LIVE: THIRTY SECONDS TO MARS @ MILANO ROCKS – SEPTEMBER 8TH 2018 0 205

On the closing day of Milano Rocks 2018, after two nights of (what I read were) great performances from The National and Imagine Dragons, it was the turn of US rock band Thirty Seconds To Mars to entertain the scores of music lovers in attendance.

Before they took to the stage however, it was first up to electronica duo Sonars to warm the crowd up. They tried their best, but with all of their tracks sounding ridiculously the same, it didn’t take them long to lose the attention and interest of the thousands upon thousands present, the majority of whom occupied themselves instead by soaking up the scorching Italian sunshine, having a few drinks, or doing both.

Mike Shinoda, whose support slot announcement had gone down a storm with fans particularly on Twitter, was a hit from the moment he stepped on stage, opening his set with the Fort Minor song “Remember The Name” before following it up with “When They Come For Me” and “Roads Untraveled.” It wasn’t until the fourth song in his set that he introduced his own tracks, and he chose a great one to start off with: “Ghosts,” which had the fans before him singing along to every word.

Taking the time to look out over the mass of people that stretched back as far as he could see, Mike spoke about how he liked to meet fans before shows and about one guy in particular who had asked if he could play guitar on one song. Moments later, he called that guy on stage and sure enough, picking up the instrument, the young man did a great job of playing along with Mike and his band, receiving a huge round of applause for his efforts.

A few songs later, Mike took a few minutes to express his appreciation and gratitude to everyone who had supported himself and the band over years, and especially during the past year or so. Addressing the difficult time he and the band had gone through since Chester’s death, he thanked everyone who had come together to be there for them, and for one another. “You came out on social media, you came out in person…you honoured the band, and more importantly, you honoured Chester.” What followed was a highlight of his set as he asked if the crowd would sing Chester’s parts, and began singing “In The End” – the sound of 60,000+ people singing in powerful and heartfelt unison was enough to raise goosebumps on arms everywhere.

The rest of Mike’s set was just as good as he delivered a little something for everyone – the likes of “Numb” and “Papercut” thrilled the LP fans, while those more into his solo material were ‘rewarded’ with “About You” and “Make It Up As I Go”. As he closed out his time on stage with “Running From My Shadow”, the cheers and applause that he received echoed long after he’d disappeared from view.

After a wait of around half an hour and with the sun having set some time ago, the lights on stage went down once more and the powerful intro that is “Monolith” saw the crowd once again come alive roaring their approval and excitement at what was to come. “Up In The Air” kicked in and the venue became a mass of jumping bodies, before “Kings & Queens” saw the first – but not the last – massive sing-along of their set.

“From Yesterday” has long-since been a fan favourite and so, when the opening notes began playing, the response was instantaneous, with a huge cheer echoing around the massive space, and at Jared’s instruction, the crowd duly sang along, then took over for a part. Fan interaction has been a big part of the Monolith Tour and tonight’s show proved to be no different with Jared calling up a number of people from the pit area to join him and Shannon on stage. Within a couple of minutes, he had several new ‘friends’ gathered around him, including a couple of guys in shark and unicorn onesies and he had the group, as he got each side of the crowd to sing the “Oh-oh-oh-oh-oh!” that would eventually lead into “Do Or Die”, decide whether the left or the right were loudest. As the left had often been victorious at recent shows, it was a refreshing change of sorts to see the right side (AKA mine) to come out on top, and the performance itself saw Jared pick up and proudly wave an Italian flag as he moved from one end of the stage to the other.

“Hail To The Victor” soon had the place jumping again, before “Rescue Me” saw Jared call up a few more people as he asked for “the worst dancers I’ve ever seen in my entire life”, but what he actually got was a young boy who put his own flossing skills to shame. Next, Jared requested that everyone to take out their phones and hold them up, as “City Of Angels” turned the arena into a stunning sea of lights.

Ever since the Echelon had first discovered that “Remedy” was in fact sung by Shannon and since he first performed it at a US date on the tour, European fans everywhere had and have been hoping they’d see and hear it at theirs. Tonight they did, and, with Jared off stage, the elder Leto got his chance to shine, and duly took it, delivering a fantastic performance that included a long and high note in the middle that I for one had never heard him do before which duly impressed everyone present and saw him receive a huge and lengthy cheer and round of applause.

As the set began to draw to a close, and with Shannon back at his kit, Jared walked back on stage having changed his pants into a pair that were slightly looser, and the pair, after a slight technical issue which saw them re-start the song, launched into “The Kill.” Given the fact that the song is largely responsible for a lot of their success, it wasn’t at all surprising to see and hear the thousands present sing along at the top of their voices to every word and harmonise surprisingly well during the “oh-oh-oh-oh” parts. What many people perhaps didn’t expect however was Jared leaving the stage and making his way to the barrier, standing and leaning over the crowd as he sang the closing chorus.

Once back on stage, he asked the all too familiar question: “Anyone want to come on stage with 30 Seconds To Mars?” Said stage was soon filled – as usual – with VIP’ers and scores of lucky people picked by Jared from down the front area including one guy who, perched on someone’s shoulders, was spotted with a moustache and wearing a bra; not exactly something you see every day. With easily close to 80, if not more, people now standing behind him, and around Shannon, “Closer To The Edge” saw the venue once again come together to sing the “No! No No! No!” parts, with thousands upon thousands of people losing themselves in the music, and the moment. The performance rounded off a set that had entertained the crowds from the start and hopefully meant that the band wouldn’t be gone too long before coming back to Italy.

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BAILEY TOMKINSON CHATS “7 MINUTES IN HEAVEN”, TAYLOR SWIFT & SUPPORTING HER FELLOW FEMALE ARTISTS 0 84

Heavily influenced and inspired by Taylor Swift but with music tastes so varied she loves Sam Cooke, Madonna and Cyndi Lauper to name just three, Bailey Tomkinson has an undeniable passion for music. After releasing her EP Hey Ace last year, she’s recently dropped her new single “7 Minutes In Heaven” and with plans to head back in the studio soon to work on new material, ThisIsTheLatest caught up with her to talk favourite songs, upcoming performance plans and proudly supporting other female artists.

TITL: Who exactly is Bailey Tomkinson?

Bailey Tomkinson: Hi there! I’m Bailey, I’m a 19 year old singer/songwriter from sunny St Ives in Cornwall. I like to write country melodies that hopefully even people that don’t normally like Country Music will want to sing along to! I’m signed to German Indie Label FBP Music and when I’m not performing you can usually find me in the surf!

TITL: At what age did you first realise you wanted to make music a career and what did those closest to you think of said realisation?

BT: I’ve always known that I wanted to pursue a career in music, I watched the movie ‘Selena’, based on the life of the singer Selena Quintanilla, when I was about 4 and from then on all I wanted to do was perform.

The first time I played one of my songs in public was in front of about 300 people in an auditorium, it was a school rock concert in Brussels where we were living at the time, I was about 13. You could have heard a pin drop when I started to play and I just got the bug. I’ve never wanted to do anything else.  I think there is a video of it on YouTube somewhere actually! My family have never been anything other than massively supportive.Their attitude is that we all only get so many trips round the sun, why not spend them doing something you love?

TITL: Which artists and bands are you most inspired and influenced by, and what is it about the music they make that you like so much?

BT: I’ve grown up listening to Taylor Swift so she’s a big influence, obviously very relatable to a teenage girl. But I also admire her for willingness to experiment and innovate across genres; that she wanted to expand the ‘box’. I really admire Kacey Musgraves for the same reason. I listen to Sinatra. I love John Denver because he’s my Grandad’s favourite. Also Sam Cooke, Madonna, Abba, Cyndi Lauper, Jewel – honestly, I just love music.

TITL: Is there a story behind your latest single “7 Minutes In Heaven”?

BT: It was a combination of things really. I love movies like ‘Dazed and Confused’ and ‘Nick and Norah’s Infinite Playlist’ for the sense they have where in one, crazy night anything can happen. I thought it would be interesting to try to capture that feeling in a song. I’m 19 years old, so you know, I love a good party and we have some GREAT parties down here in St Ives, we’ve got the beach, bonfires, surfers and guitars so I thought why not write about some of them!

TITL: Who or what is your biggest inspiration when it comes to music and song-writing? With that in mind, could you choose what you feel is the greatest song ever written?

BT: That’s such a difficult question and if you asked me that 100 times, I’d probably give you a 100 different answers. Today, I’d go with “Bohemian Rhapsody” by Queen. The song structure is a work of genius; it somehow manages to link multiple songs into one. Freddie Mercury is a GOD!

I think at the end of the day, I wouldn’t say I have a biggest inspiration as I’m quite fickle with the music I listen to, one minute it’s Sam Cooke and the next it’s Guns N’ Roses. However, that said, I’m pretty sure that if you ask people that know me, they’d tell you it’s Taylor Swift. Hell, at school I was nicknamed ‘Baylor’ Swift.

TITL: As a fairly new artist who made their mark on the industry last year, following the release of your EP, do you ever worry about how you compare to so many of your artistic counterparts?

BT: No, success isn’t cake. Just because someone has some doesn’t mean there’s none for me. There’s plenty for everybody. I have nothing but admiration for people who say, I’m going to follow my passion for making music and if they manage to carve out their own niche then more power to them. It’s hard enough for women in music, we’re all seeking to get equal airtime, festival slots etc, without turning on each other. We all experience the same thing…radio stations happy to put our faces on their posters or Facebook pages but then not spinning our records…I make a point of supporting other female country singers out there, we all want the same thing, a bigger industry and an opportunity to thrive within it.  

TITL: Do you have any performances/tour plans in the works?

BT: There’s lots going on. I’m making my London debut at Luna Lounge in April and in August, I’ve been lucky enough to get a slot at Boardmasters Festival which is one of my favourite festivals. I really want to play the length and breadth of the country, so if any one reading this has slots available, hit me up!

TITL: Given that we live in such a technology obsessed/dependent society, what are your thoughts on social media? How have the likes of Facebook and Twitter impacted your ability to reach an audience, and do you believe that artists can become successful without it?

BT: I don’t know that I have any new startling insight on the subject to be honest. It’s a mixed bag. Social media can be horrible, it amplifies hate and lies, it can make people insecure and antisocial I certainly think it’s important to remember that like television, a lot of it isn’t real. But the flip side is that it can connect people across oceans, across continents in ways we’ve never been able to before. 

In terms of the music, so far my experiences on social media have been incredibly positive, I’ve had other artists reach out with encouragement and advice, I’ve had folks contact me saying how much they’ve enjoyed a certain song and share my stuff with their friends etc. everybody has been really welcoming. Can an artist become successful without it? It depends on how you define success…for some it’s filling stadiums, which I don’t think you can do without a strong social media presence; for others it’s being happy, doing something you love on a local stage. If we were all the same, life would be boring wouldn’t it?

TITL: What does the rest of the year have in store for you? Will you be working on some new material at some point?

BT: Yes, I’ve been in the studio recently to record another single. Then after Boardmasters and festival season, I’ll probably do another EP. I’m writing constantly and definitely want to capture those songs properly. Later in the year, I’d like to do a bigger tour.

TITL: Finally then, what advice would you give to anyone looking to make their mark on the music world as you have? Is there anything you’ve learnt in your short time in the business you’d pass on?

BT: I’d say, make the music you want to make and then surround yourself with as many good people as you can. It really does take a village.

Check out “7 Minutes In Heaven” below and for more information on Bailey, visit her website, give her page a like on Facebook or follow her on Twitter.

LIVE: BLUE PLANET II IN CONCERT – MANCHESTER ARENA 27/03/19 0 90

While Blue Planet and its follow up series continue to delight and astound viewers around the world with the depth and scope to which the team behind it delve into the many wonders of our oceans, the experience of seeing the music that accompanies the programme, scored by Hans Zimmer, Jasha Klebe, and David Fleming, performed live with a full orchestra is something else entirely – but just as breathtaking.

The performance began with the orchestra, led by conductor Matthew Freeman, diving straight into the opening music, the skill and precision of the performance itself causing both smiles and goosebumps to appear on a vast majority of the audience (or certainly those I could see).

Host for the evening Anita Rani was both efficient and enthusiastic as she introduced each section of the show, herself and Freeman working almost fluidly in their partnership, while the visuals which accompanied each segment were as stunning as the music performed during it – the wonders of the oceans around us displayed in captivating detail on a giant 200 square metre screen.

It was not at all hard to feel as if, while the show progressed, that you’d been transported to another world of sorts – the younger members of the audience in particular seemed utterly awed by the sights and sounds they were being introduced to.

Highlights of the evening, in terms of the footage shown to the mesmerized audience, were the hundreds of dolphins surfing on waves and puffins feeding their young, but every scene and every sound brought home the most important sight and message of all – that we need to and must protect our oceans.

A night of awe inspiring sights and sounds left the audience within the Arena spellbound from start to finish and as the show reached its climax, the orchestra falling silent for the final time, the applause directed to Freeman, his musicians and host Rani echoed throughout the venue with many present standing to applaud what had been a truly spectacular night.