GHOSTE CHATS NEW SINGLE “HAUNTED” & HALLOWEEN PLANS 1 1021

Having had a long-time fascination with the “other” world, it’s perhaps not that surprising to find that the acoustic performer once known as Jenny Bruce has now adopted a new moniker – Ghoste – and has just shared her new single, aptly titled “Haunted”, in time for Halloween. ThisIsTheLatest caught up with her to talk all things spooky, song-writing inspiration and what 2019 has in store.

TITL: You’re perhaps best known under the name Jenny Bruce as an acoustic singer-songwriter, so what exactly brought about the transition to Ghoste and your new, electro-pop sound?

Ghoste: Precisely! I was ready to break the mold. Create something new and unexpected. The term singer-songwriter felt constricting, limiting, even if I am still writing songs and singing. The ghost of Lilith Fair! I realize that it’s just my own perception, but when you’ve been doing something for a while, it’s hard to break away from the thing you feel you’re expected to do!

The artist name “Ghoste,” actually came to me in a dream, but I believe it was my subconscious mind showing me a way out of feeling stuck. Creating as “Ghoste” has been liberating. I can be more groove oriented, soulful, and explore a more moody side. Set aside my acoustic guitar and try on some new sounds. Somehow, taking my name out of the equation sets me free.

Also, there is a lot going on in my personal life that makes me feel like I need a secret room where I can hang out. A place to be weightless, ageless, unburdened and creative. That room is Ghoste.

TITL: Which artists have you been most inspired by throughout your life and how do those inspirations filter through to the music you made and now make?

G: I think people hear the Annie Lennox influence. I have always loved her as an artists, and just as a human. She was so daring vocally and creatively. I know she’s a relatively shy person, but she lays it all out on stage. I’ve always been outgoing, but shy artistically. I’m working on growing up to be Annie. Prince was a huge influence throughout my life. I memorized every riff and growl. Loved how free and funky he was. Never mastered the dance moves…

As a female singer songwriter, for some reason, I felt like I had to fit into a girl with a guitar folk thing. I have no idea why I did that to myself. I think I did it pretty well. But inside of me is a whole gospel choir wanting to escape.

Lyrically, Sting was always an inspiration as well. “King of Pain” might be my favorite song ever. Whenever I go for an easy lyric, I think of Sting. He would say it better. Then there were all the ladies, Joni Mitchell, Shawn Colvin, Carly Simon. I loved them all and was, no doubt, influenced by each. Shawn Colvin inspired me to teach myself to play guitar in my 20s. Before that, I was just a piano girl.

TITL: Who or what is your biggest inspiration when it comes to music and song-writing?

G: Firstly, my father. He was so passionate about music. He would bring home new albums all the time and blast them at full volume. Everything from Puccini to the Bee Gees. When the music was funky, he would get up and dance with me. When it was moving, he would weep with emotion. Then he would stroll over to the piano and figure out how to play whatever we just listened to. Music was the family religion.

As far as other artists are concerned, I think those first three I mentioned are my top music heroes. I started writing songs when I was around five years old before I even knew what a songwriter was and I grew up listening to so much amazing music. My dad was a music fiend. Elton John, Marvin Gaye, Carly Simon, The Beatles, The Police, Fleetwood Mac and tons of classical music and jazz. I devoured music my whole childhood like a kid eats candy on Halloween. I couldn’t get enough – except for country. I just never figured that genre out. It doesn’t typically speak to me and I’m not sure why, even though I grew up listening to a lot of traditional Scottish and Irish music. Contemporary Country. Meh.

TITL: Your new single “Haunted” has been released just in time for Halloween. Is there a story behind the song and where did the idea for it come from? Do you have any ‘spooky’ plans for October 31st?

G: In that dream I mentioned earlier, where I got the name Ghoste… there’s more. It was kind of spooky in that it was a very lucid dream. I was on stage, surrounded by moody blue lighting and the letters GHOSTE appeared behind me as an MC introduced me. I woke up and had the chorus of “Haunted.” I didn’t originally intend for it to be a Halloween release, but it worked out that way! I’m reluctant to give the song a literal context as it can mean different things to different people which I like. But let’s just say, I believe.

For Halloween, I have two boys and will be taking them trick-or-treating in the neighborhood. New York goes crazy on Halloween! However, on November 10th, I am going on a Paranormal “Ghost Hunt” at the Morris Jumel Mansion. It’s the oldest house in New York City – mid 18th century – and is supposedly haunted. I am very excited! Of course, George Washington slept there! That’s the American gold standard for spooky old houses. I confess, I’m kind of obsessed with ghosts. Most of the music video for “Haunted” was shot in castle ruins strewn about the French countryside…all supposedly haunted sites.

TITL: The video is due out soon. How did you find the shoot, and how much input do you have when it comes to the creative aspects?

G: It’s all me. I do everything. The glory and downfall of being an independent artist. Full creative license. No help. As an independent artist, you kind of have to be able to do it all. My husband, who is French, helped me find the castle locations and often held the camera. I do all the editing. I’m a one-woman production company, graphic designer, and webmaster. All the funds I raise go towards making music and getting it out there.

TITL: You’ve teamed up with producer Matt Anthony to create the track, and your upcoming album. What has he brought to the creative process?

G: Matt is a gifted producer and composer with decades of experience that began straight out of high-school when he was working alongside industry giants in NYC’s top recording studios. He works with such a wide variety of artists and always manages to pick up on the sound they’re going for. He makes us all sound good. With Ghoste I asked him to feel free to try anything! I tried to not be the controlling singer-songwriter, not easy, and invited him to set the tone. He creates such beautiful musical landscapes. We’ve recorded two songs so far and are beginning a new song next month.

Matt also produced my Jenny Bruce EP, “Firefly in a Jar” where I came in with all kinds of ideas about how I wanted the songs to sound. While Matt was still an integral part of the creative process, I feel like with Ghoste the process has been more like riding a tandem bike. We’re both pedaling, but he’s got the handlebars. Except when “Jenny Bruce” comes out and grabs!

TITL: You’ve often said that you feel strongly connected to the ‘other world’ so what is it about the spirit world that makes you so interested in it? Have you ever had any ghostly encounters and, with that in mind, have you been to Zak Bagans’ Haunted Museum yet?

G: I’ve been a long-time fan of Ghost Adventures, but I haven’t had the pleasure of visiting Zak’s museum. I think I’ve watched every episode and dream of tagging along on one of their adventures! Alas, I don’t get out to Vegas much…

I watch pretty much every ghost show out there and have always been fascinated with the paranormal. When I was eleven I wrote a short horror story called “The Crack Behind The Closet Doors.” It was pretty spooky! I still have it, written out on lined paper with all kinds of creative spelling and illustrations.

While I have always been intrigued by ghosts, I didn’t truly believe until I actually saw one. Years ago I was touring in Pennsylvania. We were staying at the Inn at Jim Thorpe and arrived late at night. This was pre-internet and I knew nothing about the Inn. That night I saw a full-bodied apparition of a woman in a corseted dress with her hair up in a bun. She was translucent and standing at the foot of my bed. Green. Glowing. She turned and looked me straight in the eyes before gliding off toward the bathroom and vaporizing. That was it. I became a believer. Especially when I found out the next morning that many people have reported ghostly experiences including my bandmates in their respective rooms.

I’d had other odd, spooky experiences prior to this, but I had dismissed them. I do have a very active imagination. Not enough, however, to conjure up the woman at the inn. That was incredible. Never seen anything like it since. Never thought I would. Took my breath away.

TITL: Your album is due out early next year. Without giving too much away, is there anything you can tell me about it?

G: We’ll continue with the electronic, moody vibe of “Haunted” but each song is pretty different. The second song we recorded has a very sexy groove to it.  I’m trying to be less cautious in my vocal, melodic choices and hopefully that will come across. With each song, I’m getting a little more daring. That’s pretty much all I can say!

TITL: Do you have any performances coming up and to date, which show would you say has been your best and why?

G: I’m looking at booking some fun shows in the New Year. I’ve had my eye on a few speak-easies and unconventional spaces. I’ll post shows on my website when I get it together. My life is crazy right now, so no time for gigs.

As for my best show…it’s hard to pick one. A favorite was my CD release gig for “Firefly” at Rockwood a few years ago. The room was packed full of family, friends and fans. There was such an incredible feeling of love in the room. It was almost other-worldly. I can’t explain it. That connection that you seek as a musician, as a human, I felt it….like I was connected to each and every person in that room. It was magic.

TITL: Which one venue would you most like to play and are there any bands or artists you’d like to share the bill with?

G: I would love to do a tour of haunted venues! I’ve been compiling a list over the years. It’d be difficult to pull off, but at some point I will do it! I’d love to share a bill with Tracy Thorn. I’ve always loved her music and her voice is so unique. She seems very cool. Sarah McLachlan seems like the nicest person on earth. She’s brilliant. It would be fun to perform with her since I’ve been compared to her my whole artistic career! I would say Annie Lennox, but I’d be petrified! I don’t think I could make a sound in her presence.

TITL: With the end of the year quickly approaching, what’s been your highlight of 2018 so far, and what has been your biggest career highlight to date?

G: That’s tough. It’s been a difficult year on many levels. I take care of my father who is in the end stages of Parkinson’s and it’s been an emotional long-enduring roller-coaster. I have amazing friends, and a wonderful family. The quality, fun times I’ve spent with them are the highlights of my life in general. I definitely had some amazing, memorable weekends with friends this year. I’ll take those stories to the grave! Of my career? I’ve had some incredible moments, but I don’t think I’ve hit my highlight yet. I believe it’s still to come.

TITL: Finally then, aside from your album release, what does 2019 have in store for you? What are your main objectives and, looking further ahead, what are your long-term goals, both personally and professionally?

G: This is out there, but I’m currently in graduate school getting a master’s degree in Education Technology as I’m passionate about education and improving our failing educational system here in the United States. The program I’m enrolled in at Teachers College, Columbia University has a big focus on educational reform, innovation and educational equity. I don’t know where that will lead me, but I follow my heart and my passion. Education, especially early childhood education, is critical to a child’s success in life. That will be tied into my future somehow. Other than that, I want to be a loving mom, a good human. And, of course I want to connect with people by making music until I, myself, give up the ghost.

For more information on Ghoste, visit ghostenyc.com.

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BLUE OYSTER CULT TALK THEIR UPCOMING UK TOUR & 50 YEAR CAREER 0 23

With a career that spans 50 years behind them already, Blue Oyster Cult have firmly established themselves as one of the music industry’s most illustrious bands, respected by music fans and critics on both sides of the Atlantic. As the band prepare to make a long overdue return to the UK, guitarist and song-writer Buck Dharma teased what fans can expect from their upcoming shows and reflected on the bands’ career and success so far.

Q: Are you looking forward to coming back to the UK? What do you most enjoy and how does playing here compare to back home in the States?

Buck Dharma: Yes I am. I have enjoyed the UK since first coming in 1975. I like the difference in culture and customs compared to the US, and revisiting friends and fans I’ve gotten to know over the years.

Q: What are some of your favourite memories of playing in the UK? Any previous shows that have always stuck with you?

BD: I’m looking forward to playing what used to be called Hammersmith Odeon in London again. We had great shows there in the heyday of Blue Oyster Cult and look forward to returning. Otherwise I like to get out into the countryside and visit the other cities and towns in the country.

Q: If at all, how have you adapted and developed your live production and your approach to playing your music live over the decades?

BD: We are currently touring with less special effects and props, focusing primarily on the music and the musical performance. It’s essentially what it’s all about, and I enjoy concentrating on that aspect of our musical catalogue.

Q: “(Don’t Fear) The Reaper” is such a great track that has really stood the test of time. How does it feel to have a song that is so universally recognised and loved, even in 2019? Has the song’s success continued to surpass your initial expectations for the track?

BD: It’s great that “Reaper” has held up so well over time. It’s endurance continues to surprise and gratify me, and yes, I had no idea when we recorded it that it would have had the impact it has.

Q: A lot has changed within the Rock community since you first started, but are there any current rock artists that have impressed you over the last few years? Any albums you’re particularly enjoying at the moment?

BD: I like The Rival Sons and the new youngsters Greta Van Fleet. I also discovered last year a 2015 album by Chris Cornell called “Higher Truth.”

Q: Your last studio album, Curse of the Hidden Mirrors was released 18 years ago – any current plans to make another record?

BD: As matter of fact, yes. BOC is recording another LP this year, 2019, the first in many years. Should be out by fall.

Q: You have worked and toured with the likes of Patti Smith, Randy Jackson and Alice Cooper over the course of your career – any highlights or people you still have on the wish list?

BD: All our collaborations and touring have been rewarding. I’m open to collaborating with anybody, perhaps some of the younger artists, although I don’t actively pursue such cooperation.

Q: You have been doing this for over 50 years now which is incredible. Having reached such a large milestone in your career, what inspires you to keep going and keeps you motivated?

BD: I enjoy playing and singing as much today as I ever did. I don’t have to work, but I do it because it’s rewarding personally. I could live if I couldn’t do it anymore, but I truly enjoy it, and will do it for another couple years at least.

Q: If you could turn back time, is there anything you would change or do differently?

BD: I have no regrets. It might be nice to have known more about the business side of the Music industry, but I’m not complaining about the way it’s gone. I’m lucky to have worked at a job I like all my life.

Q: Finally, knowing all that you know now, what advice would you give your former self when first starting out, and what advice would you give to anyone wanting to be in a band now?

BD: Only that I should prepare for a long career. I never anticipated I’d be still doing what I did in my 20’s fifty years later. I don’t know what to advise young people today. I’m not really involved in the current state of music business, it’s changing rapidly, of course, like everything else in life.

Tickets for Blue Oyster Cult’s UK tour, which kicks off on February 21st, are on sale now. For more information on the band, visit their website or give their page a like on Facebook.

P!NK CONFIRMED TO PERFORM AT 2019 BRITS; RECIPIENT OF OUTSTANDING CONTRIBUTION TO MUSIC AWARD 0 29

We are thrilled to announce that multi-million selling global pop icon P!NK will be honoured with the prestigious Outstanding Contribution to Music Award at this year’s ceremony. P!NK will be the first international artist to receive this award.

Seven studio albums and one greatest hits album on since her debut in 2000, totalling over 60 million global sales, over 8 million in the UK alone along with over 12 million UK single sales, P!NK is a musical force to be reckoned with. With seven Top Five albums – with two going No. 1 (Funhouse and the most recent platinum-certified Beautiful Trauma), three UK No. 1 singles (‘Just Like A Pill’, ‘So What’, ‘Lady Marmalade’) and 32 Top 40 singles, 19 of which going Top 10, including ‘Try’, ‘Just Give Me A Reason’ and ‘What About Us’, P!NK has become one of the UK’s best-selling female artists and one of the world’s greatest singers, with her inimitable powerhouse vocals and show-stopping stage performances.
 
Over 2 million tickets sold in the UK alone to date, nine BRIT nominations, and one win for International Female Solo Artist in 2003, and a string of other prestigious awards and accolades including three GRAMMY awards (20 nominations) and two Billboard Music Awards, P!NK’s career sees no sign of letting up with her first UK stadium tour in five years booked for this summer, including two nights at London’s Wembley Stadium.
 
P!NK said: “I am so honored to be recognized with the Outstanding Contribution To Music Award at the 2019 BRITs! Since the beginning of my career the British fans have been some of the most fierce and loyal in the world. I am humbled to receive this honor and be in the company of an illustrious group of British icons!”

BRITs Chairman and Chairman & CEO of Sony Music UK and Ireland Jason Iley said: “P!NK is a trailblazer, a phenomenally talented singer and songwriter, and truly one of the greatest artists of our time.  It is a real pleasure to honour her at this year’s BRIT Awards with the Outstanding Contribution To Music Award. With her remarkable career spanning nearly 20 years, P!NK is one of the most successful artists in the world, consistently releasing multi-million-selling albums and selling out tours all over the globe. I am really excited to welcome her back to The BRITs and to recognise her prodigious success.”
 
P!NK joins an illustrious list of previous BRIT Awards Outstanding Contribution to Music recipients including Sir Elton John, David Bowie, Queen, Spice Girls, U2, Sir Paul McCartney, Oasis, Robbie Williams and Blur. The award was rested in 2013 to make way for a Special Recognition for War Child to mark the charity’s 20th anniversary. P!NK will be the first international artist to receive the honour, a decision taken by The BRITs committee to open the award up to overseas acts who have achieved long term success in the UK, and P!NK will be awarded in recognition of her significant impact on British music and her incredible musical repertoire over the past two decades.

Like all winners on the night, P!NK will be presented with an exclusive trophy designed for this year only by Sir David Adjaye OBE, and she will close the show with an exclusive performance on the night, showcasing her extraordinary talent which continues to wow audiences all over the world.