfold. By a long stretch, we haven’t revealed everything so make sure you tune in – every character will be affected in some way.

Read more: http://metro.co.uk/2017/08/28/explosions-death-and-shootings-16-huge-spoilers-from-eastenders-biggest-ever-week-6870426/#ixzz4r99PUBAm

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KAYO WASHIO OF JAPAN’S WOWOW BROADCAST NETWORK TALKS HANDLING PROJECTS & PRESSURE 49

As the head of US Operations for what has been described as Japan’s version of HBO, WOWOW, Kayo Washio is used to working under pressure and alongside some of the biggest names in the business. With five projects currently in development, ThisIsTheLatest caught up with Kayo to talk about how much the broadcast industry has changed and continues to evolve, the acquisition she’s most proud of and her advice for anyone looking to follow in her footsteps.

TITL: What is it about broadcasting that encouraged you to make it a career path and how did you get started?

Kayo Washio: I have a relative who worked for the U.N. in New York City and was a licensed attorney who passed the New York State Bar. She was born and raised in Japan, like I was. Because of her, I wanted to be an international attorney, starting from the time I was in high school.  When I enrolled and attended University, I selected International Law as my major. While studying, I learned that law practice and enforcement has a lot of gray areas and I soon came to the realization that this was not the field I could spend a lifetime working in. At that time, while I was in the midst thinking of what I truly loved to do, I discovered a unique ‘unknown’ person who accomplished a remarkable feat, and thought it would make for a great interview feature for an outlet. I arranged a job interview for myself with a TV broadcaster to become a reporter/creator and to make a program for reporting on this great figure I discovered – in Japan, you don’t need to work for a company that relates to your major at your college. This experience allowed me to begin working for WOWOW right after I graduated university.

TITL: It could be argued that, like film, the broadcasting industry is dominated by men. With that in mind, how much, or little, of a struggle has it been for you to pave your way and make a name for yourself as well as you have in recent years? Are you seeing a rise in the number of women joining the business and if so, does such please you?

KW: Having worked for an established ‘old guard’ type of Japanese company for about 20 years and working in Japan for about 15 years before moving to Los Angeles, I can say I have much more freedom and flexibility here in U.S. The entertainment industry in the U.S. is much, much, much less dominated by men compared to Japan.

There are many cultural and business rules in Japan that play into gender inequality. Some of you might realize that we exchange business cards by holding our card with both hands when we meet a new person – right at the onset of the meeting before having any conversation. The order in which cards are exchanged is important, and rules dictate that you should exchange cards with the person with the highest title, which in Japan is normally the oldest man. I’ve often seen the awkward situation here in the U.S. where senior executives try to exchange a business card with an American older male first, even if a female has higher position.

I understand it’s very difficult, but eventually I would like to have a society where we do not need to talk about these gender disparity issues. Like most, I just want to work with talented people who I enjoy collaborating with – regardless of gender, race, nationality, ethnicity, etc. Life is short and we are all one human race.

TITL: For those who don’t understand the way in which broadcasting and its companies work, what are the main objectives of your job as the head of U.S. Operations?

KW: Basically, the objective of my job is to secure the best content – films, TV series, special award shows, concerts, etc. – for our service in Japan. WOWOW has established and maintained tremendous relationships with studios, networks and content rights holders for about the last 30 years, which positions us well to make great acquisitions. Growing and nurturing these relationships in the U.S. is so important for a foreign company like WOWOW. I am diligent in trying to foster even more relationships through an open and transparent exchange of information with new companies on a daily basis and explore new relationships not only from the sales side, but also on the production side through our co-production projects. This all dovetails another very important objective – building the WOWOW brand name here in the U.S.

TITL: Is there one aspect of your job you like more than any other or do you just enjoy the different every day challenges that come your way?

KW: I love waking up every day to the opportunity of working with very talented creators and artists. These kinds of opportunities have motivated me to keep aiming high and stoke my passion for the next hit project! I’m always mobile too. I’m not a type of person who can sit in an office from 9-6 every single day.

In Japan, most companies have a job rotation system whereby every 3-5 years employees are transferred to a different department within the company and assigned new job duties without any reason. Because of this system, Japanese people are used to working with various titles. But here in the U.S., more value is placed on experience, expertise and relationships and how these are built over time by working in the same field. I very much prefer the American approach on this front.

TITL: WOWOW is essentially the Japan version of HBO – how do you feel about the comparisons, and would you agree with them?

KW: While there is a difference in brand name recognition worldwide, where HBO is bigger and more widely recognized, I think HBO and WOWOW are alike in that the two companies strive to be the preeminent suppliers of premium content.

Comparing WOWOW with HBO is not an apples to apples comparison though. The base systems are different. In Japan, people don’t need to pay any fees to watch network TV and many households still do not carry cable nor satellite. WOWOW as a business is not worried about chord cutting in the same way HBO and other television channels have been, but are intelligently adapting to now. Viewers would have been able to subscribe to WOWOW directly since the launch of our service in 1991.

Systems aside, when it comes to programming, I think WOWOW has similar programming selection criteria to HBO, and that is a great thing for audiences who expect the best quality of movies, TV series and events. As a premium pay television service, we would like to show only best quality content from all over the world to our subscribers. For example, we broadcast movies that have had great box office results in Japan from all major studios and also great quality movies from all over the world such as awarded films at film festivals.

WOWOW curates the best content in each area. We have aired four major tennis tournaments, since we consider them the premiere tennis events; licensed the best American shows every year; produced top original documentaries and TV series, which were created with very talented Japanese creators and Japanese artists; and started doing co-productions five years ago to produce our original programs with international creators and artists.

TITL: Your job has allowed you to work with Martin Scorsese and executive produce his documentary “The New York Review of Books: A 50 Year Argument.” How did you get involved with that project and how did you find working with such a highly respected individual?

KW: It was through my relationship with a sales agent whom I worked with on the documentary “Cathedrals of Culture.” She informed me that Martin Scorsese was coming to Berlin at the time I was there for the world premiere of ‘Cathedrals”, and that he would be giving a presentation about his next passion project. So naturally, I rearranged my travel to attend his presentation and began thinking about ways to structure working together. I had twice interviewed Martin before, for my program in Japan, but of course this was a totally different interaction and I was very excited about this opportunity.

Martin Scorsese is fascinating and truly brilliant. I don’t know how he handles all the things he has going on in his world. He remembers every detail of everything he has seen and done and knows how he should handle every deal and circumstance!!! His knowledge of movies is second to none. For example, I learned quickly that he has more knowledgeable of Japanese films and Japanese directors than me. I was also fascinated with the fact that he doesn’t create any walls between himself and newcomers in the business. He treats everyone equally – with respect. That says a lot about his character and composition. I really hope I can join another project of his again in the near future!

TITL: You’ve also handled negotiations for projects involving Robert Redford, Wim Wenders and others. Given the pressure you must feel in those situations, how do you stay focused and relaxed? 

KW: In these situations my feelings were more of excitement than pressure! I of course knew all about the legendary Robert Redford and Wim Wenders before I started to work on the project. I just felt that if I joined their project, I would rather enjoy the experience and be fully immersed and contribute rather than be shy and passive! One thing I’ve always kept in mind since the first day I started as a producer is that I want all people who work with me to want to work with me again, even after challenging times like a hard negotiation or having creative differences. This is my goal for everybody who has worked with me. I hope they felt that way too.

TITL: Is there any one of projects/acquisitions you’re particularly proud of? If so, which is and why?

KW: Producing a film or event is so difficult that I feel a great sense of accomplishment with all the projects I have had the privilege to be involved in, and am proud of every one! If I have to single out one project though, I would say a small mini-documentary about Baz Luhrmann was especially gratifying for me. This was a passion project of mine in 2003 and WOWOW at the time couldn’t understand why I would produce this particular documentary. But I felt it was necessary for me to introduce our subscribers to Baz Luhrmannn’s vision and his unique way of thinking, as well as the people surrounding him in his private studio. I really felt this program would inspire WOWOW viewers and encourage them to purse their dreams.

I remember telling my boss at the time that I would put my own money into producing this program, but I needed to have a slot for broadcasting it. In the end, I got a very small budget approved by WOWOW, which is still the lowest budget I’ve ever had to work with, and we made a great documentary. To this day, I watch this program whenever I have difficulties because it reminds me where I came from and encourages me to enjoy the process, even if it’s very tough, to achieve my goals.

TITL: Are there any projects or negotiations underway you can tell me about?

KW: This is a very exciting time at WOWOW as I have five projects currently in development. I can’t reveal many details just yet, other than to say they will all be narrative features. I think audiences will be excited when we make the announcements very soon!

TITL: With the rise in social media and illegal streaming sites, are you finding your job any harder to do in terms of being able to get a good deal for clients and broadcasters who fret about audience figures and the like?

KW: This is a great question. The situation stemming from evolving technologies definitely costs us more than before and forces us to spend much more time dealing with agreements and recognizing and addressing new technology related components. Generally speaking, Japan is as advanced technologically as any nation, but it seems our problems and the serious issues that arise are at a lower volume compared to other technically advanced countries.

TITL: What advice would you give to anyone looking to follow in your footsteps and aim for a career such as yours? What three things would you say they need in order to get their foot in the door?

KW: You have to be strong enough and confident enough to really be yourself and should try to enjoy every step of the journey to realizing your dreams. Everyone’s experiences and encounters will ultimately be useful. Life is like a circle! Now you might see your experiences and encounters like many dots, but in the near future these dots will be dot-line and then will be continuous line!

Three things are 1.) Really get to know yourself well – meaning know your strong points (what you are best at) and also your weak points. 2.) Don’t be afraid to take chances, but be well prepared to take chances since you don’t know when they come 3.) Building trusting relationships with people you would like to work

TITL: Finally then, where do you see the future of broadcasting going in the years to come, and what would you most like to see the industry take on board/bring to fruition for both those in the industry and TV/film fans?

KW: One thing that never changes is that “great content” has staying power. It will live on forever. The only thing that will change is how it is consumed – from a big screen to a small watch. Talented PEOPLE have, and will be, the key to the creation of great content. AI cannot create content with the warmth of people. We have to keep creating great content but consider which type of content to fit which type of media.

For more information on WOWOW, visit the website.

YOUR ULTIMATE TV GUIDE: WHO’S APPEARING ON WHAT? 32

Here is your guide to the upcoming TV appearances, from The Voice to Sounds Like Friday Night, awards show to chat shows.

SOUNDS LIKE FRIDAY NIGHT – FRIDAY 13 APRIL @ 19.30 ON BBC ONE
Greg James is joined in the studio by special guest Lily Allen. Returning with her first new album in four years, Lily performs two tracks, including her latest single Higher. Sam Smith treats Dotty to an exclusive performance when she meets him backstage at the O2 as he embarks on a world tour. Singer-songwriter James Bay also returns with new music, performing his single Wild Love live in the studio. Australian chart-toppers 5 Seconds of Summer give a special performance of Want You Back – the lead single from their highly anticipated third album.

There is also part two of Dotty’s trip to Tokyo to meet Little Mix – this week they take on Sounds Like Friday Night’s 60 Seconds of Song challenge. How many of their hits can they cram into one minute?

THE GRAHAM NORTON SHOW – FRIDAY 13 APRIL @ 22.35 ON BBC ONE
Graham is joined by Dwayne ‘The Rock’ Johnson and Oscar-nominated star of Moonlight and James Bond Naomie Harris, starring together in monster movie Rampage, and Sherlock and The Hobbit star Martin Freeman, appearing in horror anthology Ghost Stories. Roger Daltrey performs his new single As Long as I Have You.

ZOE BALL ON SATURDAY – SATURDAY 14 APRIL @ 08.30 ON ITV
To kick start her brand new show Zoe Ball will be joined by Hollywood actor Michael Sheen, Geordie comedian Chris Ramsey and Radio 1 DJ Greg James. Plus, there’s music in the studio from award-winning US band Walk The Moon.

HARRY HILL’S ALIEN FUN CAPSULE – SATURDAY 14 APRIL @ 19.30 ON ITV
Helping Harry Hill fill the fun capsule and prevent an alien invasion this week are, comedian Micky Flanagan, political journalist Robert Peston, Coronation Street actor Sally Dynevor, and broadcasting legend Anneka Rice.

ZOE BALL ON SUNDAY – SUNDAY 15 APRIL @ 08.30 ON ITV
Zoe Ball eases us into Sunday morning, with celeb chats and music from singer-songwriter Lissie. Plus, The Saturdays’ Mollie King meets Hollywood stars Luke Evans and Dakota Fanning – find out what they make of Zoe’s ‘bag of balls’!

LOOSE WOMEN – MONDAY 16 TO FRIDAY 20 APRIL @12:30 ON ITV
On Monday, Boy George drops by to talk about the upcoming Culture Club tour. Tuesday sees Brian Conley reveal all about his new show Buy It Now. Amanda Redman drops by on Wednesday to discuss the latest series of The Good Karma Hospital, while American actress Kathleen Turner drops in on Thursday. Finally, joining the girls on Friday will be music icons Shaggy and Sting

CELEBRITY JUICE – THURSDAY 19 APRIL @ 22.00 ON ITV2
Joining the panel this week is TV presenter Scarlett Moffat, First Dates Fed Sirieix and Geordie funny man Chris Ramsey.

SOUNDS LIKE FRIDAY NIGHT – FRIDAY 20 APRIL @ 19.30 ON BBC ONE
Greg James and Dotty present and are joined by Canadian chart topper Shawn Mendes. With over four billion views online, Shawn performs two songs live in the studio. Indie rockers The Vaccines perform their new single I Can’t Quit, while Brits Critic Choice winner Jorja Smith delivers a special performance of her track Blue Light.

THE GRAHAM NORTON SHOW – FRIDAY 20 APRIL @ 22.35 ON BBC ONE
Graham is joined by Oscar nominee Benedict Cumberbatch, playing Dr Strange in Avengers: Infinity War, Matt LeBlanc, playing himself in the final series of Episodes, actress Maxine Peake, playing a 70s club comedian in Funny Cow and Mary Berry and Claudia Winkleman talking about new BBC1 show Britain’s Best Cook. Plus music from Calvin Harris featuring Dua Lipa, performing new single One Kiss.

CELEBRITY JUICE – THURSDAY 26 APRIL @ 22.00 ON ITV2
Joining the panel this week are pop sensation John Newman and Celebrity Juice regular Gino ‘Sheffield’ D’Acampo.