Kid Kapichi are currently one of the most talked about up and coming bands in Britain, and, on the back of their previous EP, are so with good reason. However, some bands can and do often struggle when it comes to a second release. There’s more pressure and expectation, and sometimes it’s more than artists can handle well. So, how have KK fared with their sophomore EP, Lucozade Dreams?
The intro piece, at just over 46 seconds long could easily have been left off the EP, but given that it’s brashier and bolder than many opening instrumentals featured on albums and the like in recent months, it doesn’t fare too badly. It is however a good thing that “Cinderella” quickly follows on from it and ultimately sets the tone for the EP overall. With it’s big, catchy verses, and a chorus that’s even bigger, combined with a toe-tapping bass undertone, it’s an exciting little number, sure to impress and win over music fans who give it a listen.
The momentum and energy continues through “Puppet Strings” and although the instrumentation is good, ultimately it’s the impressive lyrics that make the track stand out. Meanwhile, anyone looking for a superb riff and a thumping, invigorating beat need look no further than “Jack Jones” and the slick production on “Machine Men” means the EP ends on a rewarding high for both band and listener.
While the group from Hastings might still be considerably unknown to some, they’ve been talked about for some time now, and the amount of said talk is only likely to grow on the back of Lucozade Dreams – a collection that’s fun, fizzing with energy and highlights just how much Kid Kapichi love what they do, and in time, more music fans might just find themselves loving them too.
Opening for a band as much loved as Fall Out Boy are is never particularly easy, but with considerable flair and a lot of sparkle, opening act MAX, although currently largely unknown to UK music fans, does his best to warm up the fast-filling arena with a set filled with songs that showcase his impressive vocal range and his rather fancy dance moves that could be considered ‘stolen’ from the likes of Michael Jackson. His US smash hit “Lights Down Low” is perhaps the best received song he performs, and as time goes on, the crowd do become more receptive to his calls for them to clap or sing along. Come the end of his set, MAX, with another thank you to everyone who has come out in time to see him, exits the stage to warm, although not considerably loud applause.
Second support Against The Current fare much better and almost bounce their way on stage with an energy that doesn’t let up until the second they leave. There’s an air of Paramore’s Hayley Williams about front-woman Chrissy Costanza and her powerful voice, perhaps showcased best via “Gravity”, easily soars through the air of the vast venue, captivating and entertaining those watching the band on stage. With a new album due out later this year, there are likely to be big things ahead for the trio from Poughkeepsie.
As the lights go down for the third time, a countdown appears on the big screens and as the clock ticks down, the screams and cheers of the now packed arena proceed to get louder and louder, reaching almost ear-piercing volume when Fall Out Boy make their first appearance, and kick things off with “The Phoenix”, complete with on-stage pyro. From there, it’s a case of them blasting out hit after hit, with Patrick Stump and Pete Wentz marching from one side of the stage to the other, working, as they always have, in harmony with one another, and encouraging the crowd to dance and jump.
“Sugar We’re Goin’ Down” results in the venue almost vibrating from the sound of 12,000+ people singing along to the chorus at the top of their voices, while the catwalk that splits the arena floor in two sees plenty of use from all band members aside (obviously) from drummer Andy Hurley, who parade their way down it, instruments or microphone in hand.
Taking a seat at a grand piano, Stump shows off just how good his vocal range is with a performance of “Save Rock and Roll,” during which he covers both his own role in the song as well as that of Elton John. It’s a far cry from the EDM, heavier sound to the song that most fans are used to, but it works, and goes down a treat.
While most performers tend to stick only to playing a main stage, the band then proceed to delight those seated at the back of the arena by appearing on a two-part B stage, which raises the quartet high into the air, putting Patrick and Pete in particular at almost eye level with those ‘up in the gods.’ Renditions of “Dance, Dance” and “Thnks Fr Th Mmrs” work the crowd up into a frenzy, and the cheering which follows lasts until the band leave the B-stage and make their way back to the main one.
With the show quickly drawing to a close, the band maintain the high energy momentum they’re so well known for with “I Don’t Care”, soon followed by fan-favourite “This Ain’t A Scene, It’s An Arms Race”, while “Church” also makes its live debut. The four song encore which follows a few minutes later begins with “Uma Thurman”, but it’s the middle two tracks, “Thriller” and “My Songs Know What You Did In The Dark” that see the venue once again come alive, shaking with the force of those both in the seats and on the floor singing and dancing along. Closer “Saturday” meanwhile sees Pete get really up close and personal with the fans as, making his way down the catwalk, and laying his bass guitar aside, he reaches out to them as they sing – practically scream – the final few notes, just as confetti explodes from the ceiling all around them.
With such a vast catalogue of hits and an army of dedicated fans, there was little doubt tonight’s Fall Out Boy show was going to be anything less than great, and judging by the grins on the faces of the thousands in attendance as they made their way to the exits, it certainly was just that.
With a flair for rather theatrical performances and a growing fan-base, especially in the US where his track “Lights Down Low” has been one of the biggest hits of the past year, MAX is a name more and more people are sure to become aware of in the next few months. Ahead of his opening slot supporting Fall Out Boy on their UK tour, ThisIsTheLatest met with him backstage at Manchester Arena to chat
TITL: For those as yet unfamiliar with you and your music, who exactly is MAX? How would you describe yourself in four words?
MAX: Energetic, soulful, glittery – it’s always hard to describe yourself – and slay. SLAYYYY – with a lot of y’s.
TITL: I don’t think we’ve ever had anyone use that word before…
M: Oh really? Awesome. I say it a lot!
TITL: What would you say your unique selling point is? What is it about you and your music that makes you stand out from your many other artistic counterparts out there?
M: That’s a tough question to answer on my own. I would say, for me, I try to bring a very theatrical show, while also having a very personal connection to my people, my fans. I like to be as personable as I can with my people, but also make them feel like they’re in another world when they come to a show of ours.
TITL: You’re signed to Pete Wentz’ record label DCD2. How exactly did he come to discover you and what was/is it about him and his label that made you feel that they were the right fit for you?
M: I’ve always been a Fall Out Boy fan, you know, “Dance, Dance”…every record. Patrick’s voice is unbelievable and he’s so kind. Being an OG Fall Out Boy fan, when Pete kind of naturally reached out after hearing some of my music when I was releasing independently, he invited me to one of their shows. I went along with two of my best friends who are also obsessive Fall Out Boy fans, and he brought me backstage; we kinda hung out for a little bit and I don’t know, I guess it was just nice to see how personable they are as people, and also just how hard they work. That’s how and why they’re still doing what they’re doing. So when he said he was relaunching Decadence, as DCD2, and asked if I wanted to be a part of it, it was an obvious no-brainer.
TITL: You’ve achieved phenomenal success in the States thanks to your track “Lights Down Low.” What do you think it is about that song that, for lack of a better word, has enraptured so many people?
M: It’s been really beautiful to see how people have connected with it. It’s the most transparent song of mine, I guess, that I’ve ever put out. I wrote it for my wife and I proposed to her with it. I love telling that story, and I think this song, even if people don’t know that story, they can connect with a piece of it, feel the energy behind it and I hope, and I think that’s why it’s connected more with people than any other song of mine, in a more global way, and I’m glad about that. The song portrays the message that love is love, and that’s what we believe in, no matter where you’re from.
TITL: How did you find the song having its own Snapchat filter for Valentine’s Day which was posted about by Kim Kardashian West, among others?
M: It was honestly the most unexpected thing that I probably have had happen to me. I guess some wonderful people, part of my team, were pitching this idea for Valentine’s Day, which is such a special day for us, and literally the night before, someone emailed me saying there’s a snapchat filter thing tomorrow and no one had ever done it like that before, I guess. They’re doing it a lot now wirh great artists which is so cool, but I guess we were kind of the guinea pig and I’m glad to have been the guinea pig. It was a wild time and it was so cool – they used my glasses and everything. I love that Snapchat is trying to make a filter that really represents the different artists that they’re showcasing. It was a cool surprise.
TITL: You just need your own emoji now…
M: That’d be wild! Emoji’s really encapsulate our lives so I’d love to be part of one.
TITL: Given that you’re currently on tour with Fall Out Boy here in the UK, have you noticed or are you noticing any differences or similarities between audiences here and back home?
M: My wife is from here so it’s kind of nice to come and visit her roots, hang with everybody. I’m loving it. Tour wise, this is our third show on the tour with the guys and it’s amazing. To play Manchester Arena is unbelievable – it’s so special to not only open for them, but feel the energy from the crowd. I think Fall Out Boy fans especially are so proud of the music they love that, even if they don’t know your music quite yet, if you reel them in just enough, then suddenly you feel a new energy which is just so amazing.
I think I would say UK fans really love music, especially live music, but I also think they might be a little harder to impress in a real way, which I really appreciate, especially as an opener, because it’s so rewarding when you get to a certain song and everybody is there. The best thing about UK fans, and European fans in general, is that as someone who loves to do a lot of crowd interaction, even if everybody’s not quite into it yet, they’ll get involved with every interaction I do and make. They’re doing that because they’re committed music fans and that’s the coolest thing in the world because it’s not at every show you get to see all the fans putting their hands up, clapping along, that kind of thing.
TITL: Do you have any headline shows of your own in the works for after this tour?
M: Oh yeah! I’ll be back here in January. I’m almost done with the second album and I’m hoping to put it out towards the end of summer, or early fall in the States and then come over here and hopefully people will discover us from these dates, and come out and see us again.
TITL: You’ve played some pretty big stages in your career so far but if you could play any venue in the world, which would it be?
M: Madison Square Garden, for sure. Being a New Yorker and just having it be such a special place in my life, getting to play there, or getting to headline the Garden, that would be a very massive accomplishment. Getting to play here, and to play the 02 is additionally pretty surreal.
TITL: You’ve had your songs streamed millions upon millions of times on Spotify and watched millions more on YouTube. With that in mind, how do you feel, both personally and professionally, about social media and technology, and the almost consuming power it holds for artists?
M: It’s so addictive and I’ve realised I probably spend a fourth or half my day, going through all the different social medias, trying to research different playlists on Spotify and things like that. It’s also such a connective tool that we’re lucky to have in this generation because, probably half of the collaborations that I do, I find via Twitter. Somebody like Matoma follows me on Twitter and the next thing, I’m talking to him then we’re meeting in person…the connective power it has is incredible, and not just between artists, but for fans too. It’s amazing to pinpoint one particular fan who is such an OG and get in touch with them to say something like ‘Wow, thank you so much for giving so much life and energy to this – do you want to be part of it more?’
With any incredible tool, there’s always going to be some crazy, negative aspect, and I think the addictive quality social media has is that aspect.
TITL: What’s next for you? Are there any plans or projects in the pipeline you can tell me about?
M: I’m excited about the second album, and my next single, is a duet with my friend Noah Cyrus – I was actually working on the mix today; slay! Then another song after that called “Still New York” with Joey Badass, which is, obviously about my home city, but also about repping your roots and everything else. There’s a bunch of songs after that, a bunch of collaborations I’m super excited for which I can’t quite talk about yet, and then yeah, hopefully more touring, more shows and then I hope to just keep on going.
TITL: Finally then, what’s your ultimate goal when it comes to your music? What would you like to have achieved 5-10 years from now and musically, what do you most want to be remembered for?
M: That’s a great question and one I think about a lot. I would say, for the 5-10 years part, I want to have that same connective tissue between myself and the fans that I feel and have now. I hope for that to grow, and for us to keep doing what we’re doing now, but hopefully on a larger scale. I think you remember energies more than you remember things people say and whatever else, and I hope that we…I…leave behind an energy that is positive towards people. We’ll all pass away one day, we’ll all be gone, and very tiny remnants of our existence will matter, but I think if there’s any way just a little speck can be left to hopefully inspire other people to bring some positivity to the world, that’s really all I can hope for when it comes to my music.
Check out the video for “Lights Down Low” below, and for more information on MAX, visit his website or follow him on Twitter .