ALLEN WEST CHATS ‘ESSENTIAL CONTENT’, NETFLIX & THE FUTURE OF THE TV INDUSTRY 0 2291

After 15 years in the hospitality industry, Allen West is now his way well on the way to making his mark in the entertainment world having set up his own production company called Essential Content. With two shows already scheduled to air in 2019, he spoke to ThisIsTheLatest about the impact of streaming and illegal downloading on the television industry, the shows he wish he’d come up with the ideas for and his advice for those looking to follow in his footsteps.

TITL: You first established yourself as a force to be reckoned with in the hospitality industry, having run high profile restaurants in both NYC and Atlanta. Bearing that success in mind, what instigated your move into television and the entertainment industry, and how are you finding the two industries to be different/similar?

Allen West: Looking back on my time in the hospitality industry, I’ve come to the realization that I was never a restauranteur – I was a restaurant producer. The same daily grind and formula I used in the hospitality industry is the same process I currently use in the entertainment industry. Conceptualize or partner with a unique concept, build a great team to execute that concept, and then work as hard as humanly possible. I remember speaking to my staff before shifts at the last supper-club I owned in New York, saying over and over “the curtains rise at 6pm, remember your lines, give a great performance, and leave them wanting more.” So I don’t view the two industries as different/similar, I view my time in the hospitality industry as the dress rehearsal to my career in the entertainment industry.

TITL: You recently launched your own production company – Essential Content. At its heart, what is the company’s main aim and what do you think makes your company stand out from those of your rivals?

AW: The main aim for Essential Content is to create socially impactful shows that educate, unify, and shine light on segments of society that are suffering, organizations who are helping those segments and philanthropically-minded people who are committed and dedicated to creating positive change domestically and globally. As far as rivals are concerned, I’d rather have the mindset of ‘let’s all roll up our sleeves and help as many people as humanly possible though the socially impactful content we’re all creating in this space’.

TITL: You have two shows debuting next year including “Addiction Unplugged.” What can you tell me about the premise of the show and its episodes, and what was/is it about this show that made you want to get involved? How relevant do you think a show like this is in today’s society?

AW: Addiction Unplugged is a weekly 1⁄2-hour docudrama that goes inside the world of addiction to unearth, create solutions, and humanize the worst drug epidemic in US history.  Our show visits different cities around the country, exposes each city’s history with drugs, chronicles how the city is dealing with the epidemic and brings to light some inspirational stories of people in recovery – “the human side of addiction.” The episodes feature first-hand accounts from the perspectives of the addicts in recovery, their loved ones whose lives have been ripped apart, and the mentors and treatment centers that are fighting for each soul.

On a personal note, I was a border baby – a person left in a hospital at birth – the first 13 months of my life and I lived in the foster care system for the next 6 years. I grew up in the South Bronx when it was ravaged with drugs, had the lowest per capita income in the country, and was in the midst of an arson epidemic caused by the total economic collapse of the neighborhood. When Stuart Goffman, the creator of Addiction Unplugged, came to me to partner with him and become the creative force behind the show along with my production partner Brandon Dumlao, my upbringing and DNA did not allow me to say no.

Addiction Unplugged has the significance to become the most relevant show on the 2019 television grid. Our team is focused on digging deep and delivering a first-rate product that matches the relevancy of the worst drug epidemic in the history of this country.

TITL: What do you hope viewers take away from “Addiction Unplugged” as a whole? 

AW: I hope that the country does a complete 180 and goes from shaming the addicted to mobilizing a national movement that supports helping addicts get into treatment and also helping addicts region by region get re-acclimated into society once they are in early recovery.

TITL: Is there anything you can tell me about the second show, “The Nehemiah Project”, or is that all still hush-hush? 

AW: The Nehemiah Project is a series that examines the foster care system in America. This show was created to spotlight the challenges and triumphs of thousands of foster care youth aging out of the system, as well as raise the public’s awareness of the struggles they face. The opioid epidemic and the foster care system have become incestuous over the last few years as the children of young addicted mothers are flooding the system. Essential Content will begin filming Nehemiah when we finish filming of the Addiction Unplugged series at the end of October. Additionally, the Emmy Award winning voice over actor Keith David, who’s film credits include Platoon, Crash, Requiem for a Dream and There’s Something About Mary is on board to narrate and host the series. Nehemiah will air Q2 of 2019.

TITL: Do you have plans and projects in mind for further content your company can make and share with a global audience? 

AW: I will be shooting 2 global music based shows that have secured US and global distribution next year. Both shows will be aligned with the meaningful content my company’s developing under its banner – so think ‘Party with a Purpose’ for the global Millennial and Gen Z audience.

TITL: Which show, that is either currently airing or has aired, do you wish you’d thought of the premise for, and why?

AW: Undercover Boss and Shark Tank – there’s nothing better than changing someone’s life.

TITL: Given that the younger generations of society, and those who are particularly internet savvy, stream a lot of their favorite shows either legally or illegally, how strongly do you feel about the power of television and its ability to still reach an audience? Do you ever worry that all the work you’ve put into this company could all be for nothing, if the internet continues to impact viewer figures and such? 

AW: That’s a great question and one that I took into consideration as I approached the decision to become a content creator. My personal opinion is television will not exist the way it currently exists 10 years from now. News and sports will always be around but scripted and unscripted content will most likely only exist on OTT channels as the gen z and millennial demo continues to age. Netflix, the most disruptive media provider in the history of entertainment, has 130 million total world-wide subscribers, is in 190 countries and recorded close to 12 billion dollars in revenue last year. What that says is people want to control their content and they don’t want to sit through commercials. The only way to thrive through this modern television and digital landscape is to produce in a hybrid form for both the internet and brick and motor cable TV. 2, 3, and 5 minute content creation for the sought after millennial demo is just as essential to the success of any start-up production company as the 30 minute deliverable to the premium cable network is. We have distribution deals set up for our digital content alongside our traditional distribution deals.

TITL: Before launching Essential Content, you worked behind the camera on the Emmy nominated series “Murder In Black & White” and the Daytime Emmy Award winning “Give”, among others. Accolades and nominations aside, what did your time working on those shows teach you in terms of the skills and lessons you now put into practice as a company owner?

AW: When you work inside any business that is successful you have a chance to view the macro environment as a micro player, so when your time comes to oversee the macro environment you replicate it by surrounding yourself with the best and adhere to the same principles you had the privilege of being a part of.

TITL: What advice would you give to anyone out there looking to start their own company in the entertainment industry? What three skills or attributes would you say they most need?

AW: They say the average American reads 2 books a year and the average CEO reads 4 to 6 books a month. With that, my #1 attribute when starting your own business is “Always be Learning.” The three skill sets/attributes that have pushed me along have been discipline, hard work, and no Plan B.

Discipline – My daily routine and how I communicate with myself and the people I do business with never changes. I’ve written everything I’ve done every day in a personal digital diary for the last 8 years. That type of accountability pushes me to fill up the page every-day and has organically instilled a consistent routine that has advanced me to where I am today.

Hard Work – Bust a gut every-day. This can’t be taught, the drive to succeed is simply based on how much you want something and how much you’re willing to suffer to get it.

No Plan B – If I had something to fall back on I would never had made it to this point. My inner sanity would have told me to stop and I would have taken that unfulfilling job when I needed my bills paid. Not having a plan B gave me the creative ability to figure it out and keep moving forward.

TITL: Finally then, with Essential Content now up and running, what’s next for you? Do you have any other business plans you’d like to see come into fruition or is EC your main objective now? What’s the ultimate goal for the company?

AW: One day Walt Disney woke up and drew a mouse, and I’m sure when he drew Mickey he knew he didn’t want to do anything else for the rest of his life. I understand how he felt as theirs nothing I ever plan on doing other than create socially impactful content. My ultimate goal is for the Essential Content name to be synonymous with the most significant and uplifting content created on this planet.

To keep up to date with Allen West and his projects, including Addiction Unplugged and The Nehemiah Project, visit his website.

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TODRICK HALL JOINS THE GREATEST DANCER 0 19

American star of stage and screen Todrick Hall joins Cheryl, Matthew Morrison and Oti Mabuse as the new fourth Dance Captain on The Greatest Dancer, which returns to BBC One in early 2020.

Todrick is a choreographer, actor, dancer, singer, songwriter and director, who has choreographed videos for global superstars including Beyoncé, and most recently starred in and co-executive produced the music video to Taylor Swift’s hit single You Need To Calm Down. He is a recurring judge and resident choreographer on RuPaul’s Drag Race in the USA.

Todrick Hall says: “Thrilled does not even begin to explain how excited I am to be joining the cast and crew of The Greatest Dancer. As a performer who has danced my whole life and been a contestant on a reality competition show, it’s wild to see my career come full circle this way. I’m looking forward to working with the upcoming talent and to join the BBC family for the second season of a show that has proven to be a huge, smashing success.”

Joining Todrick will be fellow Dance Captains all returning from series one, multi-platinum-selling singer Cheryl; Broadway and Glee star Matthew Morrison; and Strictly Come Dancing professional and reigning series one champion, Oti Mabuse. Also back for series two are hosts Alesha Dixon and Jordan Banjo.

Taking over reception will be Ballroom and Latin dance champion and Love Island 2019 finalist Curtis Prichard, who will be welcoming hopefuls to The Greatest Dancer studio as they prepare for the biggest audition of their lives.

Cheryl says: “I am so excited to be back, I absolutely loved it last series and this year promises to be even more amazing, especially with the addition of Todrick, who I’m obsessed with!”

Matthew Morrison says: “Season one of The Greatest Dancer was such a rewarding experience to be a part of. Alongside Oti and Cheryl, it was a privilege to help guide the immense talent who showed us all just how inspiring dance can be. I look forward to seeing how we push the boundaries throughout season two in order to crown our next Greatest Dancer!”

Oti Mabuse said: “I cannot wait to get back to work on The Greatest Dancer with this fantastic team, Cheryl, Matthew, Alesha and Jordan and welcoming newest captain Todrick and receptionist Curtis to the family. I’m excited to see the fresh new talented dancers who are auditioning and ready to leave their hearts on the floor and see who the mirror opens for! Plus I can’t wait to see my amazing winner Ellie perform at Strictly Come Dancing, she’s such a superstar and I’m exceptionally proud of her.”

Auditions for The Greatest Dancer, a co-production between creators Thames (part of Fremantle UK), and Syco Entertainment began on Friday 9 August at the ICC in Birmingham with the series due to air in early 2020. Viewers can get ready to see talent from across the world of dance from ballet to jazz, street to ballroom, contemporary to disco and see if they have what it takes to get 75 percent of the audience vote and open the famous The Greatest Dancer mirror.

CURTIS PRITCHARD JOINS THE GREATEST DANCER 0 19

Ballroom and Latin dance champion and Love Island 2019 finalist Curtis Pritchard will be joining The Greatest Dancer as the dance talent show returns to BBC One in early 2020.

The news was exclusively revealed on The Scott Mills Show on BBC Radio 1, Curtis confirmed that he will be welcoming hopefuls to The Greatest Dancer studio as they prepare for the biggest audition of their lives.

Curtis says: “To have left the Love Island villa just 10 days ago and to be so quickly given an opportunity to be a part of a show as amazing as The Greatest Dancer is a dream come true. When I got the call I was so honoured to even be considered for this so the fact it’s happening I can’t quite believe! Dance is my passion and I can’t wait to meet all the contestants in the new revamped reception area.”

Curtis is an award-winning professional dancer, who most recently appeared in Ireland’s version of Strictly Come Dancing, Dancing with The Stars, for three series. As well as his experience on TV, Curtis has danced in a number of critically and commercially successful stage productions including Priscilla Queen of the Desert, Burn The Floor and Rip It Up.

Curtis, alongside professional dancer brother AJ Pritchard, has also been confirmed as Choreographer on the upcoming series of RuPaul’s Drag Race UK on BBC Three.