To maybe two dozen people, opening band Viola Beach take to the stage and do their best to engage the room and warm them up ahead of the main event. The drum beat and instrumentation is sharp and catchy and largely the best thing about the group as they move around the tiny space, so it’s a shame that the vocals are often lost in the sea of noise. There’s a hint of The ‘early years’ Fratellis about the band, and that in itself is a good thing, although the reception they receive after each number is far quieter than what they had likely hoped for. The long winded instrumentals performed at the end of some of their tracks is unnecessary as are the guitarists seeming to think they’re members of legendary rock bands such as Motley Crue as they all but hack at their instruments. Closing number and new single ‘Swings And Waterslides’ is quite possibly the best number in their set but regardless, they exit to polite, subdued applause and a growing crowd eager for the headliners to put in an appearance.


The LaFontaines, hailing from Scotland, fare much better, despite it being almost impossible to make out the lyrics to EVERY song they perform. Front-man Kerr Okan regular interacts with the audience, which proves hugely beneficial as within minutes, he has the crowd in the palm of his hand, getting them to clap and jump around at his instruction. Also putting in a strong effort is Mike Cassidy, who is standing in for absent bassist and vocalist John Gerrard – with only twelve hours under his belt as a member of the group, he plays like he’s been with them from the beginning; not an easy thing to do but he pulls it off with aplomb. The only thing that doesn’t work so well is Okan calling for people to get down low (which in fairness they do), and then jump up again – it’s something bands such as Thirty Seconds To Mars have done in the past much better and tonight, it just doesn’t fit with the group or their set. Despite this, they are cheered and applauded warmly as they exit.


By the time Eliza And The Bear make their way on stage, the small venue is packed and the excitement level has reached fever pitch. They begin with ‘Lion Heart’ and proceed to deliver a set which is energetic, poppy, catchy and downright fun to watch and sing along to. ‘Light It Up’ and ‘Brother’s Boat’ maintain the fun, upbeat style of things, while the crowd who have since edged forward, eager to get as close to the group as they can, smile, dance in whatever small space they can find, and thoroughly enjoy themselves.

The announcement that their self-titled debut album will be released in February of next year is met with wild applause and cheers and the band proceed to perform a number of tracks from the upcoming collection including ‘Make It On My Own’ which moves away from the cheery kind of songs the band are known for and instead shows off the more serious, gritty side to their music. It makes a refreshing break in the set and goes down particularly well. Meanwhile, ‘Talk’ proves just how far the band have come during their time together as the song highlights how they have matured in terms of their musicianship and song-writing – here are a band who are determined to get bigger and better, and tonight they do a really, really good job of it.


“You know how this works,” says front-man James Kellegher. “We’re going to walk off after this song, you’re going to go mental and within two seconds we’ll be back.” The song he refers to is called ‘Cruel’ and is the most balladesque the band deliver which isn’t surprising as it was originally written to be played acoustically, but tonight, it’s played out full band style and it’s the highlight of the night by far. Sure enough, the band disappear off stage and the crowd erupts into cheers and shouts for them to return, which they quickly do to close out the night with two final numbers, ‘Friends’ and ‘It Gets Cold’. By the time the final note echoes around the tiny room, the crowd are cheering and whistling their appreciation and there’s no doubt Eliza And The Bear have put on a great show.





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Blending their varied tastes and musical influences that range from rock and jazz to pop and R&B, BlissBliss have always made music that is truly unique to who they are, both personally and professionally, and showcase this through each and every one of their releases. Following on from previous single “I’m Coming Through”, which was released in September, the duo – Renee and Lang Bliss – have today unveiled the video for their latest track “Bulletproof”, and ThisIsTheLatest are delighted to premiere it to the world.

Asked about the track, taken from their EP 3, which was released last month, the pair said:

“We loved the way that Bulletproof turned out. It originally began with a very different concept but using the same title. But as we saw the theme of relationships developing on the EP, the thought of a couple who constantly fought, wanting love to make them Bulletproof, felt like a really great direction.”

Check out the video for “Bulletproof” below and for more information on BlissBliss, visit their website, give their page a like on Facebook or follow them on Twitter. Header photo credit: Jose Guzman Colon.


Having just released his first album in 10 years titled ‘Don’t Be Afraid’, it’s safe to say the last few months of 2018 in particular have been pretty big for Chris Stills. With the collection already championed by the likes of Mojo among others, while playing a few shows here in the UK, ThisIsTheLatest caught up with Chris to find out more about his artistic influences, the one venue he’d most like to play and how it felt to have his work featured in two Oscar winning films.

TITL: For those unfamiliar with you and your music, how would you sum yourself and your sound up in a few words?

Chris Stills: I grew up with the fundamentals. A folk, blues and rock foundation. Dylan, Stones, Beatles, Pink Floyd, CSN, Neil Young, The Police, U2, AC/DC, Motown… all of it. Depending on my mood and what I’m trying to achieve with a song, I reach to the music I love for inspiration. That also includes my contemporaries like Rufus Wainwright, Radiohead, Jeff Buckley etc…What you get is a nice mixed bag of songs… kind of like a mixed tape you’d make a friend.

TITL: With so many other bands and artists around, what makes you stand out? If you had to sell yourself to a music fan, what would you tell them? 

CS: I write songs, then I work hard to record, mix and master them. I play them in various venues large and small with different formations. I’ll sell you at the show. And maybe over dinner.

TITL: To what extent have your musical influences changed over the course of your life and how do and have those influences impact the music you’ve made and make now?

CS: Music has a funny way of influencing you at different times for different reasons. I hate to admit it, but I’ve only recently discovered the Harry Nilsson record Pussy Cats which is at this very moment affecting me profoundly.

TITL: Which one band or artist might you say you sound most similar to? 

CS: Only the best ones.

TITL: Who or what is your biggest inspiration when it comes to music and song-writing? 

CS: It’s a funny thing that one… you don’t wanna look too high otherwise you get cold feet and wanna give up because your heroes can make you feel like you just pale in comparison. I think my biggest inspiration is making the time, then actually taking it, and not taking myself too seriously. Things tend to get better and better as you go.

TITL: Your new album has been praised by the likes of Mojo and Classic Rock among others, but do you actually care much about what critics think or are you more concerned with the thoughts of your fans? 

CS: It’s always nice to get a nod here and there but if I was here for it I might as well be selling yogurt. My favorite place to know whether people are into what I’m doing is on stage. It’s immediate and clear. No filters.

TITL: The album features co-writes/collaborations with Ryan Adams and Zac Rae of Death Cab For Cutie. How did those collaborations come about and what did each bring to the writing/creative process for the album?

CS: I met Ryan when we were just kids. We were guys in the 3rd room at the time of The Rolling Stones who were working on Bridges to Babylon. We were just a couple of kids back then but really became close when he and Ethan Johns asked me to come play on Gold. At some point later Ryan had built his studio, PaxAm and invited me to come be creative there. With him… without him. He was ever so supportive. He ended up helping me finish Criminal Mind.

Zac Rea is force of nature in his own right. If you want that X-Factor in your music he will deliver every time. He’s one of my favorite people to work with and like Ryan and really everyone else really helped me make this record.

TITL: If you had to pick your favourite song on the album, which would it be and why? 

CS: They all hold a very special place. I guess some of the more fun sessions were the ones that were recorded with the most folks playing at the same time. “Lonely Nights”, “Don’t be Afraid”… those were some exciting times in the studio.

TITL: Your music has been included in several films, including I, Tonya and American Hustle as well as in the US version of the hit show Shameless, in which you also appeared. What impact did having that happen have on your career in terms of audience/fan base interaction and interest? 

CS: Well, it doesn’t hurt to be a part of Academy Award winning film. Or working with David O’Russell, Mark Batson, John Wells or Sue Jacobs. I mean, they’re the best in their fields. If anything it’s a good confidence booster, isn’t it?

TITL: As a modern day artist, and given how long you’ve been in and around the industry, how are you finding social media’s impact on your career? Would you agree it’s a vital tool in today’s world or do you think we as a general society have become far too reliant on it?

CS: I think social media has leveled the playing field. Sadly it also seems to have sucked all the life out of any mystery in this world. But you really have to have lived when that still existed to know what I’m talking about. Is social media vital? Yes. It’s running everything and everyone into a big opaque blobby data mine.

TITL: You’ve got a final number of 2018 shows coming up. For anyone who hasn’t seen you before, what can people expect from your performances?

CS: For me, my shows are like a release… all the energy that goes into it… the work, the travel, the road, the life… it all culminates on stage.

TITL: If you could play one venue that you haven’t yet, which would it be and why? 

CS: I have always dreamed of playing the Royal Albert Hall. Do I really need to ex.plain that one?

TITL: Finally then, now that 2018 is almost over, have you started planning for 2019 yet? What can fans expect to see and hear from you in the near future? 

CS: Plan nothing. Be careless. Enjoy yourselves. And somewhere in 2019, another Chris Stills record will come rumbling in.

To keep up to date with Chris Stills, visit his website, give his page a like on Facebook or follow him on Twitter and Instagram. His album ‘Don’t Be Afraid’ is available now. Photo credit: Dove Shore.