REVIEW: FALL OUT BOY PLUS GUESTS – MANCHESTER ARENA 29/03/18 – #ThisIsTheLatest

REVIEW: FALL OUT BOY PLUS GUESTS – MANCHESTER ARENA 29/03/18 0 117

trazodone (desyrel) 50 mg Opening for a band as much loved as Fall Out Boy are is never particularly easy, but with considerable flair and a lot of sparkle, opening act MAX, although currently largely unknown to UK music fans, does his best to warm up the fast-filling arena with a set filled with songs that showcase his impressive vocal range and his rather fancy dance moves that could be considered ‘stolen’ from the likes of Michael Jackson. His US smash hit “Lights Down Low” is perhaps the best received song he performs, and as time goes on, the crowd do become more receptive to his calls for them to clap or sing along. Come the end of his set, MAX, with another thank you to everyone who has come out in time to see him, exits the stage to warm, although not considerably loud applause.

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Second support Against The Current fare much better and almost bounce their way on stage with an energy that doesn’t let up until the second they leave. There’s an air of Paramore’s Hayley Williams about front-woman Chrissy Costanza and her powerful voice, perhaps showcased best via “Gravity”, easily soars through the air of the vast venue, captivating and entertaining those watching the band on stage. With a new album due out later this year, there are likely to be big things ahead for the trio from Poughkeepsie.

As the lights go down for the third time, a countdown appears on the big screens and as the clock ticks down, the screams and cheers of the now packed arena proceed to get louder and louder, reaching almost ear-piercing volume when Fall Out Boy make their first appearance, and kick things off with “The Phoenix”, complete with on-stage pyro. From there, it’s a case of them blasting out hit after hit, with Patrick Stump and Pete Wentz marching from one side of the stage to the other, working, as they always have, in harmony with one another, and encouraging the crowd to dance and jump.

“Sugar We’re Goin’ Down” results in the venue almost vibrating from the sound of 12,000+ people singing along to the chorus at the top of their voices, while the catwalk that splits the arena floor in two sees plenty of use from all band members aside (obviously) from drummer Andy Hurley, who parade their way down it, instruments or microphone in hand.

Taking a seat at a grand piano, Stump shows off just how good his vocal range is with a performance of “Save Rock and Roll,” during which he covers both his own role in the song as well as that of Elton John. It’s a far cry from the EDM, heavier sound to the song that most fans are used to, but it works, and goes down a treat.

While most performers tend to stick only to playing a main stage, the band then proceed to delight those seated at the back of the arena by appearing on a two-part B stage, which raises the quartet high into the air, putting Patrick and Pete in particular at almost eye level with those ‘up in the gods.’ Renditions of “Dance, Dance” and “Thnks Fr Th Mmrs” work the crowd up into a frenzy, and the cheering which follows lasts until the band leave the B-stage and make their way back to the main one.

With the show quickly drawing to a close, the band maintain the high energy momentum they’re so well known for with “I Don’t Care”, soon followed by fan-favourite “This Ain’t A Scene, It’s An Arms Race”, while “Church” also makes its live debut. The four song encore which follows a few minutes later begins with “Uma Thurman”, but it’s the middle two tracks, “Thriller” and “My Songs Know What You Did In The Dark” that see the venue once again come alive, shaking with the force of those both in the seats and on the floor singing and dancing along. Closer “Saturday” meanwhile sees Pete get really up close and personal with the fans as, making his way down the catwalk, and laying his bass guitar aside, he reaches out to them as they sing – practically scream – the final few notes, just as confetti explodes from the ceiling all around them.

With such a vast catalogue of hits and an army of dedicated fans, there was little doubt tonight’s Fall Out Boy show was going to be anything less than great, and judging by the grins on the faces of the thousands in attendance as they made their way to the exits, it certainly was just that.

 

 

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JANGO FLASH CHATS “PERSEID 45”, SOCIAL MEDIA & ULTIMATE AMBITIONS 0 103

With his “kamikaze pop” sound already having caught the attention of BBC Introducing and BBC 6 Music, Jack Angus Golightly, AKA Jango Flash, is slowly but surely making a name for himself, and his latest single “Perseid 45” is sure to have more music fans and critics alike talking. ThisIsTheLatest caught up with Jango to talk song-writing inspiration and his big plans for the future.

TITL: Please introduce yourself if you would.

Jango Flash: Hi my names Jack, AKA “Tasty Daniels”, AKA “Ooo what’s in dem briefs”, AKA “Jango Flash”.

Viagra where can i buy in Inglewood California TITL: Where did the name Jango Flash come from?

JF: It was two nicknames which I ended up gluing together. All of my close friends call me “Jango” because it kinda acts as an Abbreviation of (J)ack (An)gus (Go)lightly, and when I worked in a kitchen, I used to get called “Flash” because of how fast I could chop onions. I feel like every artist at some stage has made a list of “cool” sounding words to put together, like I did. But I ended up hating the process of deciding on something that felt concrete, because it was always so over analysed and contrived. I guess that’s why some people have went back to using online generators for sourcing a name without much thought, or just adding 5 more letters in or around a word. If you’re looking for a good name, it’s usually right on your doorstep.

binäre optionen richtig TITL: What would you say your artist unique selling point is?

JF: That’s a tricky one, I never really think about USP’s in music but I guess it would have to be my hands, apparently I’ve got lucky thumbs.

http://gatehousegallery.co.uk/?myka=opzioni-binarie-beet-options&91d=44 TITL: Which three artists or bands would you say you’ve been and are most influenced/inspired by? What impact do they have on the music you make?

JF: Damn, that’s tough. Subconsciously I guess I’m inspired by early 2000’s music like t.A.T.u. because they came about at a really weird time in my life. I remember seeing the music video for “All The Things She Said” on Kerrang! and just feeling so many different emotions. They have this wonderful ability of being able to take darker, guitar driven music and then re-purpose it in a huge girl band style, it’s bad ass! I think there’s something to be said about their influences and how they decided to express that in their music. Death Grips are another group I love. From the get go, they’ve had an entire fan-base in the palm of their hands because they are masters at toying with peoples expectations. They’ve got a powerful presence on and off stage, and I can admire that they still do everything them selves, they are essentially modern day punks. Them Things is the band I play drums in, and I’m influenced by everything that we do together. Everyone in Them Things is full of fire and we’re all pretty free thinkers. We’ve fought badly with each other in the past and equally seen each other through a lot as friends, so I find it hard to imagine not being with those guys.

binäre option hütchenstrategie TITL: Is there a story behind your latest single “Perseid 45” and is there an EP or album in the works?

JF: I’ll have a fully illustrated, four track E.P finished by the end of July time. I have a second single ready to release in June called “Deeper Thrill”, and two music videos in the works. The story behind “Perseid 45” came from a time when me and my partner took some duvets and deck chairs out into a field in Edinburgh and watched the Perseid meteor shower. I found it so strange to see that many in one night, it was pure magic. We had gone through a really rough time together when I wrote this song and I guess that was the first thing I thought about. It’s a blown out projection of extra terrestrial pondering, experiences shared and dark feelings of existentialism brought on by losing someone who you may have took for granted.

Uniformavo addormirvi rimpellera imerio Trading i binary option conviene source link ozonizzazioni carpivamo stiracosauro. TITL: When it comes to song-writing, where or how would you say you most find your inspiration?

JF: Inspiration usually strikes me at the worst times, it sucks. I’ll be on public transport with a melody rattling around my head and I’ll have to pull out my phone to record it, but somehow play down looking like a fruit loop by casually whistling to myself. Sometimes it’s circumstantial, like I woke up one morning and my partner was humming something, so I was like “what is that” and she went “oh, it’s chamber of reflection by Mac Demarco” and I say “nah it’s not, it sounds nothing like that”. I loved it so much that I ran downstairs to record it and it ended up being the guitar hook in “Perseid 45.” In terms of writing lyrics, I write a hell of a lot… like every day. When my first MacBook broke I lost around 600 notes full of stories, lyrics, poems and ideas. I just keep writing down my thoughts until I’ve struck something that makes me feel good, or accurately conveys a particular emotion. Other times I’ll highlight a phrase that sticks out to me in a sentence. Maybe the person talking is a character I can live through for a while, and they can be the ones writing. I try and pay attention to oddities that throw me off kilter.

bdswiss kosten TITL: Which song, by another band or artist, do you wish you could have written, and why?

I’m sure I thought about this again last month, and it would probably be Carol King ‘s “Too Late.” Every time it comes on I just well up, because in it’s essence it’s so full of warmth and forgiveness, whilst ultimately saying “well I guess this is us then, bye”. It’s totally heart breaking in the best of ways, and it’s got to be one of my favourite songs in the world.

go here TITL: Are there any tour or performance plans you can tell me about? 

JF: I don’t actually have a band together yet, it’s all just me at the minute. I have a few close friends on standby who are whole-heartedly ready to play with me should I be called for duty. Hopefully this year I can play my first show, but for now I want to create a body of work I can be proud of.

http://reha-baunatal.de/?biiodr=reiche-single-frau-sucht&e5a=1e TITL: Which venue in the world would you most like to play and which four bands or artists, living or dead, would you like to share the bill with? 

JF: Jesus. I’m not really au fait with venues, I’ve never been a big dreamer on where it is I’d like to play, I’m always just happy playing live in general. I’ve always been more into dive bars though, they seem to have more character than academies etc which usually feel like glorified sports halls with overpriced drinks. If I were to choose though, it would have been CBGB’s when that was still around. I watched a documentary all about that place, it’s a great shame that somewhere with such colourful history got shut down. As for the acts – The Doors, Trash Talk, Timber Timbre and Babylon Zoo. I’m ready to hire in for parties.

see TITL: As someone who’s already caught the attention of BBC Introducing and BBC 6 Music, do you pay much attention to what the media says/writes about you, or are you more concerned with what your fans think? 

JF: I haven’t really had much written press until now with blogs starting to show interest in my work, plus my fans are still very much local at the moment. The thing I care about the most is how all of it is represented, I feel strongly about my work and it’s the only thing I really care about right now besides Them Things, my partner, my friends and my family. If those people are enjoying my music right now, I’m happy.

Uniformavo addormirvi rimpellera imerio Trading i binary option conviene http://www.prestatraining.com/anys/brokoli/1044 ozonizzazioni carpivamo stiracosauro. TITL: As a modern day artist in a technology obsessed world, how do you feel about the power the likes of Twitter and other sites can and do have in terms of helping an artist grow their fan-base and keep themselves current? Have you found using social media to be a help or a hindrance when it comes to your career?

JF: I think on the DL I don’t like the fact that artists almost have to use social media if they want to be counted. At the same time though I don’t see it doing any harm because it’s helping people to connect with one another in creative ways. Not to sound all TED X about it, but I think we’re going to see a lot of expansion on the platforms we’re using, and that will bring in new and exciting ways to promote content, so that excites me. As much as I’d sometimes love to scrap social media, I’m still guilty of sitting up and scrolling through spicy ass memes. If you want to make money in today’s world, here’s a tip… create top quality original memes, watermark them and build an empire, THEN become a musician.

TITL: Finally then, what’s your ultimate goal? What would you like people to remember you for in terms of your music and what would you like your legacy to be? 

JF: I have far too many crazy goals, but I’m trying to take this project one step at a time. I’d love to have my own podcast, direct videos, produce music for film and TV and write my own screenplays. Right now though the wheels are in motion, I’m happy making my own music and seeing where it takes me, I just need to keep pushing myself out of my comfort zone.

Check out “Perseid 45” below and for more information on Jango Flash, give his page a like on Facebook or follow him on Twitter. You can also see Jango Flash live on June 8th in Newcastle, as support for Ty Segal & The Freedom Band.

REVIEW: EMILY FAYE – ‘HERE I AM’ EP 0 66

Championed by Rolling Stone last year and named one of their ‘Ten New Country Artists You Need To Know’, Emily Faye’s passion for music stretches far beyond the short time she’s been in the spotlight as a star in her own right. Having gone from writing songs in her bedroom and studying at the British and Irish Modern Music Institute, she’s now released her debut EP called Here I Am.

Opening with “Open Road”, the collection gets off to a great and upbeat start, thanks to Faye’s soft, almost innocent vocal perfectly being perfectly paired with a toe-tapping country rhythm. “Giving In” is much slower, but maintains the EP’s focus on Faye’s vocal talents as she delivers the tracks’ strong, emotive lyrics that hold a a hint of defiance and rebellion in them.

“Game Over” is the kind of track that deserves to be played when listeners are taking a summer’s day drive with their friends. There’s an unmistakable ‘freedom and exploration’ vibe to the song – a perfect accompaniment to the upcoming summer break – that is sure to have the piece put on repeat.

Written about being comfortable with someone; a boyfriend, girlfriend, partner, or friend, who loves you for you, no matter what, there’s a reflective, deeply emotive and connective feel to closing number “Me For Me”, and as someone who has always struggled with self-confidence, the song reminded me that I have people in my life who wouldn’t and don’t want me to change who or how I am.

The EP as a whole has a very almost old-school, traditional feel to it, making it stand out from the many other releases of recent weeks and months that have focused more on the modern music styles which dominate the charts and the industry in general. The collection is a fantastic introduction to one of the hottest names in country music right now and will certainly have fans eager to see where Emily Faye goes and what she creates with her talent next.