KESHA LOSES COURT BATTLE AGAINST DR LUKE 0 159

A New York judge has denied Kesha’s attempt to get an injunction against Dr. Luke Friday in the singer’s ongoing legal battle against the producer. Kesha’s injunction would have allowed her to record new music outside of Luke’s Kemosabe Records, which lies under the Sony Music umbrella. However, New York Supreme Court Justice Shirley Kornreich sided with Dr. Luke and Sony, telling Kesha’s legal team after being briefed on the longstanding legal feud, “You’re asking the court to decimate a contract that was heavily negotiated and typical for the industry.”

In October 2014, Kesha sued Dr. Luke, accusing him of drugging, raping and abusing her a decade ago; Dr. Luke has denied all charges. The producer’s lawyers argued that Kesha made up the allegations as an attempt to nullify her contract with Dr. Luke and Sony; Dr. Luke also countersued Kesha and her mother Pebe Sebert. While that lawsuit plays out in a separate courtroom, Kesha’s lawyer Mark Geragos asked for an injunction because, as he told the judge, the career of a pop star is often brief, and Kesha’s career could be “irreparably harmed” if she did not return to recording music, Billboard reports.

Dr. Luke and Sony argued that Kesha has been given permission to record without Dr. Luke’s input or presence in the studio while still honoring her Kemosabe/Sony contract, but the singer has declined to do so. “There has been no showing of irreparable harm. She’s being given opportunity to record,” Judge Kornreich said in denying the injunction.

The judge also dismissed Kesha’s argument that Sony was “setting her up to fail,” calling that theory speculative. “You’re asking me to presume an entity like Sony, who is in a competitive position … will not want to make money on their investment,” the judge said (via Buzzfeed). A lawyer for Sony added, “Our interest is in [Kesha’s] success. Our interest is in Dr. Luke’s success. They are not in the least bit mutually exclusive.”

Representatives for Dr. Luke, Kesha and Sony did not immediately reply to requests for comment.

After denying the preliminary injunction, the judge reviewed the counterclaims presented by Kesha and her lawyers about the sexual abuse and harassment she claims to have endured during her time working with Dr. Luke. The hearing ended with the judge reserving on a motion to dismiss the counterclaims until Kesha’s camp filed more evidence on the alleged abuse.

A Rolling Stone reporter inside the courthouse said Kesha, who was accompanied by her mother and boyfriend Brad Ashenfelter during the hearing, was visibly crying in the back row of the courtroom as the judge denied her preliminary injunction. Around 50 Kesha fans, many wearing glitter and wigs, gathered outside the Manhattan courthouse in a show of support for Kesha, singing her hits in unison. Following the court proceedings, Kesha met and hugged her fans outside.

“We’re not going to stop fighting for her,” Michael Eisele, the 18-year-old organizer of the #FreeKesha protest told Rolling Stoneafter the hearing. Eisele insists that he and his fellow protestors will finalize their next course of action. “We’re not done with this. This is not over. We’re not going to lose momentum.”

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BLISSBLISS SHARE THE VIDEO FOR NEW SINGLE “BULLETPROOF” 0 46

Blending their varied tastes and musical influences that range from rock and jazz to pop and R&B, BlissBliss have always made music that is truly unique to who they are, both personally and professionally, and showcase this through each and every one of their releases. Following on from previous single “I’m Coming Through”, which was released in September, the duo – Renee and Lang Bliss – have today unveiled the video for their latest track “Bulletproof”, and ThisIsTheLatest are delighted to premiere it to the world.

Asked about the track, taken from their EP 3, which was released last month, the pair said:

“We loved the way that Bulletproof turned out. It originally began with a very different concept but using the same title. But as we saw the theme of relationships developing on the EP, the thought of a couple who constantly fought, wanting love to make them Bulletproof, felt like a really great direction.”

Check out the video for “Bulletproof” below and for more information on BlissBliss, visit their website, give their page a like on Facebook or follow them on Twitter. Header photo credit: Jose Guzman Colon.

CHRIS STILLS TELLS ALL ABOUT HIS NEW ALBUM & THE IMPACT OF SOCIAL MEDIA 0 21

Having just released his first album in 10 years titled ‘Don’t Be Afraid’, it’s safe to say the last few months of 2018 in particular have been pretty big for Chris Stills. With the collection already championed by the likes of Mojo among others, while playing a few shows here in the UK, ThisIsTheLatest caught up with Chris to find out more about his artistic influences, the one venue he’d most like to play and how it felt to have his work featured in two Oscar winning films.

TITL: For those unfamiliar with you and your music, how would you sum yourself and your sound up in a few words?

Chris Stills: I grew up with the fundamentals. A folk, blues and rock foundation. Dylan, Stones, Beatles, Pink Floyd, CSN, Neil Young, The Police, U2, AC/DC, Motown… all of it. Depending on my mood and what I’m trying to achieve with a song, I reach to the music I love for inspiration. That also includes my contemporaries like Rufus Wainwright, Radiohead, Jeff Buckley etc…What you get is a nice mixed bag of songs… kind of like a mixed tape you’d make a friend.

TITL: With so many other bands and artists around, what makes you stand out? If you had to sell yourself to a music fan, what would you tell them? 

CS: I write songs, then I work hard to record, mix and master them. I play them in various venues large and small with different formations. I’ll sell you at the show. And maybe over dinner.

TITL: To what extent have your musical influences changed over the course of your life and how do and have those influences impact the music you’ve made and make now?

CS: Music has a funny way of influencing you at different times for different reasons. I hate to admit it, but I’ve only recently discovered the Harry Nilsson record Pussy Cats which is at this very moment affecting me profoundly.

TITL: Which one band or artist might you say you sound most similar to? 

CS: Only the best ones.

TITL: Who or what is your biggest inspiration when it comes to music and song-writing? 

CS: It’s a funny thing that one… you don’t wanna look too high otherwise you get cold feet and wanna give up because your heroes can make you feel like you just pale in comparison. I think my biggest inspiration is making the time, then actually taking it, and not taking myself too seriously. Things tend to get better and better as you go.

TITL: Your new album has been praised by the likes of Mojo and Classic Rock among others, but do you actually care much about what critics think or are you more concerned with the thoughts of your fans? 

CS: It’s always nice to get a nod here and there but if I was here for it I might as well be selling yogurt. My favorite place to know whether people are into what I’m doing is on stage. It’s immediate and clear. No filters.

TITL: The album features co-writes/collaborations with Ryan Adams and Zac Rae of Death Cab For Cutie. How did those collaborations come about and what did each bring to the writing/creative process for the album?

CS: I met Ryan when we were just kids. We were guys in the 3rd room at the time of The Rolling Stones who were working on Bridges to Babylon. We were just a couple of kids back then but really became close when he and Ethan Johns asked me to come play on Gold. At some point later Ryan had built his studio, PaxAm and invited me to come be creative there. With him… without him. He was ever so supportive. He ended up helping me finish Criminal Mind.

Zac Rea is force of nature in his own right. If you want that X-Factor in your music he will deliver every time. He’s one of my favorite people to work with and like Ryan and really everyone else really helped me make this record.

TITL: If you had to pick your favourite song on the album, which would it be and why? 

CS: They all hold a very special place. I guess some of the more fun sessions were the ones that were recorded with the most folks playing at the same time. “Lonely Nights”, “Don’t be Afraid”… those were some exciting times in the studio.

TITL: Your music has been included in several films, including I, Tonya and American Hustle as well as in the US version of the hit show Shameless, in which you also appeared. What impact did having that happen have on your career in terms of audience/fan base interaction and interest? 

CS: Well, it doesn’t hurt to be a part of Academy Award winning film. Or working with David O’Russell, Mark Batson, John Wells or Sue Jacobs. I mean, they’re the best in their fields. If anything it’s a good confidence booster, isn’t it?

TITL: As a modern day artist, and given how long you’ve been in and around the industry, how are you finding social media’s impact on your career? Would you agree it’s a vital tool in today’s world or do you think we as a general society have become far too reliant on it?

CS: I think social media has leveled the playing field. Sadly it also seems to have sucked all the life out of any mystery in this world. But you really have to have lived when that still existed to know what I’m talking about. Is social media vital? Yes. It’s running everything and everyone into a big opaque blobby data mine.

TITL: You’ve got a final number of 2018 shows coming up. For anyone who hasn’t seen you before, what can people expect from your performances?

CS: For me, my shows are like a release… all the energy that goes into it… the work, the travel, the road, the life… it all culminates on stage.

TITL: If you could play one venue that you haven’t yet, which would it be and why? 

CS: I have always dreamed of playing the Royal Albert Hall. Do I really need to ex.plain that one?

TITL: Finally then, now that 2018 is almost over, have you started planning for 2019 yet? What can fans expect to see and hear from you in the near future? 

CS: Plan nothing. Be careless. Enjoy yourselves. And somewhere in 2019, another Chris Stills record will come rumbling in.

To keep up to date with Chris Stills, visit his website, give his page a like on Facebook or follow him on Twitter and Instagram. His album ‘Don’t Be Afraid’ is available now. Photo credit: Dove Shore.