LX MASON TALKS “DRINK ME GOODBYE” AND FUTURE ASPIRATIONS 0 49

Having earned considerable attention and a strong following on the back of his debut single “I Don’t”, which to date has been streamed more than 35,000 times on Spotify alone, the latest song by Florida born artist Jon Davis, AKA LX Mason, addresses the desperate attempts so many people make to forget long-term relationships. With plans for an EP in the pipeline, LX Mason chatted to ThisIsTheLatest about song-writing inspiration, his thoughts on social media and his long term artistic goals.

TITL: What makes LX Mason different from all the other acts out there? What’s your unique selling point?

LX Mason: I think I’m unique in the sense that I’m an African American pop artist who isn’t doing R’n’B or rap, but I don’t think that defines me. I think we’re all just out here trying to make what’s true to us. So my unique selling point is, I’m me. Get to know me a little.

TITL: Is there a particular story behind your new single “Drink Me Goodbye”?

LXM: Of course! My songs are a way of coping with things that happen in my world, so you can always count on there being some type of story. I had a falling out with a really close friend of mine years back, and it wrecked me for a little bit until I bounced back. However, I saw from a distance how that person was trying so hard to forget me and I’d say that was the part that hurt the most. We eventually mended things but if we’re being honest, a lot happened during that time and it hasn’t been the same. 

TITL: How did you come up with the concept for the video and is being creative in that way something you enjoy? 

LXM: I LOVE directing. For some reason I always have. And since I was a little kid, I’ve always loved music videos. I bounced some ideas off of my mates, and my co-director Jason Denison. We wanted to portray a story of the depths that someone has to go to in order to forget someone and actually recreate these happy memories but without the other person being there. 

TITL: In terms of your lyrics and general song-writing from who or from where do you find most of your inspiration?

LXM: Real life situations inspire me. There are some pop artists whose writing I definitely appreciate – Julia Michaels, Lauv, Lennon Stella to name a few – but I try not to let that influence my writing because I want to be as authentic to the story, and the emotion, as possible. 

TITL: How easy or hard do you find the song-writing process? Can it depend on the subject you’re wanting to write about or your frame of mind at the time? 

LXM: Yeah definitely depends on what song I’m writing. And if my head isn’t in the right place for it, I have to really push past everything that I’m feeling to get a song out. 

TITL: Is there an EP or album in the works?

LXM: I’m working towards an EP! But definitely a couple more singles out first. 

TITL: Do you have any performance or tour plans you can tell me about?

LXM: At the moment, it’s all about the writing and recording. But things could definitely change, and I’m always keen to perform.

TITL: If you could put together your dream show with four bands or artists, living or dead, who would you choose and where would you play? 

LXM: WHOA. Uhm. I would completely disregard genre and just have a really selfish line-up of people I love. 

TITL: Given that your debut single has already achieved in excess of 35,000 streams, what are your thoughts on social media? Are you someone who believes it to be a powerful and necessary tool in your business, and society in general, or can there be/are there downsides to being so “online” all the time? 

LXM: There’s no question that the abuse of social media has had an effect on mental health. We’ve seen it, and Instagram/Facebook has done a little bit of work to improve it for the user, but I don’t think it’s there just yet. I think there is an aspect of it where it is effective for business, and societally it does increase your world a bit – I’ve met some wonderful people through social media. But if -or when – it crashes, it wouldn’t bother me. Half the time whenever I post something I think about my caption for half a second, post it, and throw my phone across the room because I don’t care. 

TITL: What does the rest of the year have in store for you? 

LXM: More music! Releasing some more of my own, as well as writing for other people’s projects and potentially featuring on some tracks as well. 

TITL: Finally then, given how “full” the music industry is now with both new and established talent, how do you plan to make yourself stay current in the years ahead? What are your long-term aspirations as an artist and where do you see the music industry going/ being in terms of its shape and longevity, as time goes on?

LXM: I think, more importantly, I want to stay true to myself. If that’s current, then great. What’s “current” changes so frequently that if I were to base my artistic identity in that, I wouldn’t know who I am anymore. My long term aspirations is to get where I want to go making the music I want to make whenever I want to make it. I think for the music industry, there’s more of an inclination towards independence and honesty in music that can bring people the music they want to connect to. 

Check out the video for “Drink Me Goodbye” below and for more information on LX Mason, visit his website, give his page a like on Facebook or follow him on Twitter.

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LIVE: BLUE PLANET II IN CONCERT – MANCHESTER ARENA 27/03/19 0 83

While Blue Planet and its follow up series continue to delight and astound viewers around the world with the depth and scope to which the team behind it delve into the many wonders of our oceans, the experience of seeing the music that accompanies the programme, scored by Hans Zimmer, Jasha Klebe, and David Fleming, performed live with a full orchestra is something else entirely – but just as breathtaking.

The performance began with the orchestra, led by conductor Matthew Freeman, diving straight into the opening music, the skill and precision of the performance itself causing both smiles and goosebumps to appear on a vast majority of the audience (or certainly those I could see).

Host for the evening Anita Rani was both efficient and enthusiastic as she introduced each section of the show, herself and Freeman working almost fluidly in their partnership, while the visuals which accompanied each segment were as stunning as the music performed during it – the wonders of the oceans around us displayed in captivating detail on a giant 200 square metre screen.

It was not at all hard to feel as if, while the show progressed, that you’d been transported to another world of sorts – the younger members of the audience in particular seemed utterly awed by the sights and sounds they were being introduced to.

Highlights of the evening, in terms of the footage shown to the mesmerized audience, were the hundreds of dolphins surfing on waves and puffins feeding their young, but every scene and every sound brought home the most important sight and message of all – that we need to and must protect our oceans.

A night of awe inspiring sights and sounds left the audience within the Arena spellbound from start to finish and as the show reached its climax, the orchestra falling silent for the final time, the applause directed to Freeman, his musicians and host Rani echoed throughout the venue with many present standing to applaud what had been a truly spectacular night.


CRYSTAL CLAYTON CHATS NEW MUSIC, SOCIAL MEDIA & ARTISTIC INFLUENCES 0 87

Following the release of her latest single “Is It Me?” and EP 3AM earlier this month and with her hit song “Blinding Lights” having already been streamed more than 50,000 times on Spotify, there’s no doubt that Crystal Clayton is certainly well on the way to making quite a name for herself. As she looks to a bright future, ThisIsTheLatest caught up with her to chat artistic inspirations, the power of social media and what, many years from now, she’d most like to be remembered for.

TITL: Please introduce yourself in a few words.

Crystal Clayton: My name is Crystal Clayton and I am an independent pop music recording artist/ songwriter

TITL: Has music always been the career goal for you or did you have other ambitions before embarking on this journey?

CC: I’ve wanted to be a singer since I was a kid. When I was young, I was constantly dancing and singing around the house. I wanted to have a voice like Celine Dion.  As I grew up, I started taking voice lessons and performing in theaters and shows. I began writing songs when I was a teenager and I was hooked. There has never been a plan B. I’ve always wanted a career in music.

TITL: Which artists and bands are you most inspired and influenced by, and what is it about the music they make that you like so much?

CC: I try to be unique and true to myself, but there are several artists I’m very much influenced by.  Growing up, like I said, I was obsessed with Celine Dion and also Mariah Carey. I just loved powerful voices and I tried to emulate that. Over recent years I have been heavily influenced by Rihanna, Lady Gaga and Beyonce. Right now I’m listening to a lot of SZA and Banks! I think I take bits and pieces of what I listen to and create my own version of the music I love.

TITL: Is there one particular artist you might say you’re in any way similar to?

CC: I had a gentlemen with Music Is My Radar review my new project and he said the most relatable artist he could think of would be Rihanna. But I think this project is definitely more R&B/pop than some of my previous material that has been much more strait forward pop. I really can’t pin-point one specific artist that I’m like.

TITL: If you had to give one reason as to why you stand out among your artistic counterparts, what would you say?

CC: What I love about the music I create is that it is catchy and it is pop music, but I give the lyrics life and authenticity. My lyrics are emotionally driven because I am a very emotional person. I like to infuse my love of R&B with my love of pop music.

TITL: Who or what is your biggest inspiration when it comes to music and song-writing? With that in mind, could you choose what you feel is the greatest song ever written? 

CC: Growing up my parents had me listening to a lot of classic rock. I loved Boston, Led Zeppelin, Queen, The Eagles… I believe hands down that “Bohemian Rhapsody” is the best song ever written. The range of emotions in intonation, vocally and instrumentally is one of a kind.  There is a lot of current music that I often think to myself “I wish I had written that song”.  Rihanna’s 2016 album, ‘Anti’ is a masterpiece.  I also really love Kehlani’s new album ‘While We Wait’ as well as ‘CTRL’ by SZA. I like to think that my musical taste is well rounded…I just love music. I’m influenced by oldies and also current music. 

I’m also very much influenced by my own life experiences. I can easily look back on situations from my past and draw from those experiences. Even if it’s been a while since the relationship or event took place, my empathy and ability to feed on those emotions helps me write.

TITL: What made you choose “Is It Me?” to be your lead single? Is there a particular story behind the song?

CC: “Is It Me?” was actually a very easy song for me to write. It’s about that excited feeling you get when you believe in what you’re doing and you know that good things are in the future. It’s just a feel good song with feel good vibes. I was able to share that excitement with my producer and team and we just made a happy song. 

I think I chose “Is It Me?” because it resonated well with a lot of friends I shared it with. They liked the energy of the song and it’s also a bit more pop than some of the other songs on this project.

TITL: This is also your first release since moving from Kansas City to LA. Why did you decide that now was the right time to do so and how have you found the transition?

CC: I was actually hoping to put the project out before I left Kansas City, but things were not coming together quickly enough, and I wanted to wait until after the holidays. I just figured, this is a new beginning for me, so why not release a new project that somewhat re-brands what I’ve done so far.

I found myself very stagnant in the Kansas City music scene. I was born in LA and brought to the Midwest when I was very young, and I had always dreamed of moving back out here. I got to the point where it was like, ‘just take that risk! Just follow that dream, what do you have to lose?’ The transition has been an adventure! I still haven’t fully immersed myself into the LA music scene, but it’s coming along. I’m still the new kid trying to get the hang of things around here.

TITL: “Is It Me?” features on your new EP 3AM which came out earlier this month. For those who haven’t heard it yet, how would you sum it up?

CC: 3:AM has many different layers to it. I think it’s an extension of myself, as a young woman, coming into her own. There is a common element in a lot of my music that has this sense of reaching towards aspirations, and big dreams that you can’t seem to let go of. I think that some elements of 3:AM also have that. There’s the confidence of ‘Is It Me?’, the sexiness of “Mine” and “Falter”, the heartbreak of “3:AM”, and then there is “Pieces” that show’s my vulnerability. In that song I’m really just saying, sometimes I’m not okay and really I’m just barely keeping this all together, but I HAVE to keep going. I think that a lot of people can relate to this project and that’s what I strive for. 

TITL: Do you have a favourite track on the collection and if so, which is it and why?

CC: It’s hard for me to pick a favorite because each one is special to me in its own way. Each song captures a different moment and experience. I think, for me, “3:AM” is one that really resonates well. I think that song is my best work lyrically, and that a lot of people can relate to it. We’ve all been in relationships that we know in the back of our minds will not last, but we continue on because we’re in love.

TITL: Will you be/are you touring/performing in support of the EP and if so, where can people come and see you?

CC: I haven’t started planning a tour yet. I have been focusing on promotion of the project and performing around my new city, LA. You can keep updated with performances and music by following me on social media and my website; @criddleclayton and www.crystalclayton.com.

TITL: Given that your hit song “Blinding Lights” has so far been streamed more than 60,000 times and your audience online is growing considerably, how do you feel about social media? Do you think society and the music industry is perhaps too reliant on the likes of Twitter and Facebook, or do you believe such platforms are now vital tools, given the technology-obsessed world we live in?

I’m really proud of how well “Blinding Lights” has done. I think that social media and streaming helped ‘Blinding Lights’ get the attention that it has. I do believe as a society we spend too much time on our phones and on social media. The internet completely lost it when Instagram went down for a day a couple weeks ago. But, it is the way of the future and it’s not going anywhere. I think as a business person – and music is a business – it’s smart to find ways to use these tools to your advantage and engage with people through social media. It’s such a huge market and you can reach people you probably never could have before. It’s vital to a music career in 2019.

TITL: What does the rest of the year have in store for you?

CC: The rest of this year I’m hoping to release some music videos, perform at some awesome shows here in LA, release some more new music later this year, and hopefully do a small tour run! 

TITL: Finally then, as you continue to make your mark on the industry, looking many years down the line, what’s the one thing you’d like people to remember or recall when they think about you and your music? What message or legacy do you want to leave for the current and future generations?

CC: I just hope that people will remember authenticity from me. My music is vulnerable and real. I write music for myself, and what I like; and I hope that people can relate and resonate with it.