RJ WORD TALKS “WHAT YOU NEED”, SOCIAL MEDIA & HIS DREAM SHOW LINE-UP 38

Having just released the video to his new single “What You Need”, RJ Word is certainly well on his way to making his mark on the music industry. Currently working on a number of singles, ThisIsTheLatest caught up with RJ to chat all things inspiration, ultimate compliments and what he’d most like to be remembered for.

TITL: Has music always been your ambition, or, growing up, did you consider exploring other avenues? Ultimately, who or what made you realise that music was the right path for you?

RJ Word: Growing up I studied music and acting. I still consider myself an actor, it’s just not my primary focus at the moment. Music gives me more freedom to create. A song can be anywhere from 90 seconds to 10 minutes and can be made considerably faster than a film. Also, you just can’t beat that feeling music gives you. There’s nothing like it.

TITL: Which bands and artists are you most influenced and inspired by and is there one in particular you might say you sound similar to?

RJ: Michael Jackson, David Bowie, Paul McCartney, Bruno Mars and Justin Timberlake have all influenced me a lot, but hopefully I don’t sound too much like any of them.

TITL: Is there a story behind your new track “What You Need”?

RJ: I wanted to make a disco inspired record with some more modern rhythmic elements. We came up with this.

TITL: Are there any EP/album plans in the works, and if so, what can you tell me about how they’re coming along?

RJ: Just working on more singles at the moment, but that’s going really well. I have a couple songs I’m really excited about.

TITL: How easy or hard do you find the song-writing process? Do you find it often depends on the subject matter and other such issues?

RJ: Some days it can be a little tough to get started. But once you’re in the zone it’s just fun, unless you’re writing something about a heartbreak that just happened.

TITL: In your mind, what makes a song truly great and which song would you say is the greatest ever written?

RJ: It’s half lyrics/melody and half production, so both have to be spot on to make an excellent record. The songs that stand out in my memory are the ones that do something different and unconventional. That’s where the magic happens. It’d be impossible for me to name a favorite.

TITL: Do you have any upcoming performance/tour plans?

RJ: Not right now. I’m mostly focusing on writing and recording for the next couple of months.

TITL: If you could perform with three bands or artists, who can be living or dead, who would they be?

RJ: That’s a tough one. Most of my idols are legendary performers and to be up next to them would be really intimidating. But my dream set would be to do a show with MJ and have Quincy Jones conducting a full orchestra live along with us. Depending on if you count the musicians in the orchestra, that’d be way more or one less than 3 acts.

TITL: What has been the nicest thing someone’s written/posted about you and your music and what would the ultimate compliment be?

RJ: When people say online that one of my songs is the best they’re ever heard it’s always nice. But I’m so critical of my work that it’s hard for me to seriously take that to heart. The ultimate compliment would be for someone I really respect in the industry to just say they liked it.

TITL: Both personally and professionally, how do you feel about social media? What impact is it having on your career and your ability to reach an audience, and do you believe it’s possible for upcoming bands and artists today to achieve success without it?

RJ: It’s been amazing tool for me professionally but something I have never used personally. I like my privacy too much. Being able to share my music with the world and grow a fan base, the way I have, can be directly accredited to it. So yeah, it’s very important to me. I think it’s still possible for an upcoming act to blow up without using it directly. But if their fan base is growing they’ll be using socials to talk about them. So at least indirectly it’ll be used. It’s a big part of how the world today communicates.

TITL: Finally then, five-ten years from now, what do you hope to have achieved from your music career? What bucket list items do you want to have ticked off and if you could be remembered for one thing when it comes to your music, what would it be?

RJ: I’d love to have toured the world, have some records I’m really proud of and have worked with some of my idols. I have no clue what I’ll be remembered for yet. At the moment my goal is to make what’s on the radio musical again. Getting away from all the loop based tracks and repetitive samples. I’d be okay with being remembered for that.

Check out the video for “What You Need” below and to keep up to date with RJ Word, visit his website, give his page a like on Facebook or follow him on Twitter.

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BISHAT TALKS NEW MUSIC, SOCIAL MEDIA & HER PLANS FOR WORLD DOMINATION 30

Having written her first song at the age of 13, music has been in Bishat’s blood for many years and now, following the release of her Q417 (Mixtape) EP, she’s ready and raring to share her passion for what she does with the world. She spoke to ThisIsTheLatest about the honesty and emotion behind her lyrics, her thoughts on social media and her plans to tour the world.

TITL: As an artist who comes from the same place as the legends that are ABBA, have you or do you ever feel any pressure to try and replicate their success or are you just happy to see that, over the years, more and more talented bands and artists from your country have graced stages around the world and won over music fans?

Bishat: I think it’s inspiring more than anything else, it just makes me feel like it’s possible to reach a global audience from this little corner of the world. The industry is so small in Sweden so you know a lot of the people making waves and it’s an amazing feeling when you’re in a taxi in New York or in a club in Ethiopia and there’s a global smash playing and you know the people who wrote it.

TITL: You wrote your first song aged just 13, with Jose Gonzalez. How would you say your writing style has changed and evolved since then and what advice would you give to anyone looking at writing their own first piece?

B: As with everything else, you mature and experience life and with that you evolve your way of thinking and how you’re expressing yourself. I’ve also had time to be influenced by a lot of other music and I’ve studied what others did to then land in something that is me. I think my music is much more raw and intuitive and a mash-up of all the genres that I’ve grown up listening to now.

TITL: You’ve so far been compared to the likes of Tove Lo and FKA Twigs, among others. Do you mind such comparisons or would you much rather be labelled an artist in your own right? 

B: Both Tove Lo & FKA Twigs are brilliant artists that I admire and am influenced by so I take that as a huge compliment. But yes, sometimes comparisons can be a bit lazy. People seem to crave the need of labeling and comparing and I get that in a time when there’s so much music it’s good to have some guidance and indication of other artists you might like. I’m really bad at explaining my sound and genre so if other people nail it then that’s all good. Of course I hope and think people see me an artist in my own right  – there’s room for everybody.

TITL: You’ve just released your debut EP Q417 (Mixtape). How was the creative, writing and recording process and is there one track/feature on the collection you’re particularly proud of?

B: This was a little different than I how I’ve worked before. I’ve always had a lot of sessions where we wrote lots of stuff over a long period of time but this was pretty much all done in the last quarter of 2017, hence the title. I was going through a lot of stuff, coming out of a long relationship, not having a place to live, so creating this EP became my mission, not to lose myself completely. I wrote all the songs myself except  “Unholy Romance” which I wrote with XOV, and then involved a few trusted people in the production process to help me finish it so it feels even more personal with the entire core coming from me. I’m most proud of “Give You Up” because it’s the first track I produced all by myself, even though I’m always involved and co-produce all my stuff. I have, as a female, struggled with daring to call myself a producer but now I feel that I truly can and no one can tell me nothing and that feels good. It’s also the rawest song I think I’ve ever written and listening to it reminds me of how broken I was at the time. It’s a bit painful but it also feels like the whole reason I even got into music in the first place. To create things that are raw and vulnerable that hopefully resonate with others going through the same things.

TITL: Now that the EP’s out, have you started thinking about writing again for the follow-up or are you just going to go with the flow and see what the response to this EP is like first?

B: Yes, I have some songs written but I haven’t entirely set the tone for the next EP, or maybe album, just yet. I’m going to London for a while to do some writing – the music scene there is really inspiring at the moment with so much great music coming out, so maybe that will shape the sound. But, I will definitely try to put out more music after summer.

TITL: The EP as a whole is rather dark and addresses a considerably difficult time in your life. Were you ever apprehensive about sharing those times with the world through your music as you have, or is it something you’d like to see more artists do – address real issues in their lives and those of others?

B: I personally love music that I feel is super honest. I mean it doesn’t even have to be real life, but some artists make you feel like it is anyway. Life is messy and hard and incredible and that’s nothing to be ashamed of. I think everyone would be better off if we were more open and honest about the struggles, depression or whatever it is that we go through. There was a point when we were mixing and I was like ​‘wow this feels pretty exposing’, but at that point I wasn’t gonna throw it all away. It was a little scary but I’m proud of my work and proud that I managed to put it together even though I was such a mess.

TITL: You’ve also dropped the video for “Dream About Me.” How did you come up with the concept, and how hands on in terms of the creative process, do you like to get when it comes to making videos and such?

B: Post break up analysis I guess triggered it. I was like I’ve been in these long relationships but in the end I somehow mess them up. They may not have been the right ones for me but still…I started to see patterns in my behavior and in everyone’s really. Most of us repeat the same mistakes over and over and so I had this idea of showing several relationships, which in the end ended up being just two, where you are super intense and all in in the beginning but then grow restless and end up leaving and then repeat it with someone else. The fear of space and change – which ironically is the thing that usually ends up ruining it. I’m very involved in every aspect of my artistry. I do almost everything by myself from artwork to styling and I was very involved in the video so it’s all very much me which is really nice even though it gets crazy stressful at times. The anxiety is real.

TITL: Personally and professionally, are you much of a social media user and how do you feel about the power the likes of Twitter and YouTube can and do have in terms of helping an artist grow their fan-base and keep themselves current?

B: I use social media a lot but not a crazy amount. I understand that it’s important and it’s really cool to have that instant way of connecting with people. To be able to chat to someone who loves my song in Peru in my Insta DMs is amazing. However, the flip side is the fact that there’s such power in numbers – I think we are too fixated with  followers, likes and streams and that it influences what we think of the artist before we’ve​ even heard the music. I wonder if you’d listen to the same stuff or talk about the same artists if you couldn’t see streams on Spotify or didn’t have YouTube views showing.

TITL: Finally then, with the video and EP out now, what’s next for you? What does the rest of the year have in store for you, and have you started looking further ahead as to what the more distant future could and might hold for you?

B: I’m gonna play some shows which I’m really excited about, write lots of music for myself and other artists and slowly work on that world domination stuff. I’m ready for that world tour.

Check out the video for “Dream About Me” below and for more information on Bishat, give her page a like on Facebook or follow her on Twitter. Her Q417 (Mixtape) EP is available now.

BEAR WITH ME TALKS “AFTER ME”, UPCOMING PERFORMANCES & FUTURE PLANS 39

Having started out as part of the Danish Aarhus underground scene, vocalist, keyboard and bass player Thorbjørn Kaas AKA Bear With Me has just released his debut single and has plenty of ideas about where he’d like his music to take him in the future. He spoke to ThisIsTheLatest about where in the world he’d most like to play and what his ultimate goal as an artist is.

TITL: For anyone who hasn’t heard of you or your music, how would you sum up Bear With Me?

Bear With Me: It is about having fun, experimenting and see where the moment will take you. I’d like to think of it as very personal, current music with an analogue feel or just danceable melancholia.

TITL: Which few bands or artists would you say you’re most influenced by and how do those influences come across in the music you make?

BWM: I find a lot of comfort listening to various dream-pop and shoegaze bands, such as Beach House, Cocteau Twins, Slowdive and My Bloody Valentine to name a few. I seek that swirly vibe but in a more upbeat manner. Hopefully people will enjoy listening to the music on the dance-floor, but also under more chilled circumstances, too.

TITL: Is there one band or artist you most commonly find yourself being compared to, and if so, do you mind such comparisons?

BWM: Since ”After Me” is the first single there hasn’t been that many comparisons yet. But Röyksopp, Tame Impala and Air have been mentioned. I think they sum up the vibe in good way, and even though their approaches to music are different Bear With Me could easily be described as a mix of those three.

TITL: Tell me about your debut single “After Me”. Is there a story behind the song and what do you want listeners to take from it when they hear it?

BWM: It’s about losing someone who were once close to you. Even though it is hard to say goodbye and let go you can always hope that the person can stay in your thoughts and still be a part of your life. I would describe the song as both melancholic and hopeful. It’s an homage to any kind of close relation between people, but also an acknowledgement of how delicate and changeful such bonds can be.

TITL: Have you started thinking about what your next single might be and are there plans for an EP/album in the works?

BWM: There’s a recording session planned in August with some great guys. It’s not decided whether it’s gonna be an album or an EP yet.

TITL: Do you have any tour/performance plans lined up, and if so, for those who haven’t seen you live before, what can you tell them to expect?

BWM: We are playing with our friends in Moon Loves Honey on the 27th April at Radar in Aarhus. It’ll be the second time we’ve played the music outside the rehearsal room, so I guess people can expect something unheard.

TITL: If you could perform with any three bands or artists, who can be living or dead, who would you choose and where would you play?

BWM: 1. I would love to play with a big jazz glitterati at the time where things went down. For example Thelonious Monk at Village Vanguard or something. 2. I guess a lot of people would want to be any of the performing artist at Woodstock festival 69’. In that case I would prefer to play the tambourine. – it’s not so demanding. 3. I have a feeling that I would enjoy to play the bass in Mac Demarco’s band.  I’ve always wanted to play at Orange Scene at Roskilde Festival – the largest scene on the largest festival in Denmark – so I think that would be a fitting location.

TITL: Are there any other plans or projects in the pipeline for the coming months you can tell me about?

BWM: I’m arranging a one-day festival the 16th of June. Besides Bear With Me, the greatest acts of Aarhus will be present.

TITL: Finally then, where would you like to see yourself five years from now and what’s the ultimate goal?

BWM: I’d like to see myself, and my band, a long way from Aarhus, in a bus, touring all kinds of places. The ultimate goal is to make an album however we want, whenever we want and to perform wherever we want. We want success and hopefully, freedom is a by-product of that.

Give “After Me” a listen below and for more information on Bear With Me, give his page a like on Facebook or follow him on Instagram.