KYOSi TALKS ‘NEGATIVE SPACE’, SOCIAL MEDIA & ARTISTIC INFLUENCES 0 101

Following her studies at the Eastman School of Music, Dani DiCiaccio, aka KYOSi began producing music and adding her vocal talents to a band in Ithaca, NY, before embarking on a solo career in 2011. Several years on, she’s grown in confidence, both as an individual and as an artist, and earned herself growing attention from both fans and critics on both sides of the Atlantic. Having recently released her EP Negative Space, KYOSi spoke to ThisIsTheLatest about song-writing inspiration, the country she’d most love to perform in and where she’d like to see the music industry go in years to come.

TITL: At what age did you first think you wanted to make music your career, and have you ever had any other career plans or ideas since then? 

KYOSi: Nah it was always about music. I think it was in middle school, so about 14. 

TITL: The music industry is packed with an array of talent from around the world, so what makes you stand out? If you had to sell yourself and your music to a fan or critic in a sentence or two, what would you say?

K: I would say that I’m not trying to sell myself to you, and I hope you find whatever artist speaks to you without having to jump through hoops.

TITL: Which bands and artists are you most influenced by and how do they impact the music you make? 

K: I love The Invisible, Arca, Beck, Lizzo, Lotic, Sophie, Sevdaliza, JPEGmafia. Everybody is just killing it. I’m so inspired by the artists of this time and feel pushed to be my best.

TITL: Tell me a little about your EP Negative Space. Where’d the idea for the title come from? 

K: The title is about loss of self, loss of love and the search that persists after which you’ve lost a part of yourself. 

TITL: The EP explores class politics and race/gender issues among other topics – was that an intentional decision or just something that emerged while you were writing?

K: Pretty much everything I think about these days leads back to class and the “invisible” power dynamics that exist between people with different access to money. So it wasn’t conscious but I’m not trying to hide anything.

TITL: Which track on the EP might you say you’re most proud of and why? 

K: Aw man I’m proud of all of them. “Boo Radley” is the one I wanted most to reach people, and it has so I’m happy.

TITL: In terms of your lyrics and general song-writing from who or from where do you find most of your inspiration?

K: NYC. The subway. I love how the haves & have-nots are crammed into the same places. Endlessly inspiring to me.

TITL: How easy or hard do you find the song-writing process? Can it depend on the subject you’re wanting to write about or your frame of mind at the time? 

K: The latter. I try not to approach it in thinking it’s easy or hard. It’s something I do and I have to work at it. The thing that varies is inspiration. Sometimes ideas are there and sometimes not but either way I need to work at it and be there for them when they decide to show up. 

TITL: Your music has so far been praised/championed by the likes of EARMILK and Impose Magazine, but do you care much as to what critics think or are you more concerned about the views and thoughts of your fans? What’s the nicest thing anyone has written/said about you? 

K: Love from organizations I care about is so humbling but of course, ultimately I care about what fans think. I think the nicest thing someone said to me once is that she felt like it was music that helped him bridge the conversational gap between themselves and their dad. I guess his dad is an old school jazz head so they were able to find common ground in my music. 

TITL: You’ve performed on both sides of the Atlantic but if you could play one venue anywhere in the world, which would it be and why? Are there any tour plans in the works?

K: That’s such a tough question! I’d love to play somewhere in Japan, like an intimate venue. I have a number of listeners in Tokyo so as of now that would be my dream gig. No tour plans in the works but will do some local shows in 2020.

TITL: Are you a fan of social media and is it something you’ve found helpful or a hindrance in terms of being able to connect with/grow your fan-base and potential audience? 

K: 98% hinderance. 2% helpful tool to connect with people around the world.

TITL: Are there any other plans in the pipeline for the rest of the year or are you looking ahead to 2020? 

K: The music video for “Boo Radley” is coming out September 19th! Then I’m taking some time to work on other projects and become a human again. 

TITL: Lastly, where do you see the industry going in the years and decades to come? What would you like to see happen in terms how the industry grows and is shaped by both the emerging and established artists who bring so much pleasure to fans around the world?

K: I’d like to see more chances taken on artists who don’t have huge social media followings. I’d like to see a true return to eccentricity for artists. I see more AI producing music, like it or not.

Give Negative Space a listen below and for more information on KYOSi, visit her website, give her page a like on Facebook or follow her on Twitter.

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REVIEW: JULIANA CERVIZZI – SCARED OF MYSELF EP 0 23

It’s often been said that the early years of your life are the most important and influential when it comes to who someone grows up to be. In the case of Juliana Cervizzi, those early years led this talented singer-songwriter to discover a love for music – a love she’s now sharing with the world via her Scared Of Myself EP.

The EP plays like a diary, and from the opening number, the title track of the collection, the listener is taken on a journey through Juliana’s most honest thoughts and feelings. “Outside Looking In” with its stripped back instrumentation allows her voice to take centre stage as she sings about self-empowerment, while “Both Sides” focusses on the idea that while we can and should care about those around us, we shouldn’t so at the expense of our own emotional and mental wellbeing.

The hand-clap that runs throughout “Bother Me” will no doubt sound fantastic when fans unite to do it together at any live shows Juliana has in future, and “Found You” is both catchy and lyrically simple yet honest enough to be worthy of plenty of airplay – and also likely to get stuck in people’s heads (in a good way). Closing number “Another Way” is a highlight of the EP; notably because of the beautiful, soft vocal delivery from Juliana which makes the song incredibly impactful and ideal for unwinding – and reflecting – to, perhaps while sat at a window on a summer’s evening or a winter night in front of a fire.

Ultimately, this EP will resonate with anyone who has ever struggled or continues to struggle with accepting and liking themselves for who they are but furthermore, will introduce music fans to a rising talent that deserves to be heard by as many people as possible.

GEORGIA VANNEWKIRK TALKS “BLUE VELVET”, FUTURE PLANS & ARTISTIC INSPIRATIONS 0 73

Earlier this year, Georgia VanNewkirk dropped a surprise debut single “Wish You Well” – without so much as telling her family – and immediately caught the attention of music fans everywhere. Since then, she’s seen both her streaming numbers and fan-base grow considerably and has had a very good year indeed. While currently working on more new music, Georgia spoke to ThisIsTheLatest about the artists she’s most inspired by, her views on social media and her thoughts about her future.

TITL: Has music always been the ultimate career goal for you or have there been times when you’ve considered other paths? 

I have always enjoyed writing music, but never really saw it as a possible career path until recently. I am actually a senior at the Savannah College of Art and Design studying Advertising, and for a while, I thought I would graduate and go work at an advertising agency. My mother was a costume designer for 20 years and this summer I followed in her footsteps working as a costume assistant on a movie, so that is also something I was considering pursuing. I feel like I was destined for some type of creative career and I feel so incredibly lucky that I am able to do music in a professional capacity because ultimately it’s what I enjoy doing the most. 

TITL: Ultimately, what made you decide to make the leap and put yourself and your music out in the world?

I have been writing, singing and playing for years, but I never really took myself seriously as a musician. When I met my producer, Noah Taylor, we started writing and recording, and I became so enamored with the process. I was having so much fun doing it I thought the logical next step was to release it, if anything to show family and friends this cool project I was working on. 

TITL: Which bands or artists might you say most influence the music you make? Is there, in particular, you’ve been inspired by over the years?

Growing up my parents played Dolly Parton, Fleetwood Mac and The Beatles exclusively. We didn’t have a TV or radio, so I didn’t even know that other music even existed.  All three of them have had a huge impact on the music I make subconsciously, and they are all legends I admire so much. Recently though, I have been finding a lot of inspiration in iconic female artists like Lana Del Ray, Kimbra, King Princess, and Maggie Rogers. 

TITL: When it came to your debut single, “Wish You Well” what made you decide not to tell anyone, even those closest to you, that you were releasing it, and what was their reaction when you did?

One of the worst things an artist can do is take themselves too seriously, and the second-worst thing they can do is sell themselves short. I am constantly trying to fight the latter of the two. I wanted to put my music out there and let it speak for itself with no expectations. When the song came out the people closest to me expected it, but pretty much everyone else was shocked. My phone died the night of the release and I didn’t charge it until the next afternoon, so when it came back to life it was going crazy and I thought that someone had died or that there was a zombie apocalypse. It was really cool to see so much support from people for a project that was so personal. 

Is there a story behind the song? 

“Wish You Well“ was my reaction to the end of a relationship. I was so sad and my heart was broken so writing the song was super therapeutic. I held the experience so close to me for so long, and releasing the song helped me let the pain go. It was a way to bookend that time of my life and move on to new love and adventures.

TITL: The track has so far achieved 100,000 streams on Spotify – did you ever anticipate the track would go down so well with music fans? 

Not even a little bit, I thought my mom and grandma would listen and maybe an aunt or an uncle if I shared it with our family Facebook group. 

TITL: Tell me a little about your new track “Blue Velvet.”

“Blue Velvet” tells the story of how I fell for a boy with blue eyes. It showcases how we met when he asked me to be with him, and eventually, the day I knew I loved him. The song follows my emotional journey through doubt and fear and my fall into the blue velvet abyss.

TITL: The video drops on December 4th. How did you come up with concept for it and do you enjoy being creative in that way?

My original idea for the video was to get together with one of my best friends, Liam Haehnle and prance around Savannah GA in blue dresses with his super 8 camera. Luckily, he decided to bring Calvin Herbst in as director and within a week we had a crew of thirteen, five locations – including a soap factory and a synagogue – and a four-day shoot planned. Executing my vision was one of the most exhilarating feelings, and I thoroughly enjoyed the entire process. I’ve always enjoyed visual art, and creating a piece that tells the story of my music was something I really loved doing, and can’t wait to do again. 

TITL: Is there an EP or album in the works? 

Yes, there is I have been in the studio all week and am SO excited for everyone to heat what I have been working on.

TITL: Who or what most influences your song-writing and is song-writing something that comes easy to you? 

Personal experiences influence my song-writing the most. When I started writing it wasn’t to complete a song, it was just to get out what I was feeling in a way that made sense. I am not really able to sit down and say, “Ok I am going to write about love today,” I more just start playing piano and see what comes out. 

TITL: What, in your opinion, makes a song truly great and which would you say is the greatest ever written? 

A song that is truly great takes you to a different place. It’s a song you can feel in your bones and is universally understood. I think we all have great songs within us. The greatest song ever written… wow. There are so many songs and so many songwriters, I feel like there is so much room for greatness and creativity for each artist that picking one would be unfathomable.

TITL: Given that you achieved a huge response on Spotify without not telling anyone about the release of your first single, what are your thoughts on social media? Do you think there are any downsides to society and the music industry appearing to be so reliant on technology and the likes of Twitter and Facebook, or is it just the way the world is now? 

I think social media is such an amazing tool, of course, it has its downsides, but being able to connect with people across the globe is such a unique experience to my generation. I have heard from so many people through Instagram about how Wish You Well has helped them through their breakup, helped them find closure from their relationships, or helped them get over their ex. This was something I never expected, so I am grateful to social media for connecting me to people with shared experiences. 

TITL: Moving away from music slightly, you were Mila Kunis’ costume assistant on the set of her latest film. Is that side of the entertainment business something you also have an interest in, and how if at all does that side influence or affect the music side of things?  

The really cool thing about working on this film as a costume assistant was that I was following in my mom’s footsteps. She was a costume designer in LA for 20 years and worked on the entire run of That 70’s Show with Mila for eight years. During the pre-production phase of the film, I was with my mom and we saw Mila for the first time in ten years. It was so amazing to see them reunite after so long and to be able to work with someone I had grown up around. That side of the entertainment business is so fascinating to me, and it influences me overall as an artist. I learned so much about what goes into a giant production and the process behind making large scale art and it has really helped me to see and curate the bigger picture within my music. 

TITL: Would you like to do more work on film sets etc. or are the coming months set to be more focussed on your music?

I am definitely more focused on my music at this point in my life, but I don’t think I am done with film sets quite yet. There are so many variables in life, who knows, maybe in ten years, I’ll be living in Australia in my tiny home with a charcuterie restaurant. 

TITL: Finally then, as a fairly new artist, what would you like to see the industry achieve and where would you like it to go in terms of growth and development in the coming years? What mark are you hoping to leave on it as your legacy many years from now?

As a new artist, I am just going to keep working hard and hope for the best. I don’t like to get too caught up in the future, as long as I am writing music that I love, I will always be happy. 

Give “Blue Velvet” a listen below and for more information on Georgia VanNewkirk, follow her on Twitter and Instagram.