2019 GRAMMY WINNERS ANNOUNCED 0 332

Dua Lipa, Kacey Musgraves and Childish Gambino were among the big winners at this year’s Grammy Awards.

Country-pop star Musgraves took home four prizes in total, including Album of the Year for Golden Hour. The singer-songwriter, who bagged the top prize over the likes of Cardi B, Drake and Janelle Monae, thanked her “sweet husband” during her acceptance speech, who she met and fell in love with during the recording of the collection.

Musgraves also picked up awards for Best Country Album, Best Country Solo Performance for Butterflies and Best Country Song for Space Cowboy. Golden Hour is the singer’s first Top 10 on the Official UK Albums Chart, debuting at Number 6 upon its released last April.

Meanwhile, Dua Lipa won Best New Artist and Best Dance Recording for her Silk City collaboration Electricity. The singer thanked her fans, “who have allowed me to be the best version of myself.”

Lipa also paid tribute to the “many female artists” in the category, adding: “I guess this year we’ve really stepped up”. The comment was a not-so-subtle dig at Grammys president Neil Portnow, who last year brushed off criticism of the lack of female winners by saying women needed to “step up” in order to be considered.

Elsewhere, Childish Gambino won Record of the Year, Song of the Year and Music Video of the Year for This Is America, and Lady Gaga picked up prizes for Best Pop Solo Performance and Best Pop Duo Performance, the latter for Bradley Cooper duet Shallow from A Star Is Born.

Here are the winners and nominees from the 2019 Grammy Awards:
Album Of The Year — Golden Hour, Kacey Musgraves
Record Of The Year — “This Is America,” Childish Gambino
Best New Artist — Dua Lipa
Best Rap Album — Invasion Of Privacy, Cardi B
Best R&B Album — H.E.R., H.E.R.
Best Rap Song — “God’s Plan,” Drake
Best Country Album — Golden Hour, Kacey Musgraves
Song Of The Year — “This Is America,” Childish Gambino
Best Pop Duo/Group Performance — “Shallow,” Lady Gaga & Bradley Cooper
Producer Of The Year, Non-Classical — Pharrell Williams
Best Rap/Sung Performance — “This Is America,” Childish Gambino
Best Rap Performance — King’s Dead, Kendrick Lamar, Jay Rock, Future & James Blake / Bubblin, Anderson .Paak
Best Rock Album — From The Fires, Greta Van Fleet
Best Rock Song — “Masseduction” St. Vincent
Best Metal Performance — Electric Messiah, High On Fire
Best Rock Performance — When Bad Does Good, Chris Cornell
Best Urban Contemporary Album — Everything Is Love, The Carters
Best R&B Song — “Boo’d Up,” Ella Mai
Best Traditional R&B Performance — Bet Ain’t Worth The Hand, Leon Bridges / How Deep Is Your Love, Pj Morton Featuring Yebba
Best R&B Performance — Best Part H.E.R. Featuring Daniel Caesar
Best Latin Jazz Album — Back To The Sunset, Dafnis Prieto Big Band
Best Large Jazz Ensemble Album — American Dreamers: Voices Of Hope, Music Of Freedom, John Daversa Big Band Featuring Daca Artists
Best Jazz Instrumental Album — Emanon, The Wayne Shorter Quartet
Best Jazz Vocal Album — The Window, Cécile Mclorin Salvant
Best Improvised Jazz Solo — Don’t Fence Me In, John Daversa
Best Reggae Album — 44/876, Sting & Shaggy
Best Dance/Electronic Album — Woman Worldwide, Justice
Best Dance Recording — Electricity, Silk City & Dua Lipa Featuring Diplo & Mark Ronson
Best Contemporary Classical Composition — Kernis: Violin Concerto, James Ehnes, Ludovic Morlot & Seattle Symphony
Best Classical Compendium — Fuchs: Piano Concerto ‘Spiritualist’; Poems Of Life; Glacier; Rush, Joann Falletta
Best Classical Solo Vocal Album — Songs Of Orpheus – Monteverdi, Caccini, D’india & Landi, Karim Sulayman
Best Classical Instrumental Solo — Kernis: Violin Concerto, James Ehnes
Best Chamber Music/Small Ensemble Performance — Anderson, Laurie: Landfall, Laurie Anderson & Kronos Quartet
Best Choral Performance — Mcloskey: Zealot Canticles, Donald Nally
Best Opera Recording — Bates: The (R)Evolution Of Steve Jobs, Michael Christie, Garrett Sorenson, Wei Wu, Sasha Cooke, Edward Parks & Jessica E. Jones
Best Orchestral Performance — Shostakovich: Symphonies Nos. 4 & 11, Andris Nelsons
Producer Of The Year, Classical — Blanton Alspaugh
Best Engineered Album, Classical — Shostakovich: Symphonies Nos. 4 & 11, Andris Nelsons & Boston Symphony Orchestra
Best Pop Vocal Album — Sweetener, Ariana Grande
Best Traditional Pop Vocal Album — My Way, Willie Nelson
Best Pop Solo Performance — Joanne (Where Do You Think You’re Goin’?), Lady Gaga
Best Country Song — “Space Cowboy,” Kacey Musgraves
Best Country Duo/Group Performance — Tequila, Dan + Shay
Best Country Solo Performance — “Butterflies,” Kacey Musgraves
Best Music Film — Quincy, Quincy Jones
Best Music Video — “This Is America,” Childish Gambino
Best Regional Roots Music Album — No ‘Ane’I, Kalani Pe’a
Best Tropical Latin Album — Anniversary, Spanish Harlem Orchestra
Best Regional Mexican Music Album (Including Tejano) — ¡México Por Siempre!, Luis Miguel
Best Latin Rock, Urban Or Alternative Album — Aztlán, Zoé
Best Latin Pop Album — Sincera, Claudia Brant
Best Spoken Word Album (Includes Poetry, Audio Books & Storytelling) — Faith – A Journey For All, Jimmy Carter
Best Children’s Album — All The Sounds, Lucy Kalantari & The Jazz Cats
Best Folk Album — All Ashore, Punch Brothers
Best Contemporary Blues Album — Please Don’t Be Dead, Fantastic Negrito
Best Traditional Blues Album — The Blues Is Alive And Well, Buddy Guy
Best Bluegrass Album — The Travelin’ Mccourys, The Travelin’ Mccourys
Best Americana Album — By The Way, I Forgive You, Brandi Carlile
Best American Roots Song — The Joke, Brandi Carlile
Best American Roots Performance — The Joke, Brandi Carlile
Best New Age Album — Opium Moon, Opium Moon
Best Song Written For Visual Media — “Shallow,” Lady Gaga & Bradley Cooper
Best Score Soundtrack For Visual Media — Black Panther, Ludwig Göransson
Best Compilation Soundtrack For Visual Media — The Greatest Showman, Hugh Jackman (& Various Artists)
Best World Music Album — Freedom, Soweto Gospel Choir
Best Roots Gospel Album — Unexpected, Jason Crabb
Best Contemporary Christian Music Album — Look Up Child, Lauren Daigle
Best Gospel Album — Hiding Place, Tori Kelly
Best Contemporary Christian Music Performance/Song — “You Say,” Lauren Daigle
Best Gospel Performance/Song — “Never Alone,” Tori Kelly Featuring Kirk Franklin
Best Contemporary Instrumental Album — Steve Gadd Band, Steve Gadd Band
Best Immersive Audio Album — Eye In The Sky – 35th Anniversary Edition, The Alan Parsons Project
Best Remixed Recording — “Walking Away (Mura Masa Remix),” Haim
Best Engineered Album, Non-Classical — Colors, Beck
Best Historical Album — Voices Of Mississippi: Artists And Musicians Documented By William Ferris
Best Album Notes — Voices Of Mississippi: Artists And Musicians Documented By William Ferris
Best Boxed Or Special Limited Edition Package — Squeeze Box: The Complete Works Of “Weird Al” Yankovic, Weird Al Yankovic
Best Recording Package — Masseduction, St. Vincent
Best Arrangement, Instruments And Vocals — “Spiderman Theme,” Randy Waldman Featuring Take 6 & Chris Potter
Best Arrangement, Instrumental Or A Cappella — “Stars And Stripes Forever,” John Daversa Big Band Featuring Daca Artists
Best Instrumental Composition — Blut Und Boden (Blood And Soil), Terence Blanchard
Best Alternative Music Album — “Colors,” Beck
Best Musical Theater Album — The Band’s Visit, Original Broadway Cast
Best Comedy Album — Equanimity & The Bird Revelation, Dave Chappelle

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REVIEW: JULIANA CERVIZZI – SCARED OF MYSELF EP 0 23

It’s often been said that the early years of your life are the most important and influential when it comes to who someone grows up to be. In the case of Juliana Cervizzi, those early years led this talented singer-songwriter to discover a love for music – a love she’s now sharing with the world via her Scared Of Myself EP.

The EP plays like a diary, and from the opening number, the title track of the collection, the listener is taken on a journey through Juliana’s most honest thoughts and feelings. “Outside Looking In” with its stripped back instrumentation allows her voice to take centre stage as she sings about self-empowerment, while “Both Sides” focusses on the idea that while we can and should care about those around us, we shouldn’t so at the expense of our own emotional and mental wellbeing.

The hand-clap that runs throughout “Bother Me” will no doubt sound fantastic when fans unite to do it together at any live shows Juliana has in future, and “Found You” is both catchy and lyrically simple yet honest enough to be worthy of plenty of airplay – and also likely to get stuck in people’s heads (in a good way). Closing number “Another Way” is a highlight of the EP; notably because of the beautiful, soft vocal delivery from Juliana which makes the song incredibly impactful and ideal for unwinding – and reflecting – to, perhaps while sat at a window on a summer’s evening or a winter night in front of a fire.

Ultimately, this EP will resonate with anyone who has ever struggled or continues to struggle with accepting and liking themselves for who they are but furthermore, will introduce music fans to a rising talent that deserves to be heard by as many people as possible.

GEORGIA VANNEWKIRK TALKS “BLUE VELVET”, FUTURE PLANS & ARTISTIC INSPIRATIONS 0 73

Earlier this year, Georgia VanNewkirk dropped a surprise debut single “Wish You Well” – without so much as telling her family – and immediately caught the attention of music fans everywhere. Since then, she’s seen both her streaming numbers and fan-base grow considerably and has had a very good year indeed. While currently working on more new music, Georgia spoke to ThisIsTheLatest about the artists she’s most inspired by, her views on social media and her thoughts about her future.

TITL: Has music always been the ultimate career goal for you or have there been times when you’ve considered other paths? 

I have always enjoyed writing music, but never really saw it as a possible career path until recently. I am actually a senior at the Savannah College of Art and Design studying Advertising, and for a while, I thought I would graduate and go work at an advertising agency. My mother was a costume designer for 20 years and this summer I followed in her footsteps working as a costume assistant on a movie, so that is also something I was considering pursuing. I feel like I was destined for some type of creative career and I feel so incredibly lucky that I am able to do music in a professional capacity because ultimately it’s what I enjoy doing the most. 

TITL: Ultimately, what made you decide to make the leap and put yourself and your music out in the world?

I have been writing, singing and playing for years, but I never really took myself seriously as a musician. When I met my producer, Noah Taylor, we started writing and recording, and I became so enamored with the process. I was having so much fun doing it I thought the logical next step was to release it, if anything to show family and friends this cool project I was working on. 

TITL: Which bands or artists might you say most influence the music you make? Is there, in particular, you’ve been inspired by over the years?

Growing up my parents played Dolly Parton, Fleetwood Mac and The Beatles exclusively. We didn’t have a TV or radio, so I didn’t even know that other music even existed.  All three of them have had a huge impact on the music I make subconsciously, and they are all legends I admire so much. Recently though, I have been finding a lot of inspiration in iconic female artists like Lana Del Ray, Kimbra, King Princess, and Maggie Rogers. 

TITL: When it came to your debut single, “Wish You Well” what made you decide not to tell anyone, even those closest to you, that you were releasing it, and what was their reaction when you did?

One of the worst things an artist can do is take themselves too seriously, and the second-worst thing they can do is sell themselves short. I am constantly trying to fight the latter of the two. I wanted to put my music out there and let it speak for itself with no expectations. When the song came out the people closest to me expected it, but pretty much everyone else was shocked. My phone died the night of the release and I didn’t charge it until the next afternoon, so when it came back to life it was going crazy and I thought that someone had died or that there was a zombie apocalypse. It was really cool to see so much support from people for a project that was so personal. 

Is there a story behind the song? 

“Wish You Well“ was my reaction to the end of a relationship. I was so sad and my heart was broken so writing the song was super therapeutic. I held the experience so close to me for so long, and releasing the song helped me let the pain go. It was a way to bookend that time of my life and move on to new love and adventures.

TITL: The track has so far achieved 100,000 streams on Spotify – did you ever anticipate the track would go down so well with music fans? 

Not even a little bit, I thought my mom and grandma would listen and maybe an aunt or an uncle if I shared it with our family Facebook group. 

TITL: Tell me a little about your new track “Blue Velvet.”

“Blue Velvet” tells the story of how I fell for a boy with blue eyes. It showcases how we met when he asked me to be with him, and eventually, the day I knew I loved him. The song follows my emotional journey through doubt and fear and my fall into the blue velvet abyss.

TITL: The video drops on December 4th. How did you come up with concept for it and do you enjoy being creative in that way?

My original idea for the video was to get together with one of my best friends, Liam Haehnle and prance around Savannah GA in blue dresses with his super 8 camera. Luckily, he decided to bring Calvin Herbst in as director and within a week we had a crew of thirteen, five locations – including a soap factory and a synagogue – and a four-day shoot planned. Executing my vision was one of the most exhilarating feelings, and I thoroughly enjoyed the entire process. I’ve always enjoyed visual art, and creating a piece that tells the story of my music was something I really loved doing, and can’t wait to do again. 

TITL: Is there an EP or album in the works? 

Yes, there is I have been in the studio all week and am SO excited for everyone to heat what I have been working on.

TITL: Who or what most influences your song-writing and is song-writing something that comes easy to you? 

Personal experiences influence my song-writing the most. When I started writing it wasn’t to complete a song, it was just to get out what I was feeling in a way that made sense. I am not really able to sit down and say, “Ok I am going to write about love today,” I more just start playing piano and see what comes out. 

TITL: What, in your opinion, makes a song truly great and which would you say is the greatest ever written? 

A song that is truly great takes you to a different place. It’s a song you can feel in your bones and is universally understood. I think we all have great songs within us. The greatest song ever written… wow. There are so many songs and so many songwriters, I feel like there is so much room for greatness and creativity for each artist that picking one would be unfathomable.

TITL: Given that you achieved a huge response on Spotify without not telling anyone about the release of your first single, what are your thoughts on social media? Do you think there are any downsides to society and the music industry appearing to be so reliant on technology and the likes of Twitter and Facebook, or is it just the way the world is now? 

I think social media is such an amazing tool, of course, it has its downsides, but being able to connect with people across the globe is such a unique experience to my generation. I have heard from so many people through Instagram about how Wish You Well has helped them through their breakup, helped them find closure from their relationships, or helped them get over their ex. This was something I never expected, so I am grateful to social media for connecting me to people with shared experiences. 

TITL: Moving away from music slightly, you were Mila Kunis’ costume assistant on the set of her latest film. Is that side of the entertainment business something you also have an interest in, and how if at all does that side influence or affect the music side of things?  

The really cool thing about working on this film as a costume assistant was that I was following in my mom’s footsteps. She was a costume designer in LA for 20 years and worked on the entire run of That 70’s Show with Mila for eight years. During the pre-production phase of the film, I was with my mom and we saw Mila for the first time in ten years. It was so amazing to see them reunite after so long and to be able to work with someone I had grown up around. That side of the entertainment business is so fascinating to me, and it influences me overall as an artist. I learned so much about what goes into a giant production and the process behind making large scale art and it has really helped me to see and curate the bigger picture within my music. 

TITL: Would you like to do more work on film sets etc. or are the coming months set to be more focussed on your music?

I am definitely more focused on my music at this point in my life, but I don’t think I am done with film sets quite yet. There are so many variables in life, who knows, maybe in ten years, I’ll be living in Australia in my tiny home with a charcuterie restaurant. 

TITL: Finally then, as a fairly new artist, what would you like to see the industry achieve and where would you like it to go in terms of growth and development in the coming years? What mark are you hoping to leave on it as your legacy many years from now?

As a new artist, I am just going to keep working hard and hope for the best. I don’t like to get too caught up in the future, as long as I am writing music that I love, I will always be happy. 

Give “Blue Velvet” a listen below and for more information on Georgia VanNewkirk, follow her on Twitter and Instagram.