THE AQUABATS TALK KICKSTARTER SUCCESS & BIG PLANS FOR 2019 0 157

With a career already spanning close to 25 years, The Aquabats are certainly no strangers to the music industry and thanks to their recent – and hugely successful – Kickstarter campaign, fans of the group can rest easy knowing they won’t be going away anytime soon. While the group were on tour, ThisIsTheLatest caught up with member Christian Jacobs AKA MC Bat Commander to delve a little deeper into the Kickstarter campaigns’ success and what fans and backers can expect as a result and also to gauge his thoughts on the business he and his band-mates have been a part of for so long.

TITL: As a group, you’ve been around since 1994 and have outlasted many of your artistic counterparts. What do you think has been the key, or the secret, to your longevity?

Christian Jacobs: Wow! Ha! I guess we have been around for a little while. I don’t want to guess why people decide to keep listening to us, or watching the show we made, but I think one reason we’ve kept going for so long is because one of our goals has always been fun first! We’ve been having fun for a long time, and it’s still a ton of fun. Also, I think anytime we’ve had strain on the prime directive (fun) or when things got hard, we’ve pulled back and took care of what really mattered, and that was our friendships and our families. Life first, band second.

TITL: Your line-up has undergone a number of changes over the years, including one which saw renowned Blink 182 drummer Travis Barker join you for a time. What impact did those changes have on you as a group and do you foresee any further line-up changes occurring in the coming years?

CJ: Yeah, we’ve had quite a few amazing people come and go over the year.  Sometimes we knew it was going to happen, and other times life just sort of happens, and you don’t have any control over it. In those moments of change, we just tried to roll with the punches and not get too stressed out about it. After all, this is a fun project… it’s not life and death! So we’ve had a bit of a revolving door policy, and we’ve mostly remained friends with our former band mates, including Travis! That’s also been great. because sometimes we’ll have past members come back to play shows and songs, and it’s always been super fun. In fact, we’re hoping a few of them will also join us for a few new tracks next year, since we’ll be working on two new albums… and we know that a lot of our fans would be psyched if we had our horn section back for at least a few songs! And we don’t have any specific plans for the band to change in the immediate future, but like I said, life happens… so if something comes up, we’ll figure it out then!

TITL: Which of your releases, both as singles and albums/EP’s are you most proud of and why? How would you say each one charts your musical and artistic evolution?

CJ: Man, that’s a tough one. I think we’re especially proud of “The Fury of the Aquabats,” for the obvious reasons – it’s kind of the “big” record from our past. I guess when I look at a lot of our past albums, there are things now that I wish we’d done differently… but at the time, we all thought that they were pretty good. I also like “Charge”, released in 2005, a lot, because it was kind of the record that kept things going for us. We were gonna hang it up before that record, but making it and touring it really changed things — it showed us that there was still an audience for The Aquabats, and some kind of magic left in what we were doing. And I think “Hi-Five Soup” is probably the best example of how our musical direction has grown. It’s all over the place – which I think is good. We have that luxury, as a band of weirdos: We can go in any old direction… as long as it’s fun!

TITL: In the past two plus decades, how has the industry changed in your eyes, and have those changes been good or bad?

CJ: It’s so different. The big shift is really just that more of the power keeps moving into the hands of the artists. If you’re motivated enough, we’re kind of in a time where you can be super successful without “the industry.” You don’t need a label. You don’t need an A&R team or radio support. You can do it all yourself, and you can market it yourself on the internet. It’s pretty awesome, actually, because we were never really understood by the “expert executives” anyway. We’ve survived through being connected to our fans through the web, which we think is a big reason that our Kickstarter worked out so well.

TITL: You recently wrapped a Kickstarter campaign to bring back your hugely fan-popular music comedy action show The Aquabats! Super Show! For those who never saw it upon its debut in 2012, how would you sum it up?

CJ: Well… I guess if you’re over the age of 35, I would describe it as Batman meets The Monkees. If you’re under the age of 35, I would say it’s Power Rangers meets Flight Of The Conchords. And if you’re in your twenties or a teenager, I’d say, “It’s like these totally random chubby dudes fighting way random monsters and like…trying to win and stuff!” And if you’re a kid, I would say, it’s the newest, funniest superhero TV show ever!

TITL: Can you tell me a bit more about the campaign?

CJ: Wow. Yeah. It’s been a lot to process…but mostly, it’s been a blast. It’s also been a ton of work! I think really connecting with the fans and finding out what they want and expect from us was really important to us! It’s been so humbling, and amazing, to realize how much our fans wanted to do to support the group, and to make sure we keep going. That’s why so much of our Kickstarter campaign was focused on bringing all of our fans together, and forming a group that we called “The Legion of Righteous Comrades” — which is basically anyone and everyone who believes that the world’s better off with a group like The Aquabats out there, making people laugh and fighting the forces of boredom and negativity.

But for anyone who didn’t hear about it while it was running: we ran this huge Kickstarter, and raised enough that we’ll be able to get back to work over the next few months, so that we’ll have a ton of new stuff to share in 2019, including two brand new albums, a 12 episode web-series and a private livestream concert for everyone who supported the Kickstarter. And if anyone missed it but still wants to jump in, we’re still accepting pledges, and will use whatever we raise to make even more stuff next year. So, it’s not too late to be part of the team… you can still join at bringbacktheaquabats.com.

TITL: Ultimately you’ve been and are relying on technology, especially social media, to hopefully bring the show back, but do you think it would be AT ALL possible to have done or organized a campaign like this even five, ten years ago? With that in mind, even away from the show, how big is and has been the impact of social media on your careers? 

CJ: Man, I really can’t say, but… probably not? I mean, it’s been almost five years since they did that Kickstarter campaign for Veronica Mars, which was sort of the first time I think it occurred to us that fans could raise enough money to make entire movies or television shows. But ten years ago, probably not.

And either way, social media has DEFINITELY saved The Aquabats from extinction, period! We haven’t had a new album out in almost 7 years, or new episodes of our show since 2014… so there’s absolutely NO WAY we’d still have so many friends and fans ready to help us, if we hadn’t been able to keep in touch with them on FacebookInstagramTwitter and YouTube. It’s been really great for us, just keeping the connection alive, and realizing there are still people out there who want us to do more, and who make sure we know it… a lot!

TITL: Away from the campaign, what are the future plans for the group? Do you have any plans to return to the studio or hit the road and engage once more with your die-hard, almost cult-like following of fans?

CJ: YES! Thanks to the huge success of our Kickstarter, we’ve got a ton of plans for the next year… and beyond! And you know, the way it worked was that the more we raised, the more we promised we’d do. So, just from what we’ve already raised, we’ve promised our backers that we’ll make two new albums, plus release our long-overdue soundtrack album and a live concert album of our “Fury Of The Aquabats” 20th anniversary show back in April. And, of course, we’ll be making a new “online season” of Super Show, and we’re definitely planning to hit the road and see as many people as we can next year.

If we’re able to raise a little more over the next few months, there’s even more we’d love to keep doing…including music videos for some of our old songs and some of our new songs. I think that was one of our big mistakes in the past — not making more music videos. And now we can fix it and go all out! WOO!!!

TITL: Finally then, in the twenty plus years you’ve been together, you’ve seen and done a lot, but are there any plans or goals you still have left to tick off your personal and/or professional bucket lists?  Which one, as yet unfulfilled objective, do you most want to complete and why?

CJ: I think we really just want to reach all of the people that we – or you – would THINK would be Aquabats fans, but never discovered us yet! We go to comic conventions – including San Diego Comic-Con – pretty much every year, and we see thousands of people who are SO hardcore about superheroes and pop culture and all of this stuff that the Aquabats have been heralding for 20+ years… And it just always makes us think. “Look at all these people who are so ready to discover the Aquabats!” I mean, when I was in grade school reading Marvel comics, I would have never imagined the entertainment world would be so totally conquered by the MCU… it was just unfathomable! Did you see Ant-Man and The Wasp? It was so ridiculous… it totally could have been an episode of The Aquabats Super Show! So, I really think the Aquabats’ time is still coming… and based on the response to the Kickstarter, our plan is TOTALLY WORKING!

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CRYSTAL CLAYTON CHATS NEW MUSIC, SOCIAL MEDIA & ARTISTIC INFLUENCES 0 44

Following the release of her latest single “Is It Me?” and EP 3AM earlier this month and with her hit song “Blinding Lights” having already been streamed more than 50,000 times on Spotify, there’s no doubt that Crystal Clayton is certainly well on the way to making quite a name for herself. As she looks to a bright future, ThisIsTheLatest caught up with her to chat artistic inspirations, the power of social media and what, many years from now, she’d most like to be remembered for.

TITL: Please introduce yourself in a few words.

Crystal Clayton: My name is Crystal Clayton and I am an independent pop music recording artist/ songwriter

TITL: Has music always been the career goal for you or did you have other ambitions before embarking on this journey?

CC: I’ve wanted to be a singer since I was a kid. When I was young, I was constantly dancing and singing around the house. I wanted to have a voice like Celine Dion.  As I grew up, I started taking voice lessons and performing in theaters and shows. I began writing songs when I was a teenager and I was hooked. There has never been a plan B. I’ve always wanted a career in music.

TITL: Which artists and bands are you most inspired and influenced by, and what is it about the music they make that you like so much?

CC: I try to be unique and true to myself, but there are several artists I’m very much influenced by.  Growing up, like I said, I was obsessed with Celine Dion and also Mariah Carey. I just loved powerful voices and I tried to emulate that. Over recent years I have been heavily influenced by Rihanna, Lady Gaga and Beyonce. Right now I’m listening to a lot of SZA and Banks! I think I take bits and pieces of what I listen to and create my own version of the music I love.

TITL: Is there one particular artist you might say you’re in any way similar to?

CC: I had a gentlemen with Music Is My Radar review my new project and he said the most relatable artist he could think of would be Rihanna. But I think this project is definitely more R&B/pop than some of my previous material that has been much more strait forward pop. I really can’t pin-point one specific artist that I’m like.

TITL: If you had to give one reason as to why you stand out among your artistic counterparts, what would you say?

CC: What I love about the music I create is that it is catchy and it is pop music, but I give the lyrics life and authenticity. My lyrics are emotionally driven because I am a very emotional person. I like to infuse my love of R&B with my love of pop music.

TITL: Who or what is your biggest inspiration when it comes to music and song-writing? With that in mind, could you choose what you feel is the greatest song ever written? 

CC: Growing up my parents had me listening to a lot of classic rock. I loved Boston, Led Zeppelin, Queen, The Eagles… I believe hands down that “Bohemian Rhapsody” is the best song ever written. The range of emotions in intonation, vocally and instrumentally is one of a kind.  There is a lot of current music that I often think to myself “I wish I had written that song”.  Rihanna’s 2016 album, ‘Anti’ is a masterpiece.  I also really love Kehlani’s new album ‘While We Wait’ as well as ‘CTRL’ by SZA. I like to think that my musical taste is well rounded…I just love music. I’m influenced by oldies and also current music. 

I’m also very much influenced by my own life experiences. I can easily look back on situations from my past and draw from those experiences. Even if it’s been a while since the relationship or event took place, my empathy and ability to feed on those emotions helps me write.

TITL: What made you choose “Is It Me?” to be your lead single? Is there a particular story behind the song?

CC: “Is It Me?” was actually a very easy song for me to write. It’s about that excited feeling you get when you believe in what you’re doing and you know that good things are in the future. It’s just a feel good song with feel good vibes. I was able to share that excitement with my producer and team and we just made a happy song. 

I think I chose “Is It Me?” because it resonated well with a lot of friends I shared it with. They liked the energy of the song and it’s also a bit more pop than some of the other songs on this project.

TITL: This is also your first release since moving from Kansas City to LA. Why did you decide that now was the right time to do so and how have you found the transition?

CC: I was actually hoping to put the project out before I left Kansas City, but things were not coming together quickly enough, and I wanted to wait until after the holidays. I just figured, this is a new beginning for me, so why not release a new project that somewhat re-brands what I’ve done so far.

I found myself very stagnant in the Kansas City music scene. I was born in LA and brought to the Midwest when I was very young, and I had always dreamed of moving back out here. I got to the point where it was like, ‘just take that risk! Just follow that dream, what do you have to lose?’ The transition has been an adventure! I still haven’t fully immersed myself into the LA music scene, but it’s coming along. I’m still the new kid trying to get the hang of things around here.

TITL: “Is It Me?” features on your new EP 3AM which came out earlier this month. For those who haven’t heard it yet, how would you sum it up?

CC: 3:AM has many different layers to it. I think it’s an extension of myself, as a young woman, coming into her own. There is a common element in a lot of my music that has this sense of reaching towards aspirations, and big dreams that you can’t seem to let go of. I think that some elements of 3:AM also have that. There’s the confidence of ‘Is It Me?’, the sexiness of “Mine” and “Falter”, the heartbreak of “3:AM”, and then there is “Pieces” that show’s my vulnerability. In that song I’m really just saying, sometimes I’m not okay and really I’m just barely keeping this all together, but I HAVE to keep going. I think that a lot of people can relate to this project and that’s what I strive for. 

TITL: Do you have a favourite track on the collection and if so, which is it and why?

CC: It’s hard for me to pick a favorite because each one is special to me in its own way. Each song captures a different moment and experience. I think, for me, “3:AM” is one that really resonates well. I think that song is my best work lyrically, and that a lot of people can relate to it. We’ve all been in relationships that we know in the back of our minds will not last, but we continue on because we’re in love.

TITL: Will you be/are you touring/performing in support of the EP and if so, where can people come and see you?

CC: I haven’t started planning a tour yet. I have been focusing on promotion of the project and performing around my new city, LA. You can keep updated with performances and music by following me on social media and my website; @criddleclayton and www.crystalclayton.com.

TITL: Given that your hit song “Blinding Lights” has so far been streamed more than 60,000 times and your audience online is growing considerably, how do you feel about social media? Do you think society and the music industry is perhaps too reliant on the likes of Twitter and Facebook, or do you believe such platforms are now vital tools, given the technology-obsessed world we live in?

I’m really proud of how well “Blinding Lights” has done. I think that social media and streaming helped ‘Blinding Lights’ get the attention that it has. I do believe as a society we spend too much time on our phones and on social media. The internet completely lost it when Instagram went down for a day a couple weeks ago. But, it is the way of the future and it’s not going anywhere. I think as a business person – and music is a business – it’s smart to find ways to use these tools to your advantage and engage with people through social media. It’s such a huge market and you can reach people you probably never could have before. It’s vital to a music career in 2019.

TITL: What does the rest of the year have in store for you?

CC: The rest of this year I’m hoping to release some music videos, perform at some awesome shows here in LA, release some more new music later this year, and hopefully do a small tour run! 

TITL: Finally then, as you continue to make your mark on the industry, looking many years down the line, what’s the one thing you’d like people to remember or recall when they think about you and your music? What message or legacy do you want to leave for the current and future generations?

CC: I just hope that people will remember authenticity from me. My music is vulnerable and real. I write music for myself, and what I like; and I hope that people can relate and resonate with it. 

SHARON BLYNN CHATS ‘CAPTAIN MARVEL’, ‘BALD IS BEAUTIFUL’ & HER ADVICE FOR ASPIRING ACTORS 0 71

Currently on screen in the latest Marvel blockbuster Captain Marvel alongside Brie Larson, Sharon Blynn has an impressive resume of work to her name having appeared in several hit TV shows and movies. As an individual who has fought and beaten ovarian cancer, she’s also the founder of Bald Is Beautiful, an organisation which supports ovarian cancer programs and raises awareness. With a number of projects “in development”, ThisIsTheLatest spoke to Blynn about her fond memories of her time on the CM set, the one role she’s the most proud of and what the future has in store.

TITL: Prior to becoming an actress, did you ever have any other career plans or ambitions? 

Sharon Blynn: Before I started Bald Is Beautiful and pursuing acting and modeling. I worked at a record company in NYC, specifically in jazz. My dream at the time was to eventually have my own record company or do artist development (Berry Gordy-style) to help bring gifted artists to the world. I spent many years collaborating with incredibly talented artists, forging lasting friendships, and hanging out in the legendary New York City jazz scene into the wee hours every night! Soon after leaving the music biz, I was diagnosed with ovarian cancer and that journey inspired me to create my Bald Is Beautiful movement, which encompasses ovarian cancer awareness advocacy, motivational speaking and community outreach, as well as acting.

TITL: What is it about acting and performing that you love so much? Now that you’re a well-established actress, could you ever envisage yourself doing anything else? 

SB: Ironically, before my cancer journey and starting Bald Is Beautiful, I could never have imagined that I would first of all remain bald much less become an actor! What I love about performing is what I love about LIFE — digging into emotion, honest self-reflection, connecting to another person, listening to people share their stories and holding space for them to feel safe doing so, telling stories that cultivate empathy and understanding, and expand our perspective about people and the world around us. Before I began acting, it terrified me, frankly, but I very quickly caught the “acting bug” from my first time performing on stage in a very special interactive, immersive theatrical show called Off the Muff (conceived, produced, and directed by my twin sis Elisa), and have found a true passion for it. Bald Is Beautiful is still the fuel behind my acting fire, so what I do in terms of acting always goes beyond performing and delves into passionate (and compassionate) activism and advocacy.

TITL: You have a varied resume of roles that span several genres including drama and comedy, and have appeared in ShamelessBody of Proof, and Lie to Me along with many other shows. How important to you is it that you’re able to take on a wide variety of roles and genre styles in the work you do, and is there one you prefer over the other? 

SB: I thoroughly enjoy exploring characters in a wide variety of roles and styles, because in the end. It comes down to telling story from an authentic and grounded place. Working across genres and styles also gives me the opportunity to explore different parts of myself, and I love digging into all of those rich emotional layers. I can be a complete goofball and also a sensitive and intense woman, and I can draw from all of that for every kind of role.

TITL: Which of your past performances/roles might you say you’re most proud of and why?

SB: One of my favorite roles was a 12-minute one-woman performance piece I wrote and presented called “How Are We Feeling Today?” I originally wrote it as part of an event called “The Big C”, for which all of the featured performers were cancer survivors sharing their stories through this artistic avenue. This was the first time I’d made a scripted-sculpted representation of the full emotional arc of my ovarian cancer experience, and the director I was paired with helped shape my story into a unique expression that I would like to someday develop into a full one-woman show.

TITL: If you could appear in any other TV show past or present, which would it be and what kind of character would you like to play?

SB: This is such a tough question! There are so many shows of all genres that I have loved watching throughout my life — the first thing that actually popped into my head was to be the guest star – aka the killer – on an episode of Columbo, especially one of the longer-form 90-minute or 2-hour episodes! I think that’s because I just recently happened to catch both the Johnny Cash and Leonard Nimoy appearances in the wee hours of my insomniac cable-surfing! If I’m looking to what’s happening now, I am excited about the bold and compelling stories being told through the limited series or anthology series formats, like Big Little Lies and Sinner or True Detective, and also woman-helmed productions from powerhouses like Shonda Rhimes, Reese Witherspoon, Ava Duvernay, Gina Rodriguez, and others with whom I would love to work. I relish the opportunity to explore a variety of character types, from sensitive and soulful to sinister and dark to quirky and offbeat.

TITL: How did you hear about the audition for the role of Soren in Captain Marvel and did you consider/audition for any other parts? What can you recall of your audition itself? 

SB: The audition for the role of Soren came through my rep, and there was actually very little information provided at that time as far as the project and the character, and even the surrounding storyline. There was no dialogue in the audition scene, all I was given was a couple of sentences generically describing a complex scenario, so I had to create an emotional arc just using that information. It was an exciting challenge to bring a scene like that to life; in some ways more challenging than having lots of dialogue to prepare!

TITL: As a huge fan of Marvel, how does it feel to now be a part of such a huge and globally loved, brand/Universe? 

SB: As an MCU and Stan Lee fan and as an actor, it still feels a bit surreal, and I think I will always be over-the-moon giddy about it. Being in such a special role and compelling scenes, and in particular to be part of a Marvel movie that has its own landmark qualities — first female superhero lead in a Marvel movie, first female director in the MCU — is especially rewarding and meaningful as it relates to my Bald Is Beautiful message to empower women to find and define their strength, courage, beauty, and the womanity of it all!

TITL: Do you have any favorite moments or memories from your time on set that you can share? 

SB: Every moment on set for this shoot is a favorite memory for me! Genuinely! Of course, connecting and working with Ben and Brie in particular was a joy. They both have an ease and warmth that helped make the scenes feel present and relatable. Also, I adored working with Auden and Harriet as my daughter. I’d never worked with children that young who therefore had to shoot in alternating shifts, so working with the two of them was fascinating, both personally – I’m an identical twin myself – and as an actor!

TITL: Captain Marvel is smashing it at the box office on both sides of the Atlantic. Aside from the fact it’s a Marvel film, and has huge support behind it for that reason alone, what do you think it is about this film that fans and critics are loving so much? 

SB: I think the wide appeal of Captain Marvel comes from a few different angles for existing fans and newcomers alike. There is the nostalgia of the ’90s setting, the boldness of the futuristic sci-fi elements, the engaging action sequences and cool visual effects, and the combination of humor and heart. The fierceness and power of the feminine underpinning the movie at its core gives the movie an added layer of appeal not only for female viewers, but also speaks to male viewers – younger and older – in showing how balance and respect help us all rise to our highest potential.

TITL: The film has been championed by many for the way in which it – and Brie Larson’s Carol Danvers – empowers women, reminding them that they are just as strong and capable as any man. Given the recent MeToo movement and all the attention around the way women are treated in the business, just how important and timely do you think the film and this message is? 

SB: The messages of this film have always been important. The timeliness of it comes from the renewed groundswell of momentum and awareness for issues that impact women all over the world, and people are more activated and engaged in the social and political significance of it all. I like to think that the worldwide theatrical release of Captain Marvel occurring on International Women’s Day was both purposeful and magical!

TITL: Away from acting, you founded the organization Bald Is Beautiful after successfully beating ovarian cancer, with the platform helping to raise awareness and support charities and programs. Given that 1 in 2 of us will be affected by cancer in our lifetime, would you like to see more people in the spotlight, and those affected by cancer and other such diseases, speak out in support of those people and organizations working tirelessly to help beat it? What can people do if they want to get involved with Bald Is Beautiful? 

SB: Actually, my acting work began specifically as part of my Bald Is Beautiful organization’s message. It is the visual component of engaging the print, TV, and film industries in expanding how beauty and femininity are depicted. There are many ways to be of support of people and organizations in the cancer trenches, and everyone has their own comfort level with sharing about what is a very private, intimate experience, be it their own or that of a loved one going through cancer treatment. My main hope, then, is that those who do have visibility or are in a position of influence use that platform in whatever ways they feel willing or able.

As far as involvement with Bald Is Beautiful, I always invite people to share my site www.baldisbeautiful.org with anyone for whom they think it can be of comfort, inspiration, resource, encouragement, and hope.

TITL: How do you feel about social media and the impact it can and does have on industries/professions such as yours both personally and professionally? Do you think we as a society are too attached to the likes of Twitter and Facebook or is it simply another tool that for the most part is beneficial to people and projects looking to reach an audience?

SB: As with most technological advancements, there are pros and cons to what those developments bring to our personal or professional lives. It seems to always depend on the users and their intent. Social media can be refreshingly connective, and in some ways it can certainly level the field of play in terms of self-generating and disseminated our art. It can save cost and time, while also eat away at that precious time, because so many people are getting lost in their devices and not engaging with humanity and nature that abounds and surrounds us. It’s vital to have a sense of awareness around both the benefits and potential pitfalls, and be mindful about it all.

TITL: Actors often have very demanding schedules what with filming and press tours etc. How do you unwind after a busy period or hectic filming schedule? 

SB: I cherish spending time with people who are dear to me. I equally appreciate times of quiet solitude to decompress. Exercising is a form of release and reinvigoration that I do often – daily if possible – including the gym, hiking, going for a bike ride or just walking around the neighborhood. I also thoroughly enjoy diving into a Law & Order marathon! I’ve probably seen every episode, most of them more than once, but it doesn’t matter . . . that show, original and SVU, is a sort of mental “soul food” for me.

TITL: Are there any upcoming projects in the pipeline you can tell me about? 

SB: I have a couple of exciting things in development and, in the meantime, continue with the Hollywood hustle of auditioning and “working out” in classes, and enjoying Life!

TITL: What advice would you give to any aspiring actors and actresses out there who are looking to make their way in the industry? Is there any advice you were once given that you would pass on?

SB: I would encourage aspiring actors to understand both the creative and the business side of the industry. Take classes, connect with other actors, do the discipline and work to hone their acting skills. And then . . . live life! One of my acting teachers stressed the importance of living a full life in order to be a full, embodied, and authentic actor and human being. That insight still holds true for me, and I strive to do that in some way every day.

TITL: Finally then, looking to the future, what’s the long-term ambition for you, both personally and professionally?

SB: Professionally speaking, I hope to continue building my acting repertoire and I’m excited about all the possibilities of what’s to come. The same goes for Bald Is Beautiful and reaching more people through this medium of TV and film work or in other ways. Personally, I hope to maintain good health, enjoy my relationships, and overall continue learning and evolving — mentally, emotionally, and spiritually – and experience unconditional joy and love in all areas of life.

Captain Marvel is in cinemas everywhere now. For more information on and to keep up to date with Sharon Blynn, follow her on Twitter. Header photo credit: Alexis Dickey.