FOX & BONES CHAT ‘BETTER LAND’ AND LOOKING FORWARD TO 2019 0 257

Described by the duo themselves in their Twitter bio as “The Bonnie and Clyde of folk pop”, Fox and Bones, AKA Sarah and Scott, have had a busy time of things lately, culminating in the release of their album Better Land. But, with still a month to go before we all bid the year goodbye, the pair aren’t resting on their laurels and spoke to ThisIsTheLatest about their favourite tracks on their album, how they’re rounding out the year and what 2019 has in store.

TITL: Exactly who are Fox and Bones?

Fox and Bones: Fox and Bones are fictional characters we created so that we could be more imaginative with our songwriting. We didn’t want to limit ourselves to only writing about our own experiences, instead, we wanted some breathing room and the option to use our imaginations a little bit. That said, the adventures of the characters Fox and Bones closely mirror our own lives, and we use their story as a canvas on which to paint the picture of the life we want to live.

TITL: Given the success of duos such as The Civil Wars over the years, what makes Fox and Bones different? What’s your unique selling point?

F&B: I think we are a lot more lighthearted than many of the indie folk bands like the Civil Wars. Someone once told us at a show, “You guys sound just like The Civil Wars, except that listening to you doesn’t make me depressed.” We don’t write about love and heartbreak in the traditional sense, we write stories about traveling, unconventional modern love and what that really looks like, rather than just the intense puppy love of pop music or the depressing breakup vibes of indie folk. And we write about the world as we see it, and what we want to see come into the world. Our songwriting feels a lot more versatile, and the music is generally heartwarming and uplifting. If The Civil Wars represented the brokenness of a human being, Fox and Bones represents the cure.

TITL: Which bands and artists are you most inspired or influenced by, and how do those influences impact the music you make?

F&B: Lately we’ve been influenced by the new retro and neo-soul movements, like Nathaniel Rateliff, Lake Street Dive, the California Honeydrops, Mingo Fishtrap, and Paolo Nutini as well as artists who are true storytellers and have compelling lyrics like Brett Dennen and John Craigie. We also love older stuff, Scott was very influenced by the Beatles, The Band, and Dylan, and I’ve always loved Bonnie Raitt, James Taylor, Janis Joplin and CCR.

TITL: Which band or artist might you say you sound most similar, or are you most compared to? Do you mind such comparisons or do you take them as compliments?

F&B: We hear The Civil Wars a lot, I think mainly because they are one of the most famous male/female duos out there. But we also get Johnnyswim, Of Monsters and Men, and Johnny and June, which we definitely consider a compliment. And of course, everyone thinks Scott sounds just like Cat Stevens.

TITL: You released your album Better Land recently. How have you found the reaction to it to be so far?

F&B: I think we both feel it’s the best musical work either of us have ever put out and the sentiment from fans definitely reflects that. We’ve had a solid reaction from press as well. We knew when we were making it that we had something special, and it’s so nice to discover that we aren’t the only ones who feel that way.

TITL: Is there a song on the album you’re most proud of and if so, which is it and why?

F&B: I think we’d have different answers.

Sarah: Mine is “Roots.” I’d been on a songwriting dry spell for a while, and that song came to me just before we went into the studio to record. We put a gospel choir on that one and something about that song still gives me the shivers even though I’ve heard it and played it a million times by now.

Scott: Mine is “Better Land.” It is the song that I’ve been trying to shake out of me for a few years and finally, after staying up all night, it tumbled out in one sitting. We tried to keep the recording as true to the original demo as possible and I just love how it all came together.

TITL: Who or what is your biggest inspiration when it comes to music and song-writing and with that in mind, which song would you say is the greatest ever written and why?

Sarah: For me, it’s a hard choice, because I have so many. But I’m going to have to go with “A Case of You” by Joni Mitchell. The first time I ever heard that song I had all over goosebumps – the songwriting is so deep and so interesting, I don’t know what some of it even means but the way Joni puts words together is genius, and the melody of that song gets me too. She has these amazing high notes that she hits, and it’s just so real and vulnerable. Brett Dennen’s “Sydney” is also a brilliant song, and it always puts a smile on my face.

TITL: You’ve been championed by and featured in/on the likes of Glide Magazine and Pop Matters. How big of an impact are you finding coverage like that has on your career?

F&B: It seems vital these days to have major outlets backing up your music, it kind of legitimizes you in a way. Someone at that level telling people your music is good goes a lot further than the artist themselves going on about how their music is good. It’s just an extra layer of legitimacy.

TITL: As a modern day duo, to what extent are you finding social media to be a vital tool in getting your name and music out to people? Is it fair to say you might not have the fan base and support you do without it?

F&B: Social media is such an amazing tool if you learn how to use it! We’ve been growing our socials quite a bit over the last year and I don’t know how musicians ever promoted themselves without it. It’s amazing to have direct contact with our fans and I think they enjoy seeing what we are up to, especially when we are on tour. Plus, as a creative, I love coming up with fun content to post.

TITL: With the year coming to a close, do you have any performances coming up people can look forward to?

F&B: We have a bunch! We are spending the few days left in November and half of December on tour all over California – we’ve got 25 dates on that tour. Then we come home to Portland and have a number of shows in the area to close out the year. We like to stay busy.

TITL: Aside from your album release, what’s been your highlight of the year?

F&B: We just finished an incredibly successful, two month long European tour booked by ROLA music. We’ve been there three times now but this time blew the others out of the water. We are seeing a real following developing over there, and it’s really exciting.

Finally then, what does 2019 have in store for you? What can fans expect from the two of you in the coming year?

F&B: We plan on spending the majority of the year on the road. We embark on a US tour in February that will last through June, stay in Portland in July, then head back to Europe mid-August for festival season. We also hope to get back to songwriting and crafting our next record, although it’ll be a nice to ride the tails of Better Land for a while before we start that process again.

We are also hosting the 2019 Portland’s Folk Festival on Feb. 1st and 2nd, an event that Scott and I created and curate each year. We have 20 acts over two evenings at McMinamen’s Mission theater and are partnered with Breedlove Guitars, Iheart Radio, Jim Beam, Vortex Music Magazine, ROLA music and Royale Brewing.

For more information on Fox & Bones, visit their website, give their page a like on Facebook or follow them on Twitter. Their album ‘Better Land’ is available now. Header photo: Amandala Photography.

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VENTRESCA UNVEILS THE VIDEO FOR HER NEW SINGLE “CRAVING” 0 69

Now aged seventeen, Ventresca has long since known that music would be a key part of her life. Having started out as a member of the Canadian Dance Unit, who together won multiple awards, she then decided to stretch her wings and began to experiment with song-writing and exploring her vocal abilities.

With a mini tour of Germany and with a steadily growing fan-base to her name, Ventresca is proving herself to be a real talent with a bright future, and her latest single “Craving,” the video which ThisIsTheLatest are delighted to premiere, offers fans a brilliant pop track that blends both funk and disco with powerful lyrics.  

Asked about the video for the single, Ventresca says:

“You’re really gonna get 2 videos in one, and your gonna get to decide what video you want to see. In our video, you’re literally going to enter a dream world. Lets’ put it this way, people are going to be having a lot of cravings for my music.”

Check out “Craving” below and for more information on Ventresca, visit her website.

EILEEN CAREY PRESENTS THE VIDEO FOR HER BRAND NEW SINGLE “FINALLY” 0 77

There are perhaps few artists around who have become a staple across several genres of music quite like Eileen Carey. The singer-songwriter from Ohio has shared the stage with acts including The Motels, Jefferson Starship and Don Mclean and has been a near permanent feature on the New Music Weekly charts over the past three years.

Carey saw out 2019 by being named the Hot AC/AC Breakthrough artist of the year and now, at the start of this new decade, as someone who is already well established for writing songs so many can relate to, Carey is kicking off 2020 with the release of her single “Finally”, the video for which ThisIsTheLatest are delighted to premiere.

Asked about the meaning/story to the song and the creative process to the video, Carey says:

“Strong emotions sometimes cry out for strong language. These lyrics state in the plainest possible way what we feel but may be hesitant to say.

“Finally” is the most unusual music video I have ever released. It came out of my long relationship with producer-director Taner Tumkaya who collaborated with me on most of my recent music videos. Our last music video of “Meet Me Halfway” has had 70,000+ Youtube views. After 8 years in the U.S., he returned to Germany earlier this year, so we had to figure out a way to work. It was meant to be a lyric video initially, but in attempting to make the lyric video more interesting we happened on this stop-action animation. It turned out to be a great experience. It was a case of necessity being the mother of invention,” so to speak.

Check out “Finally” below and for more information on Eileen Carey, visit her website, give her page a like on Facebook or follow her on Twitter.