2019 BRIT AWARD NOMINATIONS REVEALED 0 108

The nominees for the 2019 BRIT Awards have been revealed.

UK pop sensations Anne-Marie and Dua Lipa lead the charge this year with an incredible four nominations each. Anne-Marie is up for British Female, British Single, British Artist Video of the Year, and the prestigious Mastercard British Album of the Year for debut album Speak Your Mind, which went to No. 3 in the UK charts on release last spring. Following her two BRIT wins in 2018, Dua Lipa also receives four nominations, with two in both British Single and British Artist Video categories, for her own track ‘IDGAF’ and the No. 1 Calvin Harris collaboration ‘One Kiss’.

George Ezra, whose second UK No.1 album ‘Staying at Tamara’s’ was the best-selling artist album of 2018, is up for three nominations: British Male, Mastercard British Album of the Year and British Single – bringing his total BRIT nominations tally to seven. One of the UK’s biggest breakthroughs of last year Jorja Smith, is also up for three nominations, British Female, British Breakthrough, and Mastercard British Album of the Year, following her 2018 Critics’ Choice win.

Up for two awards are: Calvin Harris, The 1975, Little Mix, Tom Walker, Jess Glynne, Rita Ora, Clean Bandit, Florence + The Machine and Rudimental.

Gorillaz are back fighting for British Group once again, having won in 2018, and Giggs receives his first ever BRIT nomination for British Male, but has stiff competition from
George Ezra, Sam Smith, Aphex Twin and Craig David.

This year’s nominations lists also include many previous BRITs Critics’ Choice nominees and winners: Jorja Smith (winner 2018), Mabel (nominated 2018), Anne-Marie (nominated 2017), Dua Lipa (nominated 2017), Years & Years (nominated 2015), Sam Smith (winner 2014) and Florence + The Machine (winner 2009).

A host of brand new names feature in this year’s international categories: Kamasi Washington, Travis Scott and Shawn Mendes are all up for International Male against 2017 winner Drake and four time BRIT winner Eminem, whilst International Female sees Ariana Grande, Camila Cabello, Cardi B, Christine & The Queens and 2014 nominee Janelle Monae all shortlisted.

Beyoncé has been nominated eight times (and won once), and JAY Z has received four nominations (and one win); 2019 sees their debut nomination for The Carters off the back of their Top Five album Everything is Love, and disco legends Nile Rodgers & Chic are at last nominated for their first BRIT award for International Group.

Jason Iley, BRITs Chairman and Chairman & CEO of Sony Music UK and Ireland said: “These nominations illustrate what an incredible year it has been for British talent and remind us what a great time it is to be a music fan, both in the UK and beyond. I’m delighted to see the nominations representing talent across a wide variety of genres – from returning artists to some incredibly exciting new talent, who are set to become the stars of the future. With such a strong list of nominees, we are certain of a fiercely contested and exciting night at the awards show in February.”

The BRIT Awards 2019 take place Wednesday 20 February at The O2 Arena, London, broadcast exclusively on ITV and hosted by Jack Whitehall. Clara Amfo and Alice Levine will be back to host this year’s Red Carpet show on ITV2 on the night of the awards for the third year running.

CRITICS’ CHOICE AWARD – WON BY SAM FENDER

We are thrilled to announce that Sam Fender is the winner of the 2019 Critics’ Choice Award. Sam will be the first recipient of a 2019 BRIT Award, designed by Sir David Adjaye OBE.

The award arrives at an important moment in Sam’s musical career, one that has seen a very rapid ascent over the past few months. Having toured the UK and Europe relentlessly, building himself a loyal army of fans, this young Newcastle based musician writes honestly and candidly about subjects of social and generational significance, drawn from his experiences growing up in the North East. Sam wraps his pertinent words in rousing, propulsive, arena-sized anthems. The recently released debut EP ‘Dead Boys’ is a mighty statement of intent, recorded in his warehouse studio just a stone’s throw from the River Tyne.

Sam Fender said: “I am truly humbled to win The BRITs Critics’ Choice Award. Being nominated was crazy enough, never mind winning it. I’m so grateful to everyone back home for believing, and to my band and team for all their hard work. We’ve played literally hundreds of shows this year, and we’re going to go even harder in 2019. Most importantly, a big shout to my fans. I’ve met a lot of you over the last few years and it’s truly an honour to get up and play night after night to such a wonderful bunch of people. To everyone who’s taken a punt on me so far, thank you. Here’s to next year!”

BRITs Chairman and Chairman & CEO of Sony Music UK & Ireland Jason Iley said: “Many congratulations to Sam Fender on winning The BRITs Critics’ Choice Award. He is an exceptional young artist, with a bright future ahead of him. This award has shone a spotlight on some of the most successful new acts for more than a decade, who between them have sold more than 90 million records, from Adele to Sam Smith, Florence + The Machine to Rag’n’Bone Man. I wish Sam the very best and that he enjoys the same success as many of the previous winners have before him.”

Lewis Capaldi and Mahalia are this year’s runners-up to overall winner Sam Fender. Since its inception in 2008, The BRITs Critics’ Choice Award has successfully identified the future stars of British music, with previous winners including Adele, Florence + The Machine, Emeli Sandé, Sam Smith, Rag‘n’Bone Man, and last year’s winner Jorja Smith, who have all gone on to achieve phenomenal chart success both in the UK and globally. Collectively, The BRITs Critics’ Choice winners have sold over 90 million albums worldwide.

BRITISH MALE SOLO NOMINEES

Three-time BRIT Award winner Sam Smith will be competing for the title of British Male Solo Artist with Aphex Twin, Craig David and George Ezra, all of whom have been nominated in this category in previous years, alongside BRITs newcomer Giggs.

Five years after he took home the coveted BRITs Critics’ Choice Award in 2014, Sam Smith is up for British Male Solo Artist for a second time.

Three-time BRIT nominee Aphex Twin was first nominated way back in 2000 for British Video with ‘Windowlicker’. His most recent BRIT nomination was in 2016 for the same category he now finds himself nominated for in 2019.

Craig David, who has been nominated an impressive 13 times for a BRIT Award but is yet to take home a win, is also up for British Male Solo Artist this year.

This marks George Ezra’s first BRITs nomination in four years, when he found himself up for four awards in one year.

Our final nominee Giggs is rewarded with his first ever BRITs nomination following a highly successful year.

BRITISH FEMALE SOLO ARTIST

Following her first ever BRITs nomination last year for British Artist Video Of The Year, Anne-Marie finds herself as one of our most nominated artists of 2019 and is now in line to potentially take home British Female Solo Artist.

Florence + The Machine, who last won a BRIT Award back in 2010, has been nominated in this category three times prior but is yet to walk away with the title.

Being nominated for British Female Solo Artist this year marks Jess Glynne’s fifth BRITs nomination, but she too is yet to take home an Award.

Our 2018 Critics’ Choice winner Jorja Smith has also been nominated this year for British Female Solo Artist.

Lily Allen has seven nominations to her name and one win in 2010 for the category she now finds herself nominated for again, nine years later.

BRITISH SINGLE

This year’s British Single nominees are a brilliant mix of previously recognised talent alongside fresh new acts.

Anne-Marie, one of our most nominated artists this year, has been put up for Best Single previously; in 2017 for ‘Rockabye’. She finds herself once again nominated, this time for ‘2002’.

For the second consecutive year, Dua Lipa is a frontrunner in sheer amount of nominations racked up, with four to her name in 2019. She has managed to bag two nominations within the same category with her hit ‘IDGAF’ as well as her Calvin Harris collaboration ‘One Kiss’.

Clean Bandit has also been nominated for British Single for the second consecutive year, this time with ‘Solo’.

Drum and bass four-piece Rudimental, who have previously won British Single in 2014 for ‘Waiting All Night’, have also earned themselves an Award nod for their hit ‘These Days’.

George Ezra was also previously nominated in this category in 2015 for ‘Budapest’ and comes back this year swinging with his offering to the charts ‘Shotgun’.

Rapper Ramz is one of our newcomers to the British Single lineup with his song ‘Barking’. Another freshman inducted into the BRITs nominee list this year is Indie artist Tom Walker, who has also secured his way onto the roll call with commercial hit ‘Leave A Light On’. Rising star Walker also finds himself up for British Breakthrough Act this year.

English DJ Sigala claims his place on this year’s nominee list alongside winner of British Female Solo artist in 2015 Paloma Faith, with their dance-pop offering ‘Lullaby’.

BRITISH GROUP

Collectively, the nominees for British Group have 20 nominations and 10 wins between them.

Winners of British Group in 2017, The 1975 are once more in the running to take home the Award, but they face stiff competition in this category.

Arctic Monkeys, who have won an impressive seven BRIT Awards over the years, including four in this category, have only lost out on a win twice, for British Group and British Live Act in 2012 and 2008 respectively. This year marks their fifth nomination for British Group.

Winner of last year’s British Group Award, Gorillaz, have been nominated again this year. They are no strangers to the BRIT Awards, with seven additional past nominations under their belt.

Little Mix, who treated the BRITs audience to two spectacular performances in 2016 and 2017, are this year nominated for British Group. They have won one Award previously for British Single with ‘Shout Out to My Ex’ and have racked up a further six nominations in the last three years.

After narrowly missing out on the Critics’ Choice Award back in 2015, followed by four nominations in quick succession in 2016, Years & Years have now been nominated for British Group for the second time in 2019.

BRITISH BREAKTHROUGH ACT

This year’s British Breakthrough Act nominees include last year’s Critics’ Choice winner, and Mercury Prize 2018 nominee, Jorja Smith, Ella Mai, IDLES, last year’s Critics’ Choice runner up Mabel and Tom Walker.

Jorja Smith wowed at Critics’ Choice in 2018 with her performance of ‘Teenage Fantasy’, and now finds herself in the enviable position of potentially taking home three BRIT Awards at the 2019 ceremony. Fellow nominee Mabel narrowly missed out on the Critics’ Choice Award to Jorja last year.

BRITs newcomers Ella Mai and IDLES also both have the chance to scoop British Breakthrough, making welcome additions to this year’s list of nominees.

Finally, Tom Walker, who is also nominated for British Single for his hit ‘Leave A Light On’, completes the roll call of talent in line for British Breakthrough 2019.

BRITISH ARTIST VIDEO OF THE YEAR

The winner of the British Artist Video award is decided by you!

The vote opens on 4 February and will close on 15 February, with the winner being announced during The BRITs ITV broadcast on 20 February.

This year the list of nominees for British Artist Video Of The Year features plenty of familiar faces, all of whom have been nominated for a BRIT Award in previous years. There are also a number of artists in this category who have been nominated for British Single too.

The year 2019 appears to be a stellar one for ‘2002’, as not only has this track bagged Anne-Marie a nomination for British Single, but it has also earned one of our most nominated artists a spot in line for British Video.

Calvin Harris and Dua Lipa’s ‘One Kiss’, Rudimental’s ‘These Days’, Dua Lipa’s ‘IDGAF’ and Clean Bandit’s ‘Solo’ were all also deemed full packages and have been nominated for both British Single and British Video.

Rita Ora finds herself honoured twice in this category, once for ‘Let You Love Me’ and once for her ‘Fifty Shades Freed’ collaboration with Liam Payne,For You’. Liam and Rita are no strangers to a BRITs team-up, having performed this very track last year.

Little Mix have previously been nominated for British Video three times in as many consecutive years. Their video ‘Woman Like Me’ marks their fourth shot at taking home the BRIT Award. They previously won British Single for ‘Shout Out To My Ex’ in 2017.

Jax Jones finds himself nominated for a BRIT for the second year running, having previously been put forward for Best Single for his RAYE collaboration ‘You Don’t Know Me’ in 2018. He now finds himself nominated for British Video for ‘Breathe’.

Jonas Blue has earned himself a hat-trick, with 2019 marking the third consecutive year he has been nominated for British Video. His video for ‘Rise’ is now in line to potentially nab him his first win at the Awards.

INTERNATIONAL MALE SOLO ARTIST

This year’s International Male Solo Artist nominees cover multiple genres and include Canadian rapper Drake, fellow rapper Eminem, American jazz saxophonist Kamasi Washington, singer-songwriter Shawn Mendes and multi-talented record producer Travis Scott.

Drake won the coveted International Male Solo Artist title in 2017 following two nominations in the same category in 2014 and 2016. He was also nominated last year but lost out to Kendrick Lamar.

Another nominee who knows The BRITs well is Eminem, who also features in this category. Along with Beck and Kanye West, Eminem has won this title the most times with three previous wins. If he wins again this year it takes him to four wins, making him the recipient of the most BRIT Awards for International Male in history.

Conversely, these are Kamasi Washington, Shawn Mendes and Travis Scott’s first ever BRITs nominations.

INTERNATIONAL FEMALE SOLO ARTIST

All of our International Female Solo nominees are fresh on The BRITs scene. Ariana Grande has only been nominated for an Award once previously, in 2016.

BRITs newcomers Cardi B and Camila Cabello find themselves nominated for a BRIT Award for the very first time in this highly competitive category.

They are in great company alongside fellow nominees Christine and the Queens and Janelle Monáe who have both only been nominated for one Award respectively prior to this year.

INTERNATIONAL GROUP

Our International Group nominees this year comprise an eclectic mix of newcomers, including Beyonce and Jay-Z’s musical enterprise The Carters, Texan musical collective Brockhampton, Nile Rodgers and his band Chic, female folk duo First Aid Kit and American duo Twenty One Pilots.

For married musicians The Carters, Brockhampton and Nile Rodgers & Chic, this is their first BRIT nomination.

Folk duo First Aid Kit have been nominated once before in 2015 and Twenty One Pilots were recognised in 2017, both for the same category in which they find themselves this year.

MASTERCARD BRITISH ALBUM OF THE YEAR

Our Mastercard British Album Of The Year nominees comprise Manchester’s The 1975, singer-songwriter and top collaborator Anne-Marie, Florence + The Machine, George Ezra and 2018 Critics’ Choice winner Jorja Smith.

For The 1975, this is their second nomination for Mastercard British Album Of The Year, this time for their album ‘A Brief Inquiry into Online Relationships’. They have also previously won British Group back in 2017.

Multi-talented singer-songwriter Anne-Marie is up for a total of four nominations across the board this year, one of which is for her debut studio album ‘Speak Your Mind’.

No stranger to being both nominated and triumphant at the BRIT Awards over the last decade, Florence + The Machine has bagged herself another nomination with her album ‘High As Hope’.

George Ezra has been nominated for the first time in four years for his album ‘Staying At Tamara’s’. Previously, Ezra stormed into the BRITs consciousness back in 2015 when he was nominated four times as well as affording the audience a stirring performance of his hit ‘Budapest’ on the night.

Rounding up the esteemed list of nominees for Mastercard British Album Of The Year is the much-nominated Jorja Smith with her debut studio album ‘Lost & Found’.

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90210 & RIVERDALE ACTOR LUKE PERRY DEAD AT 52 0 30

US actor Luke Perry has died aged 52 after suffering a stroke on Wednesday.

Perry became a household name for his role as Dylan McKay in Beverly Hills 90210 between 1990 and 2000. He more recently appeared as the construction business owner Fred Andrews in the US drama Riverdale.

Perry is also set to appear as Scott Lancer in Quentin Tarantino’s upcoming movie Once Upon A Time In Hollywood, which is now in post-production. Perry became a heart-throb in the 90s through his role as Dylan in 90210, with his image adorning the covers of magazines aimed at adolescent girls.

ALEX FRANCIS TALKS ED SHEERAN, TOURING & THE POWER OF MUSIC 0 185

Having opened for the likes of Stereophonics and with a number of as yet unannounced festival dates for the summer coming up, singer-songwriter and guitarist Alex Francis is starting to make waves. While supporting US music YouTuber Megan Davies on her first headline UK tour, ThisIsTheLatest caught up with him after the first night show in Manchester to chat favourite songs, future plans and his admiration for Ed Sheeran.

TITL: Guitarists have long since been a staple of the music industry, but what is it about the instrument that makes you connect with it so strongly?

Alex Francis: That’s a great question. When it comes to outside my voice, it’s my instrument. Guitar playing has always been a vehicle of sorts for me I guess. I didn’t go into music just to play guitar – my brother plays really well and he’s developed an amazing style – but I came into guitar playing later on. I like it and I was interested by it, but I was never on a quest to learn “Stairway To Heaven” or anything like that. I started singing from a young age and I decided that I needed an instrument to be a vehicle for that. It could have been the piano; I’m trying to chase that path as well at the moment. My sort of genesis of guitar playing, stylistically…I like the idea that I have a feel for how I do it. I don’t really know how best to describe what that is. I just use it as a vehicle to carry what I’m doing.

TITL: There’s a very Ed Sheeran-esque sound and tone to your voice, particularly when it comes to certain songs in your set…

AF: I love Ed Sheeran..

TITL: Given how he’s, I’d say, easily the most modern, successful guitar player in the world right now, do you ever feel any pressure to sort of live up to that and find yourself maybe one day selling out a stadium like Wembley or the Etihad, like he has?

AF: I think what Ed Sheeran is doing is phenomenal. Being able to do that – sell out shows at Wembley and here in Manchester as you mentioned – is incredible. What makes him so admirable, when I think about it is the fact that he’s presenting those songs in their most basic format. Now I’m all for production, I love all that stuff and I do it with my own records, but that guy can present his music in such a bare bones kind of way and it’s the truth and the power of a strong melody and great lyrics. When I think about him, it fills me with great hope that you can be a great songwriter with your lyrics and your narratives, your melodies and it’s still strong enough to connect with people on that scale. I’m a great admirer of Ed Sheeran; I think he’s doing a great thing not even just for a genre but music as a whole; the way he writes such great songs that people are receptive to – there’s a power in that.

TITL: I’m assuming you’ve played bigger shows than the one you did tonight, so taking that into account, how do you personally feel about playing smaller, more intimate venues like this one?

AF: I’ve been very lucky to play some really big theatres and arenas and to go out with other acts that are doing that but to be truthful, I get a kick out of every single version of a venue. Like tonight, for example, it doesn’t and didn’t matter to me how many people were here; we had a cool crowd tonight. I’m just want to connect with people, like I have with you. We hadn’t met each other until tonight, but we connected, and I’m glad to be able to talk to you about this. For me, I guess I’m looking for connection. There was a fella I was talking to just now and he asked me what it was I wanted from this and what I wanted to do…I’m just happy to give my art out to people. I want to be able to connect; that’s the only thing I really want. I like to give this out, I want it to be public and I just want to connect with people..on any level.

TITL: It’s been said over time that many things can bring people together and connect them with one another, but I guess music is a key part of that. Music has stood the test of time whereas many other things and ‘ideas’ per se haven’t..

AF: You can trace music back…it’s primitive. You can go back to a caveman hitting a club against the side of a wall because it meant something and people responded to that. I believe in the power of music. I’ll say this as well, sometimes playing in front of a really, really big crowd is sometimes much, much easier than playing in front of a small one because you don’t have such a level of attention that maybe you’d hope for, when compared to large audiences. We’re stripping these songs really far back, and as you were saying about Ed Sheeran earlier, you give people the bare essence and if that’s strong enough, then hopefully you’ve got something good. I wouldn’t speak for Megan but I’m sure she would come from the same place.

TITL: Megan mentioned earlier that it’s the connection to her music that she cares about most when it comes to people’s reactions, and that she once got a message from a soldier overseas who listened to her songs to help him sleep.

AF: Oh wow. People respond to the power and the connection, primitiveness of music.

TITL: Speaking of the connection so many of us have to and with music, which song do you personally feel most emotionally connected to?

AF: That’s a great question. Do I only get one?

TITL: Yes.

AF: You can’t do that to me!

TITL: I can…I did it to Megan earlier…

AF: I tell you what, I’ll give you one song but it won’t be the only one I can think of. I would say…maybe “Case Of You”. Actually, let me scratch that one. Let me think…I love “Man In The Mirror” by Michael Jackson. I love that song – there’s something really ethereal about that song. It puts the hairs on my arms up every time I think about it. He accesses something in that track. I’m not talking about him…I mean he was an artist, but there’s something in that song…a message. It’s a message that people try and do a lot; it’s been tried in other songs and been done well, but I think the message in that track is incredible.

TITL: Just in case you wanted to know, Megan chose “River” by Joni Mitchell..

AF: Ah! And yours?

TITL: “Everybody Hurts” by REM.

AF: Incredible…incredible.

TITL: I can come back to that song at any time, no matter what mood I’m in, but especially when I’m feeling a little low, and the message of that song – the reminder that I’m not alone, really touches me. And I think it does for a lot of people.

AF: It’s a beautiful song. Michael Stipe has such a beautiful turn of phrase to his lyrics. It’s such a relatable lyric, isn’t it? It’s one of those songs…kinda like one of those Motown tracks from back in the day when they were so simple but so profound.

TITL: It’s proof that you don’t need heavy instrumentation or production to get a message across or make a song connect with an audience. If the lyrics are honest and heartfelt enough..

AF: I’m really into those kinds of songs. I feel like we’ve got a common thread here; we’ve been talking about Ed Sheeran, “Man In The Mirror” and now “Everybody Hurts”…they’re songs that just give you the message straight up and down.

TITL: There’s something almost therapeutic about the message in those songs..

AF: Exactly and we understand what it means to have a connection to a song in that way. Some people do, some people don’t. It’s like that Bob Marley quote: “The greatest thing about music is that when it hits you, you feel no pain.” It’s a great way of putting it.

TITL: So how did this run with Megan come about?

AF: I have a great agency who work wonders for me in the UK and do the same with Megan. I met Megan for the first time tonight. We’ve been talking and conversing via social music. I listened to her music and my agent pitched it in, saying he thought it’d be a really cool fit. For the last few months, I’ve been going out with artists who are trying or starting to break through over here, which is very much what we’ve been trying to do with my music. I love what she’s doing and I love the way she approaches her own music, the songs that she covers. She’s got a really individual style of doing that. It’s really cool, the way she blends all the music and the rest of it. I was like “yeah, let’s do it..let’s get on board.” Any opportunity to tour. I was just talking to Kelsea (Megan’s manager) earlier and saying the same thing. I love being on the road, wherever I am and the same goes for Gee my guitar player.

TITL: How have you found audiences to be different or similar when playing shows here and elsewhere in Europe or in the States?

AF: As far as the US is concerned, I’ve done literally a handful of shows over there. I haven’t done a massive amount. I’ve been spending a lot of time in Europe in the last 18 months. One thing I have found is that in my experience, being a relatively new act to a lot of people, I tend to feel like, especially in Northern Europe, they’re very receptive to music that isn’t perhaps on their radar. In the UK, I think we’re quite choosy about what we like, but I’m the same. I was born in Hampstead; I’m as English as it gets. You kind of have to ‘earn’ it a bit more over here – don’t get me wrong, I haven’t got a problem with doing that, and that’s part of the path we’re on. I feel like people can get on board with your music for a little bit less in Europe, but at the end of the day, I just want people to connect with the songs. As for the US; I’m dipping my toe in…I’m going to be in Austin next month playing SXSW. Excuse my French but it’s a bit of a clusterfuck of opportunity…so I’m gonna try and be in as many places, meet as many people as I can.

TITL: So aside from this tour and SXSW, what does the rest of 2019 have in store for you?

AF: We’ve got some pretty tasty ones in the diary for the summer festival circuit. Some of it’s still unconfirmed and I’ve been sworn to secrecy, so if you’re sniffing for an exclusive, I’m hard pressed to let the cat out of the bag. There’s going to be festivals all summer and then I’m going back to Germany in September; doing a little run of headline dates there. We actually rejigged the dates because the Megan opportunity came up, so I’ll be there in September and then I’ll be in New York that month too. I should probably mention too that I’ve got a single out right now called “Whatever Happened..”

TITL: Go on, give it a plug..

AF: It’s out now on Apple Music, Spotify. We played it tonight. And, we have another one dropping on May 3rd so keep a look out for that. There’s a video dropping in a few weeks. Social media is AlexFrancisMusic..check it out.

TITL: Looking further ahead, and given, as you’ve said, that you’re a relatively new artist, what’s the long term goal? What’s the big ambition?

AF: It’s actually really hard to know. It’s kind of tricky to pin down quite what that should be or what that is. All I can really say is that I’m going to try and keep developing what I’m doing. I want to try and become more familiar to people. I’m not trying to conquer the world, I’m not trying to get 10 million listeners on Spotify…I just wanna keep playing shows and have people connect with the music. This is so cool because you didn’t know me from Adam today and I just met you, and you were like “I wanna hear what he has to say”…sometimes I ramble and talk crap, but this is so much of the reason I want and wanted to come out and do this kind of tour with Megan and again, I don’t want to speak for her, but I think she would vibe on this as well. You want to access people, you want to meet people and talk to people. I got a really lucky opportunity to go out with Gee and the rest of my group and open for Stereophonics in Europe. This time last year we were still out…and it was cool. Sometimes it felt like a film…being whisked around all sorts of places, and it was so exciting to do it. We had such a blast every night and we got to get my music out there to people, hoping they’d connect with it.

TITL: I asked Megan the same question and she said, very much as you have, that her ambition is to get her music out there and have it connect with people.

AF: Exactly – for me, the connection is what matters. And, if I’ve got an end goal, it’ll be to do this until I can’t do it anymore.

Check out “Whatever Happens” below and for more information on Alex Francis, visit his website, give his page a like on Facebook or follow him on Twitter. Header photo credit: James Boardman.