FOX & BONES CHAT ‘BETTER LAND’ AND LOOKING FORWARD TO 2019 0 114

Described by the duo themselves in their Twitter bio as “The Bonnie and Clyde of folk pop”, Fox and Bones, AKA Sarah and Scott, have had a busy time of things lately, culminating in the release of their album Better Land. But, with still a month to go before we all bid the year goodbye, the pair aren’t resting on their laurels and spoke to ThisIsTheLatest about their favourite tracks on their album, how they’re rounding out the year and what 2019 has in store.

TITL: Exactly who are Fox and Bones?

Fox and Bones: Fox and Bones are fictional characters we created so that we could be more imaginative with our songwriting. We didn’t want to limit ourselves to only writing about our own experiences, instead, we wanted some breathing room and the option to use our imaginations a little bit. That said, the adventures of the characters Fox and Bones closely mirror our own lives, and we use their story as a canvas on which to paint the picture of the life we want to live.

TITL: Given the success of duos such as The Civil Wars over the years, what makes Fox and Bones different? What’s your unique selling point?

F&B: I think we are a lot more lighthearted than many of the indie folk bands like the Civil Wars. Someone once told us at a show, “You guys sound just like The Civil Wars, except that listening to you doesn’t make me depressed.” We don’t write about love and heartbreak in the traditional sense, we write stories about traveling, unconventional modern love and what that really looks like, rather than just the intense puppy love of pop music or the depressing breakup vibes of indie folk. And we write about the world as we see it, and what we want to see come into the world. Our songwriting feels a lot more versatile, and the music is generally heartwarming and uplifting. If The Civil Wars represented the brokenness of a human being, Fox and Bones represents the cure.

TITL: Which bands and artists are you most inspired or influenced by, and how do those influences impact the music you make?

F&B: Lately we’ve been influenced by the new retro and neo-soul movements, like Nathaniel Rateliff, Lake Street Dive, the California Honeydrops, Mingo Fishtrap, and Paolo Nutini as well as artists who are true storytellers and have compelling lyrics like Brett Dennen and John Craigie. We also love older stuff, Scott was very influenced by the Beatles, The Band, and Dylan, and I’ve always loved Bonnie Raitt, James Taylor, Janis Joplin and CCR.

TITL: Which band or artist might you say you sound most similar, or are you most compared to? Do you mind such comparisons or do you take them as compliments?

F&B: We hear The Civil Wars a lot, I think mainly because they are one of the most famous male/female duos out there. But we also get Johnnyswim, Of Monsters and Men, and Johnny and June, which we definitely consider a compliment. And of course, everyone thinks Scott sounds just like Cat Stevens.

TITL: You released your album Better Land recently. How have you found the reaction to it to be so far?

F&B: I think we both feel it’s the best musical work either of us have ever put out and the sentiment from fans definitely reflects that. We’ve had a solid reaction from press as well. We knew when we were making it that we had something special, and it’s so nice to discover that we aren’t the only ones who feel that way.

TITL: Is there a song on the album you’re most proud of and if so, which is it and why?

F&B: I think we’d have different answers.

Sarah: Mine is “Roots.” I’d been on a songwriting dry spell for a while, and that song came to me just before we went into the studio to record. We put a gospel choir on that one and something about that song still gives me the shivers even though I’ve heard it and played it a million times by now.

Scott: Mine is “Better Land.” It is the song that I’ve been trying to shake out of me for a few years and finally, after staying up all night, it tumbled out in one sitting. We tried to keep the recording as true to the original demo as possible and I just love how it all came together.

TITL: Who or what is your biggest inspiration when it comes to music and song-writing and with that in mind, which song would you say is the greatest ever written and why?

Sarah: For me, it’s a hard choice, because I have so many. But I’m going to have to go with “A Case of You” by Joni Mitchell. The first time I ever heard that song I had all over goosebumps – the songwriting is so deep and so interesting, I don’t know what some of it even means but the way Joni puts words together is genius, and the melody of that song gets me too. She has these amazing high notes that she hits, and it’s just so real and vulnerable. Brett Dennen’s “Sydney” is also a brilliant song, and it always puts a smile on my face.

TITL: You’ve been championed by and featured in/on the likes of Glide Magazine and Pop Matters. How big of an impact are you finding coverage like that has on your career?

F&B: It seems vital these days to have major outlets backing up your music, it kind of legitimizes you in a way. Someone at that level telling people your music is good goes a lot further than the artist themselves going on about how their music is good. It’s just an extra layer of legitimacy.

TITL: As a modern day duo, to what extent are you finding social media to be a vital tool in getting your name and music out to people? Is it fair to say you might not have the fan base and support you do without it?

F&B: Social media is such an amazing tool if you learn how to use it! We’ve been growing our socials quite a bit over the last year and I don’t know how musicians ever promoted themselves without it. It’s amazing to have direct contact with our fans and I think they enjoy seeing what we are up to, especially when we are on tour. Plus, as a creative, I love coming up with fun content to post.

TITL: With the year coming to a close, do you have any performances coming up people can look forward to?

F&B: We have a bunch! We are spending the few days left in November and half of December on tour all over California – we’ve got 25 dates on that tour. Then we come home to Portland and have a number of shows in the area to close out the year. We like to stay busy.

TITL: Aside from your album release, what’s been your highlight of the year?

F&B: We just finished an incredibly successful, two month long European tour booked by ROLA music. We’ve been there three times now but this time blew the others out of the water. We are seeing a real following developing over there, and it’s really exciting.

Finally then, what does 2019 have in store for you? What can fans expect from the two of you in the coming year?

F&B: We plan on spending the majority of the year on the road. We embark on a US tour in February that will last through June, stay in Portland in July, then head back to Europe mid-August for festival season. We also hope to get back to songwriting and crafting our next record, although it’ll be a nice to ride the tails of Better Land for a while before we start that process again.

We are also hosting the 2019 Portland’s Folk Festival on Feb. 1st and 2nd, an event that Scott and I created and curate each year. We have 20 acts over two evenings at McMinamen’s Mission theater and are partnered with Breedlove Guitars, Iheart Radio, Jim Beam, Vortex Music Magazine, ROLA music and Royale Brewing.

For more information on Fox & Bones, visit their website, give their page a like on Facebook or follow them on Twitter. Their album ‘Better Land’ is available now. Header photo: Amandala Photography.

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ALEX FRANCIS TALKS ED SHEERAN, TOURING & THE POWER OF MUSIC 0 186

Having opened for the likes of Stereophonics and with a number of as yet unannounced festival dates for the summer coming up, singer-songwriter and guitarist Alex Francis is starting to make waves. While supporting US music YouTuber Megan Davies on her first headline UK tour, ThisIsTheLatest caught up with him after the first night show in Manchester to chat favourite songs, future plans and his admiration for Ed Sheeran.

TITL: Guitarists have long since been a staple of the music industry, but what is it about the instrument that makes you connect with it so strongly?

Alex Francis: That’s a great question. When it comes to outside my voice, it’s my instrument. Guitar playing has always been a vehicle of sorts for me I guess. I didn’t go into music just to play guitar – my brother plays really well and he’s developed an amazing style – but I came into guitar playing later on. I like it and I was interested by it, but I was never on a quest to learn “Stairway To Heaven” or anything like that. I started singing from a young age and I decided that I needed an instrument to be a vehicle for that. It could have been the piano; I’m trying to chase that path as well at the moment. My sort of genesis of guitar playing, stylistically…I like the idea that I have a feel for how I do it. I don’t really know how best to describe what that is. I just use it as a vehicle to carry what I’m doing.

TITL: There’s a very Ed Sheeran-esque sound and tone to your voice, particularly when it comes to certain songs in your set…

AF: I love Ed Sheeran..

TITL: Given how he’s, I’d say, easily the most modern, successful guitar player in the world right now, do you ever feel any pressure to sort of live up to that and find yourself maybe one day selling out a stadium like Wembley or the Etihad, like he has?

AF: I think what Ed Sheeran is doing is phenomenal. Being able to do that – sell out shows at Wembley and here in Manchester as you mentioned – is incredible. What makes him so admirable, when I think about it is the fact that he’s presenting those songs in their most basic format. Now I’m all for production, I love all that stuff and I do it with my own records, but that guy can present his music in such a bare bones kind of way and it’s the truth and the power of a strong melody and great lyrics. When I think about him, it fills me with great hope that you can be a great songwriter with your lyrics and your narratives, your melodies and it’s still strong enough to connect with people on that scale. I’m a great admirer of Ed Sheeran; I think he’s doing a great thing not even just for a genre but music as a whole; the way he writes such great songs that people are receptive to – there’s a power in that.

TITL: I’m assuming you’ve played bigger shows than the one you did tonight, so taking that into account, how do you personally feel about playing smaller, more intimate venues like this one?

AF: I’ve been very lucky to play some really big theatres and arenas and to go out with other acts that are doing that but to be truthful, I get a kick out of every single version of a venue. Like tonight, for example, it doesn’t and didn’t matter to me how many people were here; we had a cool crowd tonight. I’m just want to connect with people, like I have with you. We hadn’t met each other until tonight, but we connected, and I’m glad to be able to talk to you about this. For me, I guess I’m looking for connection. There was a fella I was talking to just now and he asked me what it was I wanted from this and what I wanted to do…I’m just happy to give my art out to people. I want to be able to connect; that’s the only thing I really want. I like to give this out, I want it to be public and I just want to connect with people..on any level.

TITL: It’s been said over time that many things can bring people together and connect them with one another, but I guess music is a key part of that. Music has stood the test of time whereas many other things and ‘ideas’ per se haven’t..

AF: You can trace music back…it’s primitive. You can go back to a caveman hitting a club against the side of a wall because it meant something and people responded to that. I believe in the power of music. I’ll say this as well, sometimes playing in front of a really, really big crowd is sometimes much, much easier than playing in front of a small one because you don’t have such a level of attention that maybe you’d hope for, when compared to large audiences. We’re stripping these songs really far back, and as you were saying about Ed Sheeran earlier, you give people the bare essence and if that’s strong enough, then hopefully you’ve got something good. I wouldn’t speak for Megan but I’m sure she would come from the same place.

TITL: Megan mentioned earlier that it’s the connection to her music that she cares about most when it comes to people’s reactions, and that she once got a message from a soldier overseas who listened to her songs to help him sleep.

AF: Oh wow. People respond to the power and the connection, primitiveness of music.

TITL: Speaking of the connection so many of us have to and with music, which song do you personally feel most emotionally connected to?

AF: That’s a great question. Do I only get one?

TITL: Yes.

AF: You can’t do that to me!

TITL: I can…I did it to Megan earlier…

AF: I tell you what, I’ll give you one song but it won’t be the only one I can think of. I would say…maybe “Case Of You”. Actually, let me scratch that one. Let me think…I love “Man In The Mirror” by Michael Jackson. I love that song – there’s something really ethereal about that song. It puts the hairs on my arms up every time I think about it. He accesses something in that track. I’m not talking about him…I mean he was an artist, but there’s something in that song…a message. It’s a message that people try and do a lot; it’s been tried in other songs and been done well, but I think the message in that track is incredible.

TITL: Just in case you wanted to know, Megan chose “River” by Joni Mitchell..

AF: Ah! And yours?

TITL: “Everybody Hurts” by REM.

AF: Incredible…incredible.

TITL: I can come back to that song at any time, no matter what mood I’m in, but especially when I’m feeling a little low, and the message of that song – the reminder that I’m not alone, really touches me. And I think it does for a lot of people.

AF: It’s a beautiful song. Michael Stipe has such a beautiful turn of phrase to his lyrics. It’s such a relatable lyric, isn’t it? It’s one of those songs…kinda like one of those Motown tracks from back in the day when they were so simple but so profound.

TITL: It’s proof that you don’t need heavy instrumentation or production to get a message across or make a song connect with an audience. If the lyrics are honest and heartfelt enough..

AF: I’m really into those kinds of songs. I feel like we’ve got a common thread here; we’ve been talking about Ed Sheeran, “Man In The Mirror” and now “Everybody Hurts”…they’re songs that just give you the message straight up and down.

TITL: There’s something almost therapeutic about the message in those songs..

AF: Exactly and we understand what it means to have a connection to a song in that way. Some people do, some people don’t. It’s like that Bob Marley quote: “The greatest thing about music is that when it hits you, you feel no pain.” It’s a great way of putting it.

TITL: So how did this run with Megan come about?

AF: I have a great agency who work wonders for me in the UK and do the same with Megan. I met Megan for the first time tonight. We’ve been talking and conversing via social music. I listened to her music and my agent pitched it in, saying he thought it’d be a really cool fit. For the last few months, I’ve been going out with artists who are trying or starting to break through over here, which is very much what we’ve been trying to do with my music. I love what she’s doing and I love the way she approaches her own music, the songs that she covers. She’s got a really individual style of doing that. It’s really cool, the way she blends all the music and the rest of it. I was like “yeah, let’s do it..let’s get on board.” Any opportunity to tour. I was just talking to Kelsea (Megan’s manager) earlier and saying the same thing. I love being on the road, wherever I am and the same goes for Gee my guitar player.

TITL: How have you found audiences to be different or similar when playing shows here and elsewhere in Europe or in the States?

AF: As far as the US is concerned, I’ve done literally a handful of shows over there. I haven’t done a massive amount. I’ve been spending a lot of time in Europe in the last 18 months. One thing I have found is that in my experience, being a relatively new act to a lot of people, I tend to feel like, especially in Northern Europe, they’re very receptive to music that isn’t perhaps on their radar. In the UK, I think we’re quite choosy about what we like, but I’m the same. I was born in Hampstead; I’m as English as it gets. You kind of have to ‘earn’ it a bit more over here – don’t get me wrong, I haven’t got a problem with doing that, and that’s part of the path we’re on. I feel like people can get on board with your music for a little bit less in Europe, but at the end of the day, I just want people to connect with the songs. As for the US; I’m dipping my toe in…I’m going to be in Austin next month playing SXSW. Excuse my French but it’s a bit of a clusterfuck of opportunity…so I’m gonna try and be in as many places, meet as many people as I can.

TITL: So aside from this tour and SXSW, what does the rest of 2019 have in store for you?

AF: We’ve got some pretty tasty ones in the diary for the summer festival circuit. Some of it’s still unconfirmed and I’ve been sworn to secrecy, so if you’re sniffing for an exclusive, I’m hard pressed to let the cat out of the bag. There’s going to be festivals all summer and then I’m going back to Germany in September; doing a little run of headline dates there. We actually rejigged the dates because the Megan opportunity came up, so I’ll be there in September and then I’ll be in New York that month too. I should probably mention too that I’ve got a single out right now called “Whatever Happened..”

TITL: Go on, give it a plug..

AF: It’s out now on Apple Music, Spotify. We played it tonight. And, we have another one dropping on May 3rd so keep a look out for that. There’s a video dropping in a few weeks. Social media is AlexFrancisMusic..check it out.

TITL: Looking further ahead, and given, as you’ve said, that you’re a relatively new artist, what’s the long term goal? What’s the big ambition?

AF: It’s actually really hard to know. It’s kind of tricky to pin down quite what that should be or what that is. All I can really say is that I’m going to try and keep developing what I’m doing. I want to try and become more familiar to people. I’m not trying to conquer the world, I’m not trying to get 10 million listeners on Spotify…I just wanna keep playing shows and have people connect with the music. This is so cool because you didn’t know me from Adam today and I just met you, and you were like “I wanna hear what he has to say”…sometimes I ramble and talk crap, but this is so much of the reason I want and wanted to come out and do this kind of tour with Megan and again, I don’t want to speak for her, but I think she would vibe on this as well. You want to access people, you want to meet people and talk to people. I got a really lucky opportunity to go out with Gee and the rest of my group and open for Stereophonics in Europe. This time last year we were still out…and it was cool. Sometimes it felt like a film…being whisked around all sorts of places, and it was so exciting to do it. We had such a blast every night and we got to get my music out there to people, hoping they’d connect with it.

TITL: I asked Megan the same question and she said, very much as you have, that her ambition is to get her music out there and have it connect with people.

AF: Exactly – for me, the connection is what matters. And, if I’ve got an end goal, it’ll be to do this until I can’t do it anymore.

Check out “Whatever Happens” below and for more information on Alex Francis, visit his website, give his page a like on Facebook or follow him on Twitter. Header photo credit: James Boardman.

MEGAN DAVIES TALKS “GIMME”, SOCIAL MEDIA & ARTISTIC INSPIRATION 0 49

Having already earned herself a growing army of followers across social media and seen her music streamed millions upon millions of times on the likes of Spotify and, most notably, YouTube, Megan Davies has achieved a great deal in the last few years. A passionate and creative singer-songwriter, she’s currently in the UK to play four shows on her very first headline tour here, and ThisIsTheLatest caught up with her before the first show in Manchester to talk artistic inspiration, performing for the cast of The Greatest Showman and what the future holds.

TITL: As an artist and an individual, how would you sum yourself up in a few words?

Megan Davies: I would say acoustic – everything started out acoustic for me, even if it was a big pop track I was covering. Raw in the sense that I try to be as honest as possible when it comes to the things I like and what I want to say. Hopefully passionate because I just love it so much.

TITL: Personally and professionally, who are you most inspired and influenced by? How do those influences filter through to the music you make?

MD: I love John Mayer a lot – his guitar solos are really cool. He doesn’t seem to…he always seems to be pushing to be better at what he does, which I find really inspiring. I’m a huge fan of this Brit named Imogen Heap…

TITL: “Hide And Seek”.. a beautiful song.

MD: She’s someone I’ve listened to for a really long time and I think is really inspiring as a female who does as I do; record and produce my own stuff that I post on my YouTube channel, that kind of thing. I remember when I was in high school seeing an article and a picture of her at a huge mixing board at home, in her living room and I was like “That’s so cool.” I think she’s someone who is very inspiring. People like Ed Sheeran – I saw him play a stadium in Nashville where I live just a few months ago and he was just standing up there with an acoustic guitar singing to THAT many people..

TITL: He played the Ethiad Stadium on his last tour here which holds something like 80,000 people. It’s incredible to see how just one guy and a guitar can captivate so many people like he does.

MD: Literally no-one else could do what he does.

TITL: Who would you say you feel most musically connected to?

MD: That changes a lot. I feel very emotionally connected to a lot of different types of music. I’m definitely one of those people who can cry at certain music if it hits me the right way. I remember when I was twelve years old being connected to Avril Lavigne’s record; super emo, but nowadays, there’s so much. I love Radiohead, Coldplay – a lot from the UK. It’s amazing that you can listen to so much nowadays, especially with streaming, so you can make your own playlists to fit whatever you’re going through in life. It’s hard to say just one artist because I feel like I connect with a lot of them.

TITL: You mentioned that you can cry to a lot of music but what’s the one song that can and will make you cry every time you hear it? Is there one?

MD: “River” by Joni Mitchell.

TITL: Mine’s “Everybody Hurts” by REM..

MD: Yes!

TITL: The last time I recall hearing it on public, national radio was September 12, 2001. It was the last song played before the country held a two minutes’ silence.

MD: Oh my God.

TITL: And of course, it’s such a true, honest and relevant song, especially now as mental health is becoming more of a talking point and more artists are starting to speak out about it. The song has such a powerful message.

MD: Of course, yes. I think with “River”, for me, it’s kind of a song that comes on a lot around Christmas time. It’s a sad sounding song and I’m one of those people that isn’t a big holiday person – I’m not super happy over the holidays and that song, I don’t know…it hits a nerve for me. It’s a great song.

TITL: As a singer-songwriter from Nashville, often considered the music capital of the States, do you ever feel any pressure to live up to the success and legacy that the city has thanks to the many artists who have come from there and achieved so much over the decades?

MD: I don’t think so because I’m not a country musician. I think if you’re a country musician, there’s a lot more pressure. I think there’s a lot of great music that comes out of Nashville don’t get me wrong, there are some amazing bands that have come from there, with different styles of music, but I’ve always been on the fringe, I guess. When you’re not in country music, I guess that’s where you are – how can I explain it? You kind of feel like you’re a little bit more on the outside, which I love…creatively not doing what everyone is expecting from you. I personally don’t feel that because it’s SO country. Everything in Nashville is so much country music. I feel like I get to skirt along the outside a little bit.

TITL: You don’t fit into the Nashville norm, as it were…which is and can be a good thing.

MD: Absolutely yeah. I wouldn’t take it any other way for sure.

TITL: It’s like that saying “You were born an original, why die a copy?”

MD: Exactly. I like that.

TITL: You uploaded your latest video “Gimme” two weeks ago. How did you come up with the concept for the video and why did you choose that song as a release?

MD: That was a song that was written a little bit ago – early 2018, I think. I was out in LA, working with a producer who was making beats and I was writing to them. It was really fun and that was one song that came out of it. I had just watched this episode of Black Mirror – I was binge watching it, it’s so good – and we were kind of just bitching about social media. There’s that one episode that was all about social media and that was so uncomfortable to watch. It was like so scary and so…he was making this track and I was kind of just writing down these lyrics, putting my guitar to it. We wrote it and recorded it – it was kinda just a fun jam session – and towards the end of the year, I’d been looking at some of the songs I’d been writing and that one just felt so relevant, and I felt that it would be a fun one to put out.

As far as the video goes, I came up with the idea for it in the shower. *laughs* I was running through it in my head I guess and I was just trying to think about what I would do in terms of a video. I ran out of the shower and wrote it all down. I got my laptop and just wrote the entire treatment which ended up beings something like two pages. I started sending it off to all the video people I knew in Nashville asking “Can you help me make this?” We got it done, which was crazy – it’s one of the more ambitious videos I’ve done.

TITL: But it works with the song – and I think once you have a visual that fits with a song, as yours does, then its “pull” can be and is often magnified – it reaches a bigger audience. Someone can listen to a song and like it, but sometimes you need a visual to go along with it to really put the song into context and put out there exactly what you’re trying to convey through the lyrics..

MD: Totally. With this song, sometimes you can be like casually listening to the lyrics and be like “yeah this is a good pop song” or whatever, but once you actually listen to those lyrics, it’s actually very dark and very tongue in cheek. It’s not super happy, so with the video, I wanted to put a sort of scarier video to it.

TITL: Given that you launched your career on YouTube, how do you feel about the dominance social media seems to have over many industries, including music, and people’s lives in general? Is there such a thing as “too much” social media?

MD: Oh absolutely. I have very mixed feelings about it as I think most people do. I think most people have a love/hate thing with it. You wanna totally cut off but at the same time you don’t. I feel the same way. I’m grateful for the internet and everything that it’s brought to my career as I would never be able – or have been able – to do it without that platform, but I can’t lie – it causes me a lot of anxiety; a lot of social anxiety and depression. It definitely affects your mental state. I have very mixed feelings about it but the more I talk to people about it, the more it seems they feel the same way. If there’s anything that ties us together, it’s that aspect of it.

TITL: This is your first UK headline tour. Just how excited are you to be embarking on this new chapter of your life and career?

MD: I am so excited. It’s so cool to be so far away from home and to come here and first of all play music that I created back there, but also see people who’ve been listening to it and who I’ve had conversations with online. The coolest part is meeting people who are so far away, but have been connected to what I’m doing in different ways.

TITL: For those who perhaps haven’t listened to your music or who are coming to see you on this tour, what can they expect from your set?

MD: They can expect some new songs for sure. I’m a big fan of trying out new music before I release it. There’s a song, it’s brand new…just a few weeks old, that I’m going to be playing on this run, and a lot of the new stuff hasn’t been released so I’m really excited to try that stuff out. People will hear some OG Megan Davies too, but there’ll be a good variety.

TITL: You’ve been championed by the likes of Parade Magazine and Music Radar among others, but do you actually care that much about what critics and the like think, or are you more concerned about the thoughts and opinions of those who come and see you, support and follow you?

MD: I definitely care more about the people who are connecting with it, than those who are “forced” to connect with it, like it’s their job to write about it or something. I do care – I don’t want people to not like it – but I’m also the person that doesn’t want to look at it, good or bad. If it’s a great review, that’s fantastic, but I don’t read it, and if it’s a bad review…I’ve gotten this far based on my own creative tastes – I don’t want to colour that too much, you know? It’s definitely flattering when someone does like what you do, but I do like to keep it more between me and the people who are listening in the audience or wherever they may be because they feel a connection with what I do.

TITL: What’s the nicest or best thing someone has ever said or written about you and how do you deal with any criticism directed your way? Do you find it easy to shrug off or does it linger in the back of your mind?

MD: It definitely lingers – I’m a deep thinker, for sure. It’s honestly why I take breaks on and off from social media. I try not to spend so much time on it because it can kind of get to you. The nicest thing anyone’s written about me…there’s been a lot of great things. Just on the personal message type side, I’ve had some really amazing stories shared with me. I had a soldier in Afghanistan who reached out and said he was listening to my covers at night to help him sleep. I thought that was pretty cool. It’s things like that that I remember the most rather than a straight forward compliment – it’s nice to get those for sure – but I love hearing those types of stories from people, who my music has helped through a difficult time or something. I’ve definitely had my share of terrible things written about me on the internet and it kind of stings a little bit. I’ve gotten better at pushing it off, but there’s always that stuff – the good and the bad of the internet. This is the job – it’s all part of it and can be – is – one of the not so great parts.

TITL: Your career has given you many amazing opportunities, including, perhaps most notably, performing for the cast of The Greatest Showman. As someone who loves the film and saw it twice in the same night, I have to ask, what was that experience like?

MD: Twice in one night?

TITL: A friend and I saw it and loved it so much, we went to the screening straight after it..

MD: Wow. There were two components to that whole experience. The first was that I got to go and meet the cast, visit the set and film the video that I have on YouTube, and sing for them. That itself was very surreal. I hadn’t seen the movie yet – I had the song, but that was it. I didn’t really know if this was going to be a huge film or not, at the time..

TITL: It turns out the answer was yes…

MD: It was six, seven months before the movie came out, and just to meet the cast, Hugh Jackman, Zac Efron, was pretty mind-blowing. Then I got to go to the premiere. That experience blew me away just because I had never experienced anything like it. Nashville’s not a movie town, it’s a music town. To see such a huge premiere with the red carpet, and see so many people and be drinking champagne, was like…it literally felt like a Cinderella moment. It’s hard for me to even explain it to people; friends and family back home – it feels like I’m describing a dream. It was so surreal. I got to watch the movie with the cast and crew around me which was super cool and everyone applauded after like every song. It was an experience I will never forget.

TITL: I still don’t know how “This Is Me” did not win the Oscar for Best Song, but the soundtrack has a Grammy now so there’s that..

MD: It was on the Billboard charts for forever…I had a feeling when I was on set that the film was going to be pretty amazing, and then when I saw it I just thought “Wow, it’s going to be huge.”

TITL: The soundtrack broke the record for the longest time an album held the number one spot here a while ago; the record that used to be held by The Beatles Sgt. Pepper record..

MD: Good for them! That’s amazing.

TITL: You’ve also collaborated with the Red Cross and American Cancer Society. How important to you is it to be able to use your platform to benefit and support such organisations and those less fortunate? Would you like to see other artists – and perhaps people in general – do the same?

MD: I don’t judge people for what they do – people support different causes for different reasons and in different ways – but those two approached me, and when you build a following online, that’s something that happens a lot. Charities, brands…they all tend to reach out, and the Red Cross and ACS…those two were no brainers for me. Of course I’ll spread the word about having a plan for your family to get out of the house if there’s a fire – things like that are important and we did little PSA’s, things like that. They’re both causes I feel super passionate about.

TITL: Aside from this tour, which after the UK you’re taking around Europe, what does the rest of the year have in store for you?

MD: At the end of this tour, it’ll be mostly focused on releasing some new music. Like I said, I try a lot of new songs out when I’m on the road. I have some YouTube videos that I need to work on and that involves me not travelling. I spent a couple of days in London before we came up here to start the tour and I really enjoyed it so I’ve been thinking about going to London…I like going to different places and writing; being creative.

TITL: Finally then, taking into account all you’ve done and achieved so far in your career, what other goals and ambitions do you still want to fulfil? What’s the ultimate goal?

MD: So much. For me, since I’ve built so much of my audience on covers, I really want to develop as a songwriter and performer. I still feel like I’m always trying to get better at what I do; I’ve a lot more to give as a creator and musician. That’s my focus more than the numbers…it’s cool when you get really big numbers or a reaction, but yeah, I think that’s more my goal at the moment. You’ve gotta explore…I could probably just do covers for a long time, but that wouldn’t be satisfying to me. I want to push myself creatively and I feel like I’m meant to do more.

Check out Megan’s latest video, “Gimme” below and keep up to date with her and her music by visiting her website, following her on Twitter, giving her page a like on Facebook and subscribing to her YouTube channel.